NEWS
Michelle Joy, frontwoman for indie rock band Cannons, shared on social media Tuesday that she was recently groped by a concertgoer while she was performing onstage.
“While performing one of our last shows of the tour, I was groped on stage by an audience member,” she wrote in a black-and-white text post, shared to the band’s social media accounts. “It was one of the most uncomfortable things I’ve ever experienced and a complete invasion of my space, privacy, and body. It left me feeling unsafe and violated.”
Alongside the post, she included the caption, “Just want to create a safe space for ourselves and everyone at our shows so found this important to share today.”
Her post continued: “Sexual harassment will absolutely not be tolerated at any Cannons show. Especially being a female fronted band, we care deeply about our shows being a safe environment where not only women, but everyone regardless of gender, age, race, sex, etc. can come together and share in the joy of our music, ourselves included. If you ever feel unsafe or see something that doesn’t feel right, please let someone around you know. We encourage you to speak up, be kind, and take care of one another.”
Cannons — which formed 10 years ago in LA and also includes guitarist Ryan Clapham and bassist and keyboardist Paul Davis — scored their first Alternative Airplay No. 1 in 2021 when “Fire for You” topped the Jan. 30-dated chart. Initially released in 2019, “Fire for You” found a second life thanks to its 2020 appearance in Netflix’s Never Have I Ever.
On Wednesday (Oct. 25), the band took to Instagram Stories to thank fans for their kind words after Joy’s post about the onstage violation. “Reading through your comments now and just wanted to thank all of you for your kind words, encouragement and support, you all are truly THE BEST and we are sooo [grateful] to have such a wonderful fan base, love you very much!!!” they wrote. “Excited to keep moving forward and make live music a little safer for everyone, see you all again soon!”
KROQ DJ Megan Holiday was among the fans chiming in, writing in the comments section of the original post: “Ugh wtf is wrong with people?!! I’m so sorry Michelle. Sending you all the love and hope you’re okay.”
Next up, Cannons join Lovejoy and littleimage for a pair of concerts in Mesa, Arizona, on Dec. 13 and 14.
Stories about sexual assault allegations can be traumatizing for survivors of sexual assault. If you or anyone you know needs support, you can reach out to the Rape, Abuse & Incest National Network (RAINN). The organization provides free, confidential support to sexual assault victims. Call RAINN’s National Sexual Assault Hotline (800.656.HOPE) or visit the anti-sexual violence organization’s website for more information.
The estate of Prince has shared a previously unheard recording of “With This Tear,” a track the late icon originally wrote before passing it on to Celine Dion in the early 1990s.
The newly revealed version, released through NPG Records and Legacy Recordings, presents Prince’s own recording of the piano driven ballad, fully written, produced and performed by him. It was initially recorded at Paisley Park in November 1991 and had stayed in the vault until now.
Dion’s interpretation of “With This Tear” was included on her 1992 self titled album, highlighting one of many moments where Prince created songs for other artists while holding back his own versions. His original recording feels more minimal, putting the focus on his vocals and piano arrangement.
The newly issued version has been given an updated mix by Grammy nominated producer Chris James, who has worked on several Prince related releases before. This drop is part of the Prince Estate’s ongoing effort to open up more of his deep archive of unreleased music.
The release arrives at a meaningful moment, just ahead of the 10th anniversary of Prince’s passing. Since 2016, a consistent flow of archival material including deluxe reissues, vault recordings and rare collaborations has kept his legacy active in today’s music landscape while offering a closer look at how much he created.
“With This Tear” also highlights Prince’s long established role as a songwriter for others. Across his career, he wrote and produced tracks for a wide range of artists, often shaping songs that evolved into entirely new identities outside his own discography.
The release comes amid growing attention around Prince’s archive in recent years. In 2024, a demo of “Baby Doll,” an unreleased collaboration between Prince and Kylie Minogue, surfaced online and showed just how much material still remains unheard.
While there has been no official confirmation of a larger vault project, reports continue to suggest that more archival releases could be on the way.
