If one were to sculpt sound into soulful landscapes, the sculptor might resemble Carlos Santana. From his mystical riffs to the timbre of musical tradition resonating from his guitar, Santana is a virtuoso whose artistry transcends simple genre classifications. Whether you hear the opening bars of “Black Magic Woman” or the spellbinding collaborations in Supernatural, you’re hearing the heartbeat of an artist whose contributions to music are, frankly, immeasurable. Speaking of measurements, though, the monetary yardstick hovers at an impressive $50 million in 2023, according to IdolNetWorth.
The world first felt the full force of Santana’s artistry at Woodstock in 1969, and, boy, did it resonate. His eponymous band’s debut album Santana would follow shortly, unleashing hits like “Evil Ways” that gained instant acclaim. Through the 1970s and beyond, his virtuosity only continued to blossom. Take Abraxas, the album that gifted us “Oye Como Va,” or the aforementioned Supernatural, which won nine Grammy Awards and delivered the iconic track “Smooth” featuring Rob Thomas. This is not a curriculum vitae; it’s a tapestry of culture and emotion woven into sound.
The man behind the music is intriguingly spiritual, influenced by metaphysical philosophies and Eastern spiritual practices. He’s been happily married to drummer Cindy Blackman since 2010, and he fiercely advocates for educational efforts through the Milagro Foundation, which he established with his then-wife Deborah in 1998.
One might think that Santana’s business repertoire would strictly be musical, but the man’s a maestro in diversification. There’s a line of women’s shoes, a chain of upscale Mexican restaurants called Maria Maria, and a range of Santana-branded musical instruments. He’s also a philanthropist of note, with the Milagro Foundation contributing millions to underprivileged children for their education, health, and welfare.
Carlos Santana’s life is not merely a tale of musical excellence; it’s an ode to diversity, a tribute to spirituality, and a testament to the richness that results when one remains committed to both craft and community.
NEWS
Sharon Osbourne has revealed she is holding early discussions about bringing Ozzfest back in 2027 as a tribute to her late husband Ozzy Osbourne.
The iconic metal festival was last staged as a full standalone event in 2018, followed by a one off New Year’s Eve show in 2019. Sharon now feels interest in a proper return is stronger than ever and says initial talks are already underway with Live Nation. Her vision is for a comeback that is larger in scale, more inclusive in sound and truly international in reach.
Speaking to Billboard, she said: “It was something Ozzy was very passionate about: giving young talent a stage in front of a lot of people. We really started metal festivals in this country. It was [replicated but] never done with the spirit of what ours was, because ours was a place for new talent. It was like summer camp for kids.”
Sharon has also made it clear she wants the festival to grow with its audience, suggesting the next version of Ozzfest could reflect modern listening habits by opening the door to a wider range of sounds beyond traditional metal.
She later added: “I’d like to mix up the genres.”
Should the plans come together, Ozzfest would once again travel internationally, recalling its late nineties and early two thousands peak when it became both a launching pad for emerging bands and a major platform for established heavy acts.
In an earlier episode of The Osbournes Podcast, Ozzy, who died in July 2025 aged 76, asked whether the festival could ever return. Sharon responded without hesitation: "Yeah, sure. Of course."
Their daughter Kelly then raised the issue of rising booking fees, suggesting that managers need to be more realistic when negotiating festival appearances.
Sharon responded: "Why is it when it comes to us that everybody thinks that we are trillionaires, and so that every manager who wants their band on our festival wants one of the trillions they think we’ve got to put on the festival?”
Ozzfest was originally founded by Ozzy and Sharon in 1996, at a time when she was also managing the Black Sabbath frontman, and began life as a two day event.
A year later, the festival expanded into a touring format, although by the time it returned in 2018 it had been scaled back to a single night at The Forum in Inglewood, California.
That final edition featured Ozzy at the top of the bill alongside artists such as Rob Zombie, Marilyn Manson and Korn’s Jonathan Davis.
