If one were to sculpt sound into soulful landscapes, the sculptor might resemble Carlos Santana. From his mystical riffs to the timbre of musical tradition resonating from his guitar, Santana is a virtuoso whose artistry transcends simple genre classifications. Whether you hear the opening bars of “Black Magic Woman” or the spellbinding collaborations in Supernatural, you’re hearing the heartbeat of an artist whose contributions to music are, frankly, immeasurable. Speaking of measurements, though, the monetary yardstick hovers at an impressive $50 million in 2023, according to IdolNetWorth.
The world first felt the full force of Santana’s artistry at Woodstock in 1969, and, boy, did it resonate. His eponymous band’s debut album Santana would follow shortly, unleashing hits like “Evil Ways” that gained instant acclaim. Through the 1970s and beyond, his virtuosity only continued to blossom. Take Abraxas, the album that gifted us “Oye Como Va,” or the aforementioned Supernatural, which won nine Grammy Awards and delivered the iconic track “Smooth” featuring Rob Thomas. This is not a curriculum vitae; it’s a tapestry of culture and emotion woven into sound.
The man behind the music is intriguingly spiritual, influenced by metaphysical philosophies and Eastern spiritual practices. He’s been happily married to drummer Cindy Blackman since 2010, and he fiercely advocates for educational efforts through the Milagro Foundation, which he established with his then-wife Deborah in 1998.
One might think that Santana’s business repertoire would strictly be musical, but the man’s a maestro in diversification. There’s a line of women’s shoes, a chain of upscale Mexican restaurants called Maria Maria, and a range of Santana-branded musical instruments. He’s also a philanthropist of note, with the Milagro Foundation contributing millions to underprivileged children for their education, health, and welfare.
Carlos Santana’s life is not merely a tale of musical excellence; it’s an ode to diversity, a tribute to spirituality, and a testament to the richness that results when one remains committed to both craft and community.
Faith No More appear to be hinting at a return to the stage in 2027.
The influential alt-metal band have remained mostly quiet over the past decade following the release of their reunion album ‘Sol Invictus’ in 2015. After its arrival, they played what would become their most recent live performances in 2016 and later called off several touring plans in the years that followed.
Now, however, they seem to be preparing fans for something new. The group recently shared an image of a concert crowd on social media with nothing more than the text “2027” placed across it.
No additional information accompanied the post, but it quickly sparked speculation among fans, many of whom believe a full scale tour announcement could be coming next year.
After wrapping up their 2016 run of shows, the band intended to return to the road in 2020. Those plans were ultimately abandoned because of the COVID-19 pandemic.
Further touring plans surfaced in 2021 as venues began reopening, but those dates were also cancelled before they could begin. Frontman Mike Patton later explained that mental health struggles were behind the decision and revealed he had been diagnosed with agoraphobia during the pandemic.
Until recently, a reunion seemed unlikely. Patton spoke about Faith No More’s lengthy break and said that he did not “see it as a sad thing”.
Speaking on the Kyle Meredith With… podcast and reflecting on whether he felt a “sense of closure” after the 2016 tour, the vocalist said: “I didn’t really think so at the time, but, yeah, maybe. I think that we all kind of felt it, but it was unspoken.”
“It’s funny: when you’ve been in a band or a musical situation for a period of time, you always, in the back of your head, you’re kind of thinking, ‘Well, maybe this is it.’ And I don’t mind that feeling,” he added. “I don’t see it as a sad thing. I see it as being present and being able to really appreciate it while it’s happening.”
Faith No More have never formally announced a breakup following the cancellation of their 2021 tour, although other members have suggested in recent years that the chances of touring again were uncertain.
Last year, guitarist Roddy Bottum discussed the band's future and admitted they were in a “really weird spot”. “I can’t really tell you what’s going on. I don’t know myself. I get different information from people… and I’m in the band,” he said.
Drummer Mike Bordin echoed similar thoughts last spring, saying that he and some of the other members were willing to perform again, but claimed Patton was “unwilling to do shows with us”.
In addition to leading Faith No More since 1989 after replacing original singer Chuck Mosley, Patton has also been involved with projects including Mr Bungle, Fantômas, and Tomahawk.
Tomahawk recently unveiled plans for their first tour in 13 years, with a series of US dates scheduled for this summer. The run begins in Nashville next month and will also see Patton and his bandmates reunite with longtime labelmates Melvins for the first time since 2003.
Patton has also recently launched his tour with Avett Brothers and teamed up with Jehnny Beth on the new single ‘Look At Me’.
