Kevin Gates has left his Instagram followers reaching for the Visine after sharing a graphic clip of a live birth on social media.
The “Really Really” lyricist reposted the NSFW video on his Instagram Story on Sunday (May 7), which originated from the @indiebirths IG account that details midwifery work and often shares clips of at-home births.
“The Most Beautiful thing on earth is the gift of Life [palms up together and heart hands emojis],” Gates captioned the clip, which shows a mother delivering her baby into the father’s hands.
The blowback was swift, with many unsuspecting fans sending out warnings to those who had yet to stumble on Gates’ IG Story.
“Don’t watch Kevin gates insta story don’t do it,” warned one fan on Twitter, while another echoed that sentiment and wrote: “DO NOT LOOK AT KEVIN GATES INSTAGRAM STORY. TRUST ME.”
“Why did I watch Kevin gates story,” one disgruntled fan wrote alongside a clip of Rick and Morty sobbing.
Gates has yet to respond to any of the backlash, but the Baton Rouge rhymer is no stranger to unsettling fans with his bizarre interests. In January, he admitted to drinking a cup of a woman’s urine while operating a motor vehicle, and said he loved the taste because she was “super clean.”
In a bizarre interview with Fancy Talk Show, Gates was asked if he’d ever partaken in any Golden Showers during sex. The “Thinking With My Dick” rapper adamantly spoke about how he enjoyed drinking women’s pee even when the connotation wasn’t sexual.
“I love for a woman to piss in my mouth,” he said. “I love for a woman to piss in my mouth that’s beautiful … I had a woman pee in a cup while I was driving and I drink it, right there. Because there was just nothing — I was so infatuated with this woman to where there was nothing about her that was nasty.”
He continued: “She super clean, she like me she drink nothing but water all day so her piss ain’t got no taste.”
After a brief conversation about whether or not drinking urine could help a human survive in the desert, Gates confirmed he’s had a threesome, but said he’s foggy on just how many partners he’s actually had in the bedroom at the same time.
“I had went to a swindlers resort and it was an orgie, but I didn’t participate in it. It was just beautiful being in that environment. Like everybody being naked, everybody being free, and it was just beautiful being in that environment…We did this other thing where they had fluffers come in and fluff us.”
On the music side of things, Gates recently dropped off his new single “Do It Again” exclusively on YouTube. The new track arrives after he dropped off the single “Breakfast” back in February.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
