Diddy and Doja Cat capped their night at the Met Gala with a big party. The pair hosted a glamorous afterparty for the event at The Box nightclub in New York City. The event was attended by a plethora of celebrities, including Cardi B, Paris Hilton, Emily Ratajkowski, Teyana Taylor, Naomi Campbell, Kendall Jenner, and Bad Bunny. The hosts pulled out all the stops. Nearly-nude women danced on a platform for guests. Another woman flew back and forth on a swing hanging between the ceiling’s chandeliers. It was a party for the books.
The stars in attendance were all dressed to the nines, as well. Doja Cat looked stunning in a 1920s-inspired outfit. The singer no longer had her cat face prosthetic on, but her afterparty outfit did feature cat ears. No word on whether or not she continued to vape. Emily Ratajkowski wore a stunning backless sequined dress. Diddy donned a shimmering black silk top that exposed his chest. Jared Leto, who wore a cat mask at the Met Gala, carried the mask at the afterparty and mingled with other guests.
Diddy and Yung Miami treated the Met Gala as a “date night.” Recently, Miami told The Cut that the two had broken up. “We’re still friends! We’re still good friends!” she said in the interview. “But we’re single. That’s not my man. We had our own situation. I’m not gonna put a title on it. We were f*cking with each other hard. We were together every day at one point. He supported me, I supported him.” However, it looks like they may not be as broken up as they thought. The two spoke on their relationship status while on the carpet for the event.
“We definitely go together real bad!” Diddy said of their relationship. “She’s my date for the night. … We don’t put titles on it. Everybody wants us to put a title on it, we don’t put titles. This like my best friend in the world, one of the most beautiful people God has blessed me with. And I’m blessed that she’s my date tonight.” Yung Miami chimed in to agree with Diddy, simply saying that it was indeed a good date night.
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Music photographer Jill Furmanovsky said she wasn’t taken aback by the overwhelming excitement surrounding the Oasis reunion tour.
The photographer has been capturing the Wonderwall hitmakers for more than thirty years and shared that the Oasis Live '25 Tour, which brought Noel and Liam Gallagher back on stage together for the first time in 16 years, worked so well because the concerts have always been “about the audience”.
Jill, who first crossed paths with Oasis at one of their early shows at the Cambridge Corn Exchange in 1994, explained to NME: “It didn’t catch us off guard, because Oasis have always been about the crowd. Always. There was never much to shoot on stage.
“Even at the Cambridge Corn Exchange, the performance itself was simple, but the people in the crowd knew every word and were completely swept up in it.
“And that hasn’t really changed over time. They just bring out that songbook and deliver it. Liam is still magnetic and captivating, even when he keeps it minimal. It remains incredibly powerful. That’s the essence of their show.”
Furmanovsky, who has photographed icons like Bob Dylan and Led Zeppelin over the course of her fifty-year career, added: “What they’ve done with this new tour, the production, and the visuals… it’s something special.
“The mix of generations in the crowd is also striking. I went with my 13-year-old granddaughter, and there were plenty of kids her age singing along word for word. It’s incredible.
“‘Biblical’ is the term people throw around. It sounds almost silly, but when two brothers who’ve been at odds for years come together again, there really is something biblical about that alone. Combine it with what they’re putting on stage… it’s unlike anything else.”
Jill’s latest book Trying To Find A Way Out Of Nowhere reflects her years documenting Oasis, and she shared that no current act matches what the Supersonic band represents. She was also able to photograph them once again at one of their massive Wembley Stadium shows during the reunion tour.
She said: “There aren’t many artists today who can step into the space Oasis occupies and actually live up to it.
“We’re in a different time now, a kind of in-between phase. It feels like the closing of a rock ‘n’ roll chapter. That doesn’t mean talent or creativity is gone. It’s like with painting — we still have great impressionists, but we’re no longer living in the impressionist era.”
