Nick Cannon has become well known for his parade of children and baby mamas. Sometimes, he even struggles to remember all of his own kids’ names. However, that doesn’t mean that he isn’t trying his best to give his kids a good life. In fact, he shows them quite a bit of love. Cannon recently celebrated the 12th birthday of his twins, Monroe and Moroccan. They are the children that he shares with Mariah Carey, who was also present. To commemorate the occasion, Cannon went the extra mile. He shut down Six Flags for a private party with his children’s friends.
He shared the festivities with his followers on Instagram, where he posted a video of the party. The clip shows the children, surrounded by their loved ones, smiling and enjoying themselves. In the background, 50 Cent’s “In Da Club” can be heard playing. “Roc and Roe’s 12th, [we] shutting down, Magic Mountain. Six Flags, doing what big 12 year olds do. The big 12, let’s go!” he exclaims in the video. His twins’ birthday isn’t the only thing Nick is happy about.
Nick Cannon recently expressed how pleased he was that the infamous Red Table Talk has been canceled. The show was hosted by Jada Pinkett Smith and frequently had big name celebrity guests. Other Smith family members like Will, Jaden, and Willow were also staples. However, more often than not, the show gained attention for its extreme toxicity. Many often criticized the show for it.
On Nick’s radio show, he claimed that the Will Smith incident at the Oscars would not have happened if not for Red Table Talk. “If there was no Red Table Talk then he wouldn’t have slapped the sh*t out of Chris Rock,” Cannon claimed. His co-host, Abby De La Rosa disagreed with him, saying that the show represented honesty and openness. “Too much honesty can get your a*s slapped in the face,” Cannon responded. However, his co-host wasn’t backing down, though. “A good slap is what people need sometimes” De La Rosa said. What do you think about Nick’s take?
NEWS
Music photographer Jill Furmanovsky said she wasn’t taken aback by the overwhelming excitement surrounding the Oasis reunion tour.
The photographer has been capturing the Wonderwall hitmakers for more than thirty years and shared that the Oasis Live '25 Tour, which brought Noel and Liam Gallagher back on stage together for the first time in 16 years, worked so well because the concerts have always been “about the audience”.
Jill, who first crossed paths with Oasis at one of their early shows at the Cambridge Corn Exchange in 1994, explained to NME: “It didn’t catch us off guard, because Oasis have always been about the crowd. Always. There was never much to shoot on stage.
“Even at the Cambridge Corn Exchange, the performance itself was simple, but the people in the crowd knew every word and were completely swept up in it.
“And that hasn’t really changed over time. They just bring out that songbook and deliver it. Liam is still magnetic and captivating, even when he keeps it minimal. It remains incredibly powerful. That’s the essence of their show.”
Furmanovsky, who has photographed icons like Bob Dylan and Led Zeppelin over the course of her fifty-year career, added: “What they’ve done with this new tour, the production, and the visuals… it’s something special.
“The mix of generations in the crowd is also striking. I went with my 13-year-old granddaughter, and there were plenty of kids her age singing along word for word. It’s incredible.
“‘Biblical’ is the term people throw around. It sounds almost silly, but when two brothers who’ve been at odds for years come together again, there really is something biblical about that alone. Combine it with what they’re putting on stage… it’s unlike anything else.”
Jill’s latest book Trying To Find A Way Out Of Nowhere reflects her years documenting Oasis, and she shared that no current act matches what the Supersonic band represents. She was also able to photograph them once again at one of their massive Wembley Stadium shows during the reunion tour.
She said: “There aren’t many artists today who can step into the space Oasis occupies and actually live up to it.
“We’re in a different time now, a kind of in-between phase. It feels like the closing of a rock ‘n’ roll chapter. That doesn’t mean talent or creativity is gone. It’s like with painting — we still have great impressionists, but we’re no longer living in the impressionist era.”
