DaBaby just can’t seem to catch a break. In recent years, his music career has been extremely overshadowed by his legal troubles and personal drama. His issues started before he was even signed to a label, but they seem to have gotten worse and worse since. Recently, the rapper has been embroiled in a legal battle with a property manager. In 2020, DaBaby rented a house in Los Angeles. The property manager was not made aware that the rapper was planning to film a video at the house. As this was not allowed, the manager attempted to enforce the rules of the rental. That is when DaBaby allegedly assaulted him.
Now, the property manager’s legal team is claiming that DaBaby and his legal team are withholding evidence. Namely, they say that the rapper has videos and photos of the incident that he is refusing to produce in court. DaBaby is dealing with both a civil and a criminal trial in regard to the incident. In the civil suit, the property manager is seeking $2 million from the rapper. DaBaby’s legal team says that they will not be producing any of the supposed evidence until after he testifies in the criminal trial.
DaBaby’s legal battles started in 2018, before he had even signed to a record label. The rapper was involved in an altercation in a North Carolina Walmart that led to him killing a teenager. At the time, he claimed self-defense and what police saw on the security footage corroborated his story. However, the footage has since emerged, and people question whether or not it really was self-defense. In early 2020, DaBaby was sued by a concert promoter after the rapper assaulted him. He went to jail for the attack but has since denied the incident took place. However, the entire thing is on video.
In March 2020, the rapper allegedly slapped a female fan on the way to the stage for a performance. Then, in July 2021, he made some extremely homophobic comments during his Rolling Loud set. Additionally, he also collaborated with Tory Lanez after the Megan Thee Stallion shooting. In February 2022, DaBaby and his entourage attacked DaniLeigh’s brother at a bowling alley. Sadly, the events listed here only scratch the surface of the rapper’s horrible behavior. Even worse, DaBaby remains unapologetic for almost every controversy, assault, and murder that he’s been involved in. What do you think about the newest allegations? Let us know in the comments.
Music photographer Jill Furmanovsky said she wasn’t taken aback by the overwhelming excitement surrounding the Oasis reunion tour.
The photographer has been capturing the Wonderwall hitmakers for more than thirty years and shared that the Oasis Live '25 Tour, which brought Noel and Liam Gallagher back on stage together for the first time in 16 years, worked so well because the concerts have always been “about the audience”.
Jill, who first crossed paths with Oasis at one of their early shows at the Cambridge Corn Exchange in 1994, explained to NME: “It didn’t catch us off guard, because Oasis have always been about the crowd. Always. There was never much to shoot on stage.
“Even at the Cambridge Corn Exchange, the performance itself was simple, but the people in the crowd knew every word and were completely swept up in it.
“And that hasn’t really changed over time. They just bring out that songbook and deliver it. Liam is still magnetic and captivating, even when he keeps it minimal. It remains incredibly powerful. That’s the essence of their show.”
Furmanovsky, who has photographed icons like Bob Dylan and Led Zeppelin over the course of her fifty-year career, added: “What they’ve done with this new tour, the production, and the visuals… it’s something special.
“The mix of generations in the crowd is also striking. I went with my 13-year-old granddaughter, and there were plenty of kids her age singing along word for word. It’s incredible.
“‘Biblical’ is the term people throw around. It sounds almost silly, but when two brothers who’ve been at odds for years come together again, there really is something biblical about that alone. Combine it with what they’re putting on stage… it’s unlike anything else.”
Jill’s latest book Trying To Find A Way Out Of Nowhere reflects her years documenting Oasis, and she shared that no current act matches what the Supersonic band represents. She was also able to photograph them once again at one of their massive Wembley Stadium shows during the reunion tour.
She said: “There aren’t many artists today who can step into the space Oasis occupies and actually live up to it.
“We’re in a different time now, a kind of in-between phase. It feels like the closing of a rock ‘n’ roll chapter. That doesn’t mean talent or creativity is gone. It’s like with painting — we still have great impressionists, but we’re no longer living in the impressionist era.”