Although the Canadian DJ/producer and Ethiopian-American rapper did not disclose what form the collaboration will take, they teased KAYTRAMINÉ in a video of Kaytranada using an orange MIDI controller to remix a woman’s voice saying both of their names until she’s saying the collaboration’s title, all over a groovy beat, which Aminé bops his head to in the background.
Throughout the years, the two have worked together on numerous songs, including “La Danse,” “YeYe,” “Not At All” (Aminé’s remix of Kaytranada’s “At All” from his 2015 EP At All / Hilarity Duff) and “Egyptian Luvr” from Rejjie Snow‘s 2018 album Dear Annie (that features Aminé and Dana Williams and was produced by Kaytranada).
Kaytranada teamed up with rapper IDK on the album Simple. last year. He also worked on songs with Joyce Wrice (“Iced Tea”) and Anderson .Paak (“Twin Flame”), as well as remixes of The Weeknd‘s “Out of Time,” Rochelle Jordan‘s “All Along” and, in 2023, Sam Gellaitry‘s “Assumptions.” Aminé hasn’t released a new project since 2021’s TWOPOINTFIVE, which came one year after his sophomore album LIMBO. Kaytranada and Aminé were both nominated in the best dance recording category at the 2021 Grammy Awards — for “10%” with Kali Uchis and “My High” by Diclosure featuring Slowthai, respectively, and the former ended up taking home the trophy.
See their joint KAYTRAMINÉ announcement below.
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.