Kelly Clarkson brought a special guest to help open the Thursday (Feb. 16) episode of The Kelly Clarkson Show: Corey Ward of The Voice.
To kick off the “Kellyoke” duet, the superstar and her former protégé harmonized on “Falling Slowly” from John Carney’s 2007 musical film Once. “I don’t know you but I want you all the more for that,” Ward crooned, strumming an acoustic guitar before Clarkson joined him in singing the chorus: “Take this sinking boat and point it home/ We’ve still got time/ Raise your hopeful voice, you have a choice/ You’ve made it now/ Falling slowly, sing your melody/ I’ll sing along.”
Ward was part of Team Kelly back in 2021 during Season 20, where he was eliminated in the Live Semifinal round before Cam Anthony eventually took the trophy for Blake Shelton’s team. Some of his most memorable performances on The Voice include his audition with Robyn’s “Dancing On My Own” as well as covers of Clarkson’s “Already Gone,” Lewis Capaldi’s “Bruises” and “Iris” by the Goo Goo Dolls.
Later in the show, Clarkson interviewed Ward about his time on the reality singing competition, his mom’s cancer diagnosis — which led him to initially audition for Season 19 — as well as his new single “Close to Love.”
In recent days, the original American Idol winner has also covered everything from Whitesnake’s “Here I Go Again,” Adele’s “Set Fire to the Rain,” Mark Morrison’s “Return of the Mack,” Camille Yarbrough’s Fatboy Slim-sampling “Take Yo’ Praise” and more.
Watch Clarkson and Ward duet on “Falling Slowly” below.
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NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
