Album proves the 76-year-old legend still has a classic late-era record in her, whenever she chooses to make it

Dolly Parton tends to release records for a reason. Unlike her Seventies contemporary Willie Nelson, who, at a dozen years her senior, records albums for no other purpose than to suit his own whims, Parton’s release schedule over the past half-dozen years has largely served as an extension of her unceasing global brand: 2016’s Pure & Simple, her last album of adult originals not directly tied to a larger piece of Dolly multimedia, launched a worldwide tour and kickstarted the ongoing Parton revival. In the years since, there have been a series of kids records (2017’s I Believe in You), soundtrack albums (Dumplin’), and holiday collections (2020’s A Holly Dolly Christmas).

The latest Parton project is Run, Rose, Run, a bluegrass-tinged set of originals that serves, naturally, as a companion to the forthcoming mystery novel Parton co-authored with best-seller James Patterson. As a bonus add-on to the book, Run, Rose, Run works far better than anyone could hope for: the songs themselves, all written by Parton, are sturdy studies in traditional country, with several unexpected stunners. But Run, Rose, Run, which feels mired by its tossed-off production, falls short of thriving on its own terms as a studio album.

 

 

First, the highlights: This album shows off Parton’s dexterity — as vocalist and writer — in a wide range of country and roots styles, from the traditional Eighties-style duet “Demons” with Ben Haggard (Merle’s son), to the chilling Appalachian balladry of “Blue Bonnet Breeze,” to the fast-paced Stanley Brothers-indebted mountain music of “Dark Knight, Bright Future.” It’s a thrill to hear Parton, at 76, so firmly in command of her own artistry.

The main fault of Parton’s latest, then, apart from the sense that the album needs a companion novel to make sense of its own narrative, is its lackluster production. The record’s high Nashville gloss feels dated and applied indiscriminately, tending to flatten out the breakneck bluegrass originals (“Run”) while depriving the record’s most introspective moments of their drama. Parton sings about the devastating effects of holding secrets too long on “Secrets,” but the song’s arrangement (cheesy background vocals, sleek electric guitar, and tinkling keys) feel like their own protective layering preventing Parton’s song from expressing itself.

Run, Rose, Run is an impressive display of Parton’s songwriting and vocal mastery that nevertheless leaves one hoping she one day releases the classic late-era record she’s so clearly primed to make, should she choose.

Kelly Rowland has shared some heartfelt guidance for KATSEYE as the girl group faces a challenging period, with Sophia Laforteza and Manon Bannerman temporarily stepping away to prioritise their mental health.

Having experienced worldwide fame at an early age with Destiny’s Child, Kelly understands the intense pressure that comes with success and changes within a group. During an interview with Rolling Stone, she encouraged the KATSEYE members to look after their own needs while continuing to stand by one another.

She explained: “In an industry as fast-paced as music, where there are constantly eyes on you and pressure to keep rising, your health is one of the most sacred things you have.

“I learned during my time in Destiny’s Child that you can show up for your fans and your group while still honouring what you need as an individual.”

Kelly then revealed what she would personally tell the group: “My advice to the KATSEYE girls would be to listen to themselves, be kind to themselves, and continue supporting one another through every season.”

As KATSEYE continue their Wildworld tour, Kelly also highlighted the importance of making space to recharge: “Especially on tour, it’s so important to intentionally carve out time to rest and reset in their daily routines. Taking care of your mind and body is what allows you to bounce back, stay resilient, and keep doing what you love.”

KATSEYE began their Wildworld tour on Tuesday (01.09.26), although neither Sophia nor Manon was present.

Sophia discussed her decision on Instagram Stories, telling fans: “I cannot express how much I want to participate in this tour and perform for you all. I have to remind myself every day that our health and mental wellbeing should always be prioritised.

“When I show up for you, I want you to get the best version of me. I've been in ongoing treatment and doing everything I can to stay healthy, occupied and happy.

“You can’t pour from an empty cup. It’s important to care for yourself.”

KATSEYE later posted an official announcement on Instagram, saying: “We would like to share an update regarding Sophia’s upcoming schedule.

“Sophia is focusing on her wellbeing, and the company remains fully committed to providing her with all the support and resources needed.”

Signed by HYBE and Geffen Records, the announcement verified that Sophia “will not be participating in the Wildworld Tour in Europe and the UK”.

However, no reference was made to the group’s scheduled performances in North America.

The statement added: “We sincerely ask for EYEKONS’ warm understanding, as our highest priority will always be the health and long-term well-being of our artists.

“We will share further updates as they become available. Please continue to send your love, warmth, and support to Sophia and KATSEYE.”

Sophia also expressed her appreciation for the care she has received from her management team and fellow members while dealing with her health concerns.

She added: “There’s been nothing but love and support from the company, my members, and everyone else around me as I work to get well. I can’t wait until I return and share the stage with my sisters again.

“They’re gonna put on an extraordinary performance for you. Trust me, I’ve been watching and they’re absolutely giving.”

Ending her message with gratitude, she told supporters: “I love you all so much. Thank you for understanding.”

The Pinky Up singers, whose lineup also includes Daniela Avanzini, Lara Raj, Megan Skiendiel and Yoonchae Jeung, have appeared with five members since February after Manon took a break to concentrate on her “health and wellbeing”. Sophia’s temporary absence means the group is currently performing with four members.

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