NEWS
Dolly Parton tends to release records for a reason. Unlike her Seventies contemporary Willie Nelson, who, at a dozen years her senior, records albums for no other purpose than to suit his own whims, Parton’s release schedule over the past half-dozen years has largely served as an extension of her unceasing global brand: 2016’s Pure & Simple, her last album of adult originals not directly tied to a larger piece of Dolly multimedia, launched a worldwide tour and kickstarted the ongoing Parton revival. In the years since, there have been a series of kids records (2017’s I Believe in You), soundtrack albums (Dumplin’), and holiday collections (2020’s A Holly Dolly Christmas).
The latest Parton project is Run, Rose, Run, a bluegrass-tinged set of originals that serves, naturally, as a companion to the forthcoming mystery novel Parton co-authored with best-seller James Patterson. As a bonus add-on to the book, Run, Rose, Run works far better than anyone could hope for: the songs themselves, all written by Parton, are sturdy studies in traditional country, with several unexpected stunners. But Run, Rose, Run, which feels mired by its tossed-off production, falls short of thriving on its own terms as a studio album.
First, the highlights: This album shows off Parton’s dexterity — as vocalist and writer — in a wide range of country and roots styles, from the traditional Eighties-style duet “Demons” with Ben Haggard (Merle’s son), to the chilling Appalachian balladry of “Blue Bonnet Breeze,” to the fast-paced Stanley Brothers-indebted mountain music of “Dark Knight, Bright Future.” It’s a thrill to hear Parton, at 76, so firmly in command of her own artistry.
The main fault of Parton’s latest, then, apart from the sense that the album needs a companion novel to make sense of its own narrative, is its lackluster production. The record’s high Nashville gloss feels dated and applied indiscriminately, tending to flatten out the breakneck bluegrass originals (“Run”) while depriving the record’s most introspective moments of their drama. Parton sings about the devastating effects of holding secrets too long on “Secrets,” but the song’s arrangement (cheesy background vocals, sleek electric guitar, and tinkling keys) feel like their own protective layering preventing Parton’s song from expressing itself.
Run, Rose, Run is an impressive display of Parton’s songwriting and vocal mastery that nevertheless leaves one hoping she one day releases the classic late-era record she’s so clearly primed to make, should she choose.
Miley Cyrus has joined a new record label following her departure from Sony Music’s Columbia Records.
The 33 year old singer and songwriter has agreed to a fresh deal with Atlantic Records, the company officially announced.
The label shared the news on its official Instagram account, writing: "Welcome to the family @mileycyrus [white heart emoji]"
Miley joins an impressive Atlantic Records roster that includes Coldplay, Ed Sheeran, Charli XCX, Bruno Mars, Cardi B, Rosé, PinkPantheress, and Lizzo.
The Hannah Montana star launched her recording career at Disney’s Hollywood Records, where she released three albums, before putting out another four records through RCA.
She later signed with Columbia Records in 2021.
Celebrating the agreement at the time, Miley uploaded a photo of herself holding the contract and wrote on her Instagram Story: "WHEN IM NOT RUNNING GAME. IM RUNNING MY MF BUSINESS. LET’S RIDE. (sic)"
During her time with the company, Miley released two albums, Endless Summer Vacation and Something Beautiful.
Only a few days before Something Beautiful arrived on May 30th, 2025, Miley revealed that her next project would take a much more "extremely experimental" direction.
According to Rolling Stone magazine, she offered fans a preview of her future plans during an event at the Chateau Marmont hotel in Hollywood.
Speaking to the intimate audience, she said: "My next album is about to be extremely experimental, so have fun with that.
"Something Beautiful is just the appetizer."
Following the release of the title track Something Beautiful, Miley suggested the project represented "another bold artistic evolution" in her musical journey.
A message posted to her Instagram account stated: "Miley’s second song and video release ‘Something Beautiful’, the title track off of the forthcoming album explores her deep connection to fashion showcasing an original custom design by Casey Cadwallader for the House of Mugler in the visual.
"This era marks another bold artistic evolution for Miley, blending music and film into an immersive experience."
Miley had earlier revealed that Pink Floyd’s The Wall helped shape the inspiration behind the album.
Speaking with Harper's Bazaar, she explained: "My idea was making The Wall, but with a better wardrobe and more glamorous and filled with pop culture.
"It’s a concept album that’s an attempt to medicate somewhat of a sick culture through music.
"I would like to be a human psychedelic for people. I don’t want anyone trying to be like me or imitate me or even be inspired by me. I want to impact frequencies in your body that make you vibrate at a different level."
