NEWS
Dolly Parton tends to release records for a reason. Unlike her Seventies contemporary Willie Nelson, who, at a dozen years her senior, records albums for no other purpose than to suit his own whims, Parton’s release schedule over the past half-dozen years has largely served as an extension of her unceasing global brand: 2016’s Pure & Simple, her last album of adult originals not directly tied to a larger piece of Dolly multimedia, launched a worldwide tour and kickstarted the ongoing Parton revival. In the years since, there have been a series of kids records (2017’s I Believe in You), soundtrack albums (Dumplin’), and holiday collections (2020’s A Holly Dolly Christmas).
The latest Parton project is Run, Rose, Run, a bluegrass-tinged set of originals that serves, naturally, as a companion to the forthcoming mystery novel Parton co-authored with best-seller James Patterson. As a bonus add-on to the book, Run, Rose, Run works far better than anyone could hope for: the songs themselves, all written by Parton, are sturdy studies in traditional country, with several unexpected stunners. But Run, Rose, Run, which feels mired by its tossed-off production, falls short of thriving on its own terms as a studio album.
First, the highlights: This album shows off Parton’s dexterity — as vocalist and writer — in a wide range of country and roots styles, from the traditional Eighties-style duet “Demons” with Ben Haggard (Merle’s son), to the chilling Appalachian balladry of “Blue Bonnet Breeze,” to the fast-paced Stanley Brothers-indebted mountain music of “Dark Knight, Bright Future.” It’s a thrill to hear Parton, at 76, so firmly in command of her own artistry.
The main fault of Parton’s latest, then, apart from the sense that the album needs a companion novel to make sense of its own narrative, is its lackluster production. The record’s high Nashville gloss feels dated and applied indiscriminately, tending to flatten out the breakneck bluegrass originals (“Run”) while depriving the record’s most introspective moments of their drama. Parton sings about the devastating effects of holding secrets too long on “Secrets,” but the song’s arrangement (cheesy background vocals, sleek electric guitar, and tinkling keys) feel like their own protective layering preventing Parton’s song from expressing itself.
Run, Rose, Run is an impressive display of Parton’s songwriting and vocal mastery that nevertheless leaves one hoping she one day releases the classic late-era record she’s so clearly primed to make, should she choose.
Metallica bassist Jason Newsted says he is now “free and clear” after facing throat cancer.
The 63 year old musician, who played with the Enter Sandman legends from 1986 through 2001, has shared details of his diagnosis publicly for the first time. He explained that doctors discovered it early, and on May 8, 2025 he “underwent a procedure” to treat the condition.
Speaking on the Let There Be Talk podcast, he said: “They took a bunch of s*** outta here and then they went in with lasers this way and took a bunch of s*** out.
“So the cavern inside my head is different than it was, but we got it early. And I got my ‘free and clear’ about three weeks ago. So I beat it.”
Jason contributed to several of Metallica’s most iconic releases, including 1988’s ...And Justice For All, their self titled 1991 album, 1996’s Load, the 1997 follow up Reload, and 1998’s Garage Inc.
After going through his cancer experience, the bassist made a point to slow down and actually give himself time to recover instead of constantly pushing forward.
He explained: “I promised myself I was going to rest, and that was the first time I’ve done that in my life.
"I’m usually just on or off. And so I promised myself I was gonna take the gravity off and lay down for the right amount of hours."
The health scare also led Jason to give up smoking weed and drinking alcohol, something he admits he likely would not have done otherwise.
He added: “The great spirit got my attention and said, ‘That’s not good right now, man.’ And so it pulled me off it.
"And so now I’m more clear-headed than I’ve been in my entire adult life. And so there’s blessings within everything. The lemonade I’m making this summer, bro — mm. Sweet. Ooh.”
Jason has previously said that his unexpected departure ultimately helped Metallica continue moving forward, while James Hetfield and Lars Ulrich later admitted they struggled to process his decision at the time.
Lars told Apple Music in 2021: “Jason is the only member of Metallica who has ever left willingly. And that in itself is a statistic.
"And the resentment from James and I was just so… 'You can’t do that. You can only leave if we want you to leave'.
"And then we weren’t equipped at the time to do a deep dive into why he was leaving. So of course, now you can see 20 years later, it makes complete sense.”
