NEWS
Dolly Parton tends to release records for a reason. Unlike her Seventies contemporary Willie Nelson, who, at a dozen years her senior, records albums for no other purpose than to suit his own whims, Parton’s release schedule over the past half-dozen years has largely served as an extension of her unceasing global brand: 2016’s Pure & Simple, her last album of adult originals not directly tied to a larger piece of Dolly multimedia, launched a worldwide tour and kickstarted the ongoing Parton revival. In the years since, there have been a series of kids records (2017’s I Believe in You), soundtrack albums (Dumplin’), and holiday collections (2020’s A Holly Dolly Christmas).
The latest Parton project is Run, Rose, Run, a bluegrass-tinged set of originals that serves, naturally, as a companion to the forthcoming mystery novel Parton co-authored with best-seller James Patterson. As a bonus add-on to the book, Run, Rose, Run works far better than anyone could hope for: the songs themselves, all written by Parton, are sturdy studies in traditional country, with several unexpected stunners. But Run, Rose, Run, which feels mired by its tossed-off production, falls short of thriving on its own terms as a studio album.
First, the highlights: This album shows off Parton’s dexterity — as vocalist and writer — in a wide range of country and roots styles, from the traditional Eighties-style duet “Demons” with Ben Haggard (Merle’s son), to the chilling Appalachian balladry of “Blue Bonnet Breeze,” to the fast-paced Stanley Brothers-indebted mountain music of “Dark Knight, Bright Future.” It’s a thrill to hear Parton, at 76, so firmly in command of her own artistry.
The main fault of Parton’s latest, then, apart from the sense that the album needs a companion novel to make sense of its own narrative, is its lackluster production. The record’s high Nashville gloss feels dated and applied indiscriminately, tending to flatten out the breakneck bluegrass originals (“Run”) while depriving the record’s most introspective moments of their drama. Parton sings about the devastating effects of holding secrets too long on “Secrets,” but the song’s arrangement (cheesy background vocals, sleek electric guitar, and tinkling keys) feel like their own protective layering preventing Parton’s song from expressing itself.
Run, Rose, Run is an impressive display of Parton’s songwriting and vocal mastery that nevertheless leaves one hoping she one day releases the classic late-era record she’s so clearly primed to make, should she choose.
Lewis Capaldi reportedly picked up the bill for an entire pub packed with England supporters following their dramatic World Cup win against Mexico.
The singer songwriter was spotted enjoying the match with Rita Ora at the Marlborough pub in Mayfair as the Three Lions secured a thrilling 3 to 2 victory.
Even though his home nation, Scotland, endured a disappointing tournament and were knocked out during the group stage, Capaldi still joined in the celebrations after the final whistle by treating the England fans in the pub to a round of drinks.
“Lewis bought every single person in the Marlborough a drink,” one customer told The Sun. “The bar staff were told to put every drink ordered on his tab. By the end of the night it came to almost £2,000.”
The pubgoer continued, saying it was “such a generous surprise and a genuinely lovely thing to do, especially from a Scotland fan… Lewis was an absolute legend. Not only did he buy everyone a drink, but he was also so kind to every person who came over to say hello.”
Ora also posted several videos from the lively celebrations, writing: “NOTHING beats a London pub game EVER… It’s coming home!!! The fact I woke up with my hair clips in and my hair has not moved says. Watch it till the end… trust me.”
Throughout the celebrations, Capaldi and Ora sang each other's songs before joining the rest of the crowd in celebrating England's victory by chanting, “Football’s coming home, it’s coming home…”
The celebrations come just before Capaldi headlines BST Hyde Park this weekend. The Scottish singer songwriter is set to perform at the London concert series on both Saturday, July 11, and Sunday, July 12.
Those huge outdoor performances are part of his UK and Ireland headline tour this summer, and any remaining tickets can be found here.
Capaldi recently revealed that one of the BST Hyde Park concerts will also be streamed live worldwide on YouTube.
The performance will be the biggest headline show of his career so far. Fans across the globe will be able to watch for free on YouTube without a paywall. The broadcast will feature 26 cameras capturing every moment, along with aerial footage filmed by drones.
Joining him on the July 11 BST Hyde Park lineup are The Vaccines, Absolutely, Nieve Ella, Tyler Ballgame, Kerr Mercer, NECKBREAKERS, Benjamin Steer, Luz, Sebastian Croft, and Luke La Volpe.
Meanwhile, England will face Norway in the World Cup quarter finals on the same evening as Capaldi's opening BST Hyde Park performance.
