Nadya Tolokonnikova of Pussy Riot
Getty Images for ABARussian punk band/activists Pussy Riot have teamed with several cryptocurrency groups to mint an NFT that will be sold this weekend to raise funds for Ukrainian civilian groups.
UkraineDAO will launch Saturday at noon EST with the release of a 1/1 NFT of the Ukrainian flag, the sale of which will benefit Ukraine’s Come Back Alive, “one of the most effective and transparent Ukrainian charitable and volunteer initiatives.”
“Our goal is to use what we’re good at, web3, to assist Ukrainians as they cope with the Russian invasion of their country,” Pussy Riot tweeted of UkraineDAO. “We’ll be buying an NFT of the Ukrainian flag.”
In a statement, the group’s co-founder Nadya Tolokonnikova added, “We purposefully avoided adding our own art to this release, in a way it’s our strong conceptual artistic statement. People can have different aesthetics, but it’s not about what color we prefer, it’s about uniting to save lives. The Ukrainian flag unites us.”
The NFT sale also allows for people to donate any amount of money to participate, with those people receiving a digital souvenir for their contribution.
The Defiant reports that within 12 hours of Russia’s invasion of Ukraine, more than $400,000 in Bitcoin was donated to Come Back Alive, as the nation’s banking institutions were rocked by the invasion and the subsequent declaration of martial law.
“Crypto is borderless, permitless and it’s so much easier and faster than fiat,” Tolokonnikova told Bloomberg.
Check out the UkraineDAO site for more information on the NFT sale as well as to donate. UkraineDao was created in partnership with Trippy Labs and PleasrDAO; the latter is also the crypto group that secretly purchased the one-copy-only Wu-Tang Clan album previously owned by Martin Shkreli.
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.