NEWS
Chimbala, Natti Natasha & El Alfa
Courtesy PhotoFirst Stream Latin is a compilation of the best new Latin songs, albums, and videos recommended by the Billboard Latin editors. Check out this week’s picks below.
Natti Natasha, El Alfa, Chimbala, “WOW BB” (Pina Records/Sony Music Latin)
A more fitting title could not exist, as Natti Natasha managed to reel in two pioneers of the dembow movement for “WOW BB.” The flirtatious track, produced by B-One, DJ Luian, Mambo Kingz, and Raphy Pina, is a playful dembow about two men who are trying to swoon the same girl. She, however, is independent and is not impressed by their coquetry. More than a great summer anthem, “WOW BB” flaunts pure Dominican power as the three artists unite their distinct vocals and flow. The three artists officially debuted the song on television at the 2022 Premio Lo Nuestro. — JESSICA ROIZ
Maria Becerra, “Felices x Siempre” (300 Entertainment)
Argentinian singer-songwriter Maria Becerra released the first single off her upcoming second album. The pop-ballad perfectly fuses her lyrical versatility with the theme of a relationship that is over and was not meant to be “Happily Ever After.” This new track empowers new beginnings, where she lets her vulnerability shine in this heartfelt song. While Maria has dabbled in urban music in her previous songs, this is the start of a new era in her music career. — INGRID FAJARDO
El Fantasma, “Fuera De Servicio” (AfinArte Music)
Durango, Mexico-born singer-songwriter El Fantasma is making the rounds with his new banda anthem “Fuera De Servicio,” penned by Luciano Luna and Tony Montoya. The attitude-heavy corrido narrates his return to the forefront after a few obstacles challenged him along the way. “I struggled, but don’t worry, I know you’ll be there for me just how you had said back when I lend you a helping hand,” he sings. “My good luck has returned in case you want to come say hello again.” The track is powered by traditional Sinaloan band brass instruments that provide a canvas to El Fantasma’s emboldened lyrics. — GRISELDA FLORES
Rauw Alejandro, Trap Cake Vol. 2 (Sony Music Latin)
A follow up to his 2019 Trap Cake, Vol. 1, which featured collabs with Cazzu, De La Ghetto, and Jon Z, Rauw Alejandro delivers an equally star-studded Vol. 2 that includes songs with Future, Ty Dolla $ign, and Rvssian. The genre-blurring EP stays in tune with the Puerto Rican artist’s ever-so experimental essence. Treading between trap, rock, pop, and R&B, Alejandro kicks off the nine-track set with the sentimental heartbreak song “Museo.” But not all is heartbreak in Trap Cake Vol. 2, a standout track is “Wuepa” with Ankhal, a bonafide party anthem. — G.F.
VF7, 15 (Sora And Company 1)
VF7 dropped her sophomore studio album 15 on her quinceañera, which coincided with her first-ever nomination at the 2022 Premio Lo Nuestro. The Puerto Rican newcomer, a 2020 “Billboard Latin teen artist to have on your radar,” has already received the stamp of approval from reggaeton stars Rauw Alejandro, Jay Wheeler and Lunay, to name a few. On 15, she counts with collaborations from Nio Garcia (on the urban-bachata “Baila”) and Lyanno (on “Ya No Es =”), to name a few. The 14-track set kicks off with “Quince,” where the artist (real name: Valeria Fernandez) celebrates her sweet 15 by saying: “The more the years go by, the more hunger grows. Fear does not exist. Thank God for another year, 15 bro.” Way beyond her age, however, VF7 has evolved in her penmanship and melodies, experimenting with punk rock and perreo for a different approach. VF7 officially premiered her single “Restart” with Lele Pons, produced by Ninow & Candy, at the 34th annual Premio Lo Nuestro. — J.R.
Rubio, “Buena Suerte Muchacha” (Rubio)
Chilean singer-songwriter Rubio (real name Francisca Straube) gets deep and introspective in her new, piano-led single “Buena Suerte Muchacha,” which also serves as the theme song to Pantaya’s new series Señorita 89. A preview of her upcoming album, the track finds a nostalgic Rubio who is on a healing journey eager to find herself in the process. “Life is a game that if you don’t play, you become sick, with rocks in your backpack for not speaking from the heart,” she evocatively sings. — G.F.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
