Taylor Swift and Drake attend the 2013 MTV Video Music Awards at the Barclays Center on August 25, 2013 in the Brooklyn borough of New York City.

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The Rolling Stone Music Now podcast looks at the past, present, and future of the Super Bowl halftime show — including why it’s insulting to call the Dr. Dre-led show “nostalgia”

In the wake of an instant-classic halftime performance by Dr. DreKendrick LamarMary J. BligeSnoop DoggEminem, and 50 Cent, the new episode of our Rolling Stone Music Now podcast looks at the possible future of the shows.

Among other topics, our panel (with Rob Sheffield and Brittany Spanos joining host Brian Hiatt) explains why Drake and Taylor Swift deserve to be at the top of the list for future performers, and why Kanye West will never get a shot at it. There’s also a discussion of possible permutations of a Swift performances. (Should she do a reconciliatory duet with Damon Albarn? Probably not!) To hear the whole episode, press play above, or listen on Apple Podcasts or Spotify

The episode goes on to dig deep into why it’s ridiculous to dismiss the Dre-led show as mere “nostalgia,” and to look back at the highs and lows of past halftime performances, including the time the Who’s ill-rehearsed set ruined it for classic rockers forever.

Download and subscribe to our weekly podcast, Rolling Stone Music Now, hosted by Brian Hiatt, on Apple Podcasts or Spotify (or wherever you get your podcasts), and check out three years’ worth of episodes in the archive, including in-depth, career-spanning interviews with Bruce Springsteen, Halsey, Neil Young, Snoop Dogg, Brandi Carlile, Phoebe Bridgers, Rick Ross, Alicia Keys, the National, Ice Cube, Robert Plant, Dua Lipa, Questlove, Killer Mike, Julian Casablancas, Sheryl Crow, Johnny Marr, Scott Weiland, Liam Gallagher, Alice Cooper, Fleetwood Mac, Elvis Costello, John Legend, Donald Fagen, Phil Collins, Justin Townes Earle, Stephen Malkmus, Sebastian Bach, Tom Petty, Eddie Van Halen, Kelly Clarkson, Pete Townshend, Bob Seger, the Zombies, Gary Clark Jr., and many others — plus dozens of episodes featuring genre-spanning discussions, debates, and explainers with Rolling Stone’s critics and reporters. Tune in every Friday at 1 p.m. ET to hear Rolling Stone Music Now broadcast on SiriusXM’s Volume, channel 106.

Nick Cave has reflected on reports that his massive Preston Park concert with The Bad Seeds became “the largest ticketed event in Brighton’s history”.

Read More: In conversation with Nick Cave: “There’s no metric that says virtuousness makes good art”

The legendary rock band performed in Brighton on Friday, July 31, delivering their only UK show to more than 50,000 fans while celebrating their praised 2024 record, ‘Wild God’.

The Flaming Lips, English Teacher, Cate Le Bon and Warmduscher appeared as special guests, while Kylie Minogue joined Cave for a moving rendition of ‘Where The Wild Roses Grow’.

Before the main concert, the group gave fans another unexpected treat by performing an intimate acoustic set on the rooftop of Brighton’s Resident Records.

Following the packed Preston Park performance, Cave has now reflected on the milestone event, revealing that the occasion felt like a “homecoming” for several reasons.

 

Responding to a fan through his Red Hand Files website, Cave explained that he spent the following morning sitting along Brighton’s seafront and taking in the “near-empty, early-morning streets” while thinking about the previous night. He also revealed that his manager had told him “last night’s show was the largest ticketed event in Brighton’s history”.

While remembering the concert, Cave called it a “big day for The Bad Seeds” and said he could not “overstate the pride I feel in performing with a band that can play the rooftop of a record store in the morning, and then perform to nearly 50,000 people in the evening with the same ferocious intention”.

“There is simply no other group that can summon pure chaos and the most acute intimacy almost simultaneously, and that is both tight and anarchic within the same song,” he continued. “They are a force to behold, and it is a sheer privilege to share a stage with them.”

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Discussing Minogue’s surprise appearance, Cave shared that her outfit had been created by his wife, fashion designer Susie. He also praised the Australian star as “a performer who only gives, gives and gives, then retreats, as ghosts and great performers do.”

The ‘Red Right Hand’ singer went on to express his gratitude to “everyone who came to the concert”, explaining that the evening felt like “a homecoming in many different ways”.

“Although part of me is relieved the Preston Park show is behind me, sometimes my job is so completely and emotionally overwhelming, I’m happy we could, for a delirious moment in time, create a place where the absent and the present could dance together. Again, thank you,” he finished.

Nick Cave & The Bad Seeds will now complete their tour with a final series of European festival appearances. The group has also suggested that another record may be approaching, having revealed earlier this year that they were “messing around” in the studio and considering what could follow ‘Wild God’.

Following the release of that project, Cave appeared on ‘Honora’, the first solo album from Red Hot Chili Peppers bassist Flea. He has also created a fresh recording of ‘Red Right Hand’ for Peaky Blinders: The Immortal Man.

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