Charli XCX
Emily Lipson*Hold tight, Charli XCX fans! The pop star’s new single with SEVENTEEN‘s Vernon is on the way.
“So, @charli_xcx and @pledis_17 when’s the collab coming?” NME tweeted on Monday, leading the pop star to retweet the question with a rather coy answer. “Actually kinda soon…,” she responded, sending her more than 3.6 million followers into a frenzy of anticipation.
Charli has made it no secret she’s a fan of the K-pop idol, first tweeting earlier this month, “how do i get in touch with Vernon??” before asking point blank if the singer wanted to work together. Clearly, the appreciation was mutual, as Vernon tweeted back from SEVENTEEN’s official account, “YES…still can’t believe this is real wow” with a pair of mind-blown emojis.
While the How I’m Feeling Now singer has yet to hint at what the K-pop-infused track could sound like, it will follow her recent all-star team-ups with Rina Sawayama and Caroline Polachek and Christine and the Queens on “Beg for You” and “New Shapes,” respectively — both of which will appear alongside lead single “Good Ones” on her upcoming fifth studio album Crash.
In other good news, Charli is about to get a second chance to perform as musical guest on this season of Saturday Night Live, after she was forced to back out of the late-night sketch series’ Christmas episode amid the height of COVID-19’s omicron variant surge in New York City. Now, she’s set to take the stage at Studio 8H on March 5 opposite host Oscar Isaac.
Check out Charli’s response about the Vernon collab below.
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.