Justin Bieber performs during the Triller Fight Club Night at Mercedes Benz Stadium on April 17, 2021 in Atlanta.
Robb Cohen/Invision/AP/ShutterstockJustin Bieber has tested positive for COVID-19, Billboard has confirmed with a representative for the singer. As a result, the 27-year-old pop star has postponed his concert at Las Vegas’ T-Mobile Arena on Sunday (Feb. 20).
“Due to positive COVID results within the Justice Tour family, we will unfortunately have to postpone Sunday’s show in Las Vegas,” reads a statement on the venue’s website. “Justin is of course hugely disappointed, but the health and safety of his crew and fans is always his number one priority. The tour launch in San Diego was a massive success, and Justin is excited to bring this spectacular show to his Las Vegas fans as soon as possible.”
Bieber’s Las Vegas show has been rescheduled for June 28, but that date in contingent on the National Hockey League playoff schedule. Tickets for the original date will be honored and refunds are available at point of purchase.
Bieber launched his AEG-promoted Justice World Tour on Friday (Feb. 19) at the Pechanga Arena in San Diego. The 90-date global trek is scheduled to continue on Tuesday (Feb. 22) at the Gila River Arena in Glendale, Ariz., followed by performances across North America through late June.
It was unclear at press time whether Bieber would need to reschedule additional dates due to his coronavirus diagnosis. Neither the singer nor his team had publicly commented about the positive tests results as of publication.
Billboard has also reached out to AEG for comment.
The Justice World Tour was originally scheduled to launch last summer. The jaunt is in support of Bieber’s 2021 album Justice, his eighth album to debut at No. 1 on the Billboard 200.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
