Justin Bieber performs during the Triller Fight Club Night at Mercedes Benz Stadium on April 17, 2021 in Atlanta.
Robb Cohen/Invision/AP/ShutterstockJustin Bieber has tested positive for COVID-19, Billboard has confirmed with a representative for the singer. As a result, the 27-year-old pop star has postponed his concert at Las Vegas’ T-Mobile Arena on Sunday (Feb. 20).
“Due to positive COVID results within the Justice Tour family, we will unfortunately have to postpone Sunday’s show in Las Vegas,” reads a statement on the venue’s website. “Justin is of course hugely disappointed, but the health and safety of his crew and fans is always his number one priority. The tour launch in San Diego was a massive success, and Justin is excited to bring this spectacular show to his Las Vegas fans as soon as possible.”
Bieber’s Las Vegas show has been rescheduled for June 28, but that date in contingent on the National Hockey League playoff schedule. Tickets for the original date will be honored and refunds are available at point of purchase.
Bieber launched his AEG-promoted Justice World Tour on Friday (Feb. 19) at the Pechanga Arena in San Diego. The 90-date global trek is scheduled to continue on Tuesday (Feb. 22) at the Gila River Arena in Glendale, Ariz., followed by performances across North America through late June.
It was unclear at press time whether Bieber would need to reschedule additional dates due to his coronavirus diagnosis. Neither the singer nor his team had publicly commented about the positive tests results as of publication.
Billboard has also reached out to AEG for comment.
The Justice World Tour was originally scheduled to launch last summer. The jaunt is in support of Bieber’s 2021 album Justice, his eighth album to debut at No. 1 on the Billboard 200.
NEWS
Music photographer Jill Furmanovsky said she wasn’t taken aback by the overwhelming excitement surrounding the Oasis reunion tour.
The photographer has been capturing the Wonderwall hitmakers for more than thirty years and shared that the Oasis Live '25 Tour, which brought Noel and Liam Gallagher back on stage together for the first time in 16 years, worked so well because the concerts have always been “about the audience”.
Jill, who first crossed paths with Oasis at one of their early shows at the Cambridge Corn Exchange in 1994, explained to NME: “It didn’t catch us off guard, because Oasis have always been about the crowd. Always. There was never much to shoot on stage.
“Even at the Cambridge Corn Exchange, the performance itself was simple, but the people in the crowd knew every word and were completely swept up in it.
“And that hasn’t really changed over time. They just bring out that songbook and deliver it. Liam is still magnetic and captivating, even when he keeps it minimal. It remains incredibly powerful. That’s the essence of their show.”
Furmanovsky, who has photographed icons like Bob Dylan and Led Zeppelin over the course of her fifty-year career, added: “What they’ve done with this new tour, the production, and the visuals… it’s something special.
“The mix of generations in the crowd is also striking. I went with my 13-year-old granddaughter, and there were plenty of kids her age singing along word for word. It’s incredible.
“‘Biblical’ is the term people throw around. It sounds almost silly, but when two brothers who’ve been at odds for years come together again, there really is something biblical about that alone. Combine it with what they’re putting on stage… it’s unlike anything else.”
Jill’s latest book Trying To Find A Way Out Of Nowhere reflects her years documenting Oasis, and she shared that no current act matches what the Supersonic band represents. She was also able to photograph them once again at one of their massive Wembley Stadium shows during the reunion tour.
She said: “There aren’t many artists today who can step into the space Oasis occupies and actually live up to it.
“We’re in a different time now, a kind of in-between phase. It feels like the closing of a rock ‘n’ roll chapter. That doesn’t mean talent or creativity is gone. It’s like with painting — we still have great impressionists, but we’re no longer living in the impressionist era.”
