The Roots Picnic will mark its first in-person event since 2019 on June 4 and 5 at the Mann Center at Philadelphia’s Fairmount Park. The fest will feature a headlining set from Mary J. Blige and the Roots, who will share the stage for the first time.
The stacked lineup also features appearances from Summer Walker, Wizkid, Kirk Franklin, Jazmine Sullivan, Yebba, Tierra Whack, Mickey Guyton, Chief Keef, Muni Long, J Period Live Mixtape featuring Black Thought, Rick Ross, G Herbo, Masego, Serpentwithfeet, and more.
“After a long two years, we are excited to announce the return of the Roots Picnic to Philly with two days of music and culture at the Mann at Fairmount Park,” Shawn Gee, President of Live Nation Urban, Roots manager, and Roots Picnic co-founder, shared in a statement. “This year, Black Thought, Questlove and I attempted to curate a lineup that broke through the genre barriers that often separate us in black culture. To be able to book Mickey Guyton, Kirk Franklin, G Herbo, Wizkid, Wallo & Gillie, and Mary J Blige on the same lineup was a dream come true.”
The 2022 iteration of the event brings a bigger lineup for a bigger stage as Roots Picnic returns to Fairmount Park for the second time since launching in 2007. When it was first held there in 2019, it represented the original vision for the festival: summer afternoons in the park watching Philly DJs spin a soundtrack to the culture. Prior to the move, Roots Picnic found a home at Festival Pier.
Tickets go on sale on Friday, with presale tickets available beginning on Tuesday. The event will also be streamed live on the Roots’ official YouTube channel.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
