Miranda Lambert attends the Miranda MuttNation March at Nissan Stadium on June 8, 2017 in Nashville, Tennessee.
Rick Diamond/GIMiranda Lambert is spreading the love this week in honor of Valentine’s Day.
The “If I Was a Cowboy” singer’s MuttNation Foundation is helping out 20 pet rescue shelters across the country, in states including California, Maine, Missouri, Tennessee, Texas, Wisconsin and more. The foundation will give a $1,000 grant to each shelter.
MuttNation also launched an interactive “Mutt Match” quiz to help match people who want to help pets who have a harder time getting adopted, including larger dogs, special-needs dogs and senior dogs.
Lambert began volunteering at animal shelters when she was a teenager and has five rescue dogs, along with numerous cats, rabbits and horses.
“Shelter pets – especially the ones that are hardest to get adopted – and the people who care for them, have always had my heart,” Lambert said in a statement. “Valentine’s Day gives me one more chance to show just how special they all are to me.”
Lambert and her mother Bev Lambert launched MuttNation in 2009 to help support shelter pets in various ways, including raising pet adoption awareness, providing financial support to vetted shelters and offering monetary, hands-on and transport assistance during times of emergencies and disaster.
Last year, the Country Music Association teamed with Lambert’s MuttNation Fund to help music industry professionals impacted by the COVID-19 pandemic who were facing difficulties in paying medical expenses for pets. As part of the CMA’s Music Industry COVID Support effort, the CMA funded vet services and pet food supply for qualifying members of the music community.
Lambert is currently nominated for two Grammys during the upcoming April 3 ceremony, including best country album for The Marfa Tapes, her collaborative album with Jon Randall and Jack Ingram. Lambert is also nominated for best country duo/group performance for her Elle King collaboration “Drunk (And I Don’t Wanna Go Home).”
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.