ENCANTO
Walt Disney Studios Motion Pictures / Courtesy Everett CollectionThere’s nothing like the magic of live theater, and no one translates that magic to the Broadway stage quite like Disney.
Ever since the curtain raised on the stage adaptation of Beauty and the Beast back in 1994, the House of Mouse has dominated the Great White Way with family-friendly hits like 1997’s The Lion King, 2012’s Newsies and 2014’s Aladdin.
All in all, there have been 17 Disney musicals that have made it to Broadway (no, Hamilton doesn’t count just because it was filmed for Disney+), though at the current moment, only The Lion King — the highest-grossing show in Broadway history — and Aladdin are playing in the Minskoff Theater and New Amsterdam Theatre, respectively. Meanwhile, 2018’s Frozen was sadly the first Broadway show to fold due to the pandemic, though its national tour is currently playing in regional theaters across the country.
This week, Lin-Manuel Miranda hinted that he could see his latest hit Encanto making the leap from screen to stage — he even has a seven-minute Act II finale number ready in his back pocket — but we want to know what you think. Which untapped Disney film should get the Broadway treatment?
Of course, there are plenty of memorable movie musicals to choose from, chief among them 2010’s much-loved Tangled and 2017’s Coco. Miranda himself questions how the oceans of Moana could be translated onto the Broadway stage, and maybe you think Disney should give that a shot! After all, “How Far I’ll Go” did just hit one billion streams on YouTube…
While pandemic-era hit Luca isn’t technically a musical, its themes and sweet storyline are practically begging for original music. And with the coming release of Disenchanted coming sometime late this year, fans who loved Princess Giselle are about to get the perfect reminder of how much fun it would be to hear the songs from 2007’s Enchanted — looking at you, “That’s How You Know” and “So Close” — live in a Midtown theater.
Cast your vote and wish upon a star in Billboard‘s latest poll.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
