The estates of Layne Staley, and Mike Starr, original members of Alice In Chains, sold a stake in their publishing and master income rights

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Estates of Layne Staley and Mike Starr sell stakes

The estates of Alice in Chains original lineup members Layne Staley and Mike Starr have sold stakes in their publishing rights and master recording income stream to Primary Wave, the company announced on Monday, the latest in the ever-hot song acquisition marketplace.

Primary Wave declined to disclose financial details of the sale or how much of a stake in the catalogs it now owns, but with the purchase, it now holds a stake in one of most prominent catalogs of Seattle’s Grunge scene from the Nineties. Among the hits in the catalogs the company purchased are “Man in the Box,” which Staley wrote, along with tracks like “Rooster” and  “Would,” which neither Staley nor Starr wrote, but they still get royalties on from the master recordings.

Staley died in 2002 while Starr left the group in 1993 and died in 2011. While Alice in Chains put out several albums since their departures, Starr and Staley’s rights make up some of the most commercially successful records the band released.

Companies like Primary Wave and Hipgnosis Songs Fund have played significant roles in kicking off the buying spree the industry has seen for the past several years, and now major investment companies like Blackstone and KKR have partnered with music companies offering significant funds to get more rights.

Staley and Starr’s estates join an extensive list of prominent songwriters, producers, and artists who’ve sold their rights, including David Bowie, Bruce Springsteen, Bob Dylan, Paul Simon, and Stevie Nicks, the latter of which also sold to Primary Wave. Artists and songwriters of all eras have been selling their rights in recent years as companies have become increasingly willing to offer deals previously unheard of to secure copyrights. The deals have been notably attractive to older artists and estates, who’ve chosen to leave musical legacies in the hands of music companies and take a sizable paycheck instead.

“Primary Wave is pleased to partner with the estates of Layne Staley and Mike Starr to honor their musical legacies as part of the classic era lineup of Alice in Chains, who created the amazing songs and records that comprise the albums Dirt and Facelift, and the acoustic EPs, Jar of Flies and Sap,” Primary Wave’s David Weitzman said in a statement. “These projects represent the greatest works from one of the best artists of the iconic Nineties Seattle-based grunge era.”

Addison Rae invited Charli XCX to join her on stage during her show at the Greek Theatre in Los Angeles last night. Charli appeared alongside Rae for two of their previous collaborations, performing “Von Dutch Remix,” from Charli’s 2024 project Brat and It’s Completely Different but Also Still Brat, as well as Rae’s 2023 single “2 Die 4.”

For the closing number, Rae came back on stage for a surprise encore of “Nothing On (But the Radio),” a song that usually isn’t part of her set list. The performance began with Rae appearing on the big screens backstage while removing her clothes, and as the lights went down, she reemerged to deliver the fan-favorite track. Many saw the moment as a nod to Lady Gaga’s Mayhem Ball, where Gaga ends each show with “How Bad Do U Want Me.” Gaga originally recorded “Nothing On” as a demo in 2010.

“2 Die 4” was featured on Rae’s EP AR and marked the pair’s first collaboration. They went on to work together again for “Von Dutch” with A. G. Cook, as well as on Cook’s “Lucifer.” Earlier this year, Charli expressed her admiration for Rae in an interview with Rolling Stone, saying, “It’s been fun to watch her evolve. Everything she does relates back to her art — every item of clothing she wears, everything she says in a red-carpet interview, everything she tweets — it all is a part of the world-building.”

Rae released her latest album, Addison, in June and has spent the late summer and fall performing across multiple cities. Her next shows are set for Australia in November, followed by appearances at music festivals in South America next year, including Lollapalooza Chile and Lollapalooza Brazil. She will also perform at Coachella in April and Primavera Sound in Barcelona in June.

Charli XCX has been dividing her time between music and acting, as her film career continues to grow. She joined Lorde on stage at the Kia Forum in Los Angeles last year to perform their version of “Girl, So Confusing.” The two also performed the remix during Charli’s Sweat Tour with Troye Sivan in 2024, and again at Coachella earlier this year.

It was revealed earlier this week that Dakota Johnson is considering Charli XCX for a role in her directorial debut, A Tree Is Blue. Charli’s upcoming acting projects include Cathy Yan’s The Gallerist, Gregg Araki’s I Want Your Sex, Julia Jackson’s 100 Nights of Hero, and The Moment, a film directed by Aidan Zamiri based on her original story.

“I am really enjoying my acting journey,” Charli told Variety earlier this year. “I feel very, very inspired at the moment in that field, I feel unbelievably creative, and I only ever want to do things that inspire me and make me feel energized.”

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