Brandi Carlile has been revealed as the first artist tapped to perform at the 30th annual Elton John AIDS Foundation Oscars pre-party on March 27.
“Getting to perform for such a significant milestone of one of the most legendary Oscar Parties is an absolute honor,” Carlile shared in a statement. “I’m looking forward to celebrating Hollywood’s big night with close friends and supporters of the Elton John AIDS Foundation and helping bring awareness to an incredibly important cause.” More artists will be announced soon for what will be the first in-person iteration of the event since the pandemic shifted last year’s ceremony online.
“We want to remind people that while the coronavirus has consumed headlines for the past two years, HIV/AIDS is still a global epidemic,” says David Furnish, Chairman of Elton John AIDS Foundation. “It remains paramount to continue raising funds and awareness toward issues affecting people living with and at risk of HIV, and there is no better platform than our annual Academy Awards Viewing Party to do just that.”
John added: “David and I are so grateful to celebrate 30 years of the Foundation and especially grateful to Brandi Carlile and the many fabulous guests supporting us for another magnificent night in West Hollywood Park. Our success reflects the passion, commitment, and generosity of our supporters. Together, we are making a difference and bringing light and hope to people living with HIV around the world.”
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
