NEWS
Taylor Swift
Beth GarrabrantThe Country Music Hall of Fame and Museum will highlight the achievements of Taylor Swift, Jimmie Allen, Brothers Osborne, Luke Combs, Mickey Guyton, Carly Pearce and more with the March 4 opening of the latest installment of the Hall’s “American Currents: State of the Music” exhibit.
The annual exhibit highlights notable music, artist achievements and events from the past year, as determined by the museum’s curators.
The exhibit will also feature Brandi Carlile, Jerry Douglas, John Hiatt, three-time CMA musician of the year winner Jenee Fleenor, the Grand Ole Opry, Walker Hayes, Wanda Jackson, Alison Krauss, Old Dominion, Allison Russell, Chris Stapleton and Billy Strings. Several of the artists highlighted in the exhibit are recent CMA Awards winners, including Fleenor, reigning entertainer of the year Combs, reigning female vocalist of the year Pearce, reigning new artist of the year Allen, reigning vocal duo of the year Brothers Osborne, reigning vocal group of the year Old Dominion and 2021 multi-award winner Stapleton.
The exhibit also includes a video compilation of important country music moments from 2021, and recaps the year’s chart-topping country albums, singles and highest-grossing tours as reported by Billboard and Pollstar.
Another portion of the exhibit, titled “Unbroken Circle,” will feature artists and their musical influences, including Breland and Keith Urban, Thomm Jutz and Tom T. Hall, Brittney Spencer and Reba McEntire, as well as Lainey Wilson and Lee Ann Womack.
“Through the annual American Currents exhibit, the museum documents the genre’s evolving history, diverse sounds and broad cultural influence,” said Kyle Young, CEO of the Country Music Hall of Fame and Museum. “In another year characterized by the complexities of the pandemic, the continued pursuit of social justice and more, country music stood out as a microcosm of American culture. This exhibit offers perspectives on music and events that shaped the genre in 2021.”
The exhibit runs through Feb. 5, 2023.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
