Dolly Parton performs at the 2021 Kiss Breast Cancer Goodbye Concert at CMA Theater at the Country Music Hall of Fame and Museum on October 24, 2021 in Nashville, Tennessee.

Jason Kempin/GI
Dolly Parton just earned her first nomination for induction into the Rock and Roll Hall of Fame.

When the Rock and Roll Hall of Fame announced Dolly Parton as one of its Class of 2022 nominees on Wednesday (Feb. 2), surely the first thought for many was that Parton was an outlier. She’s a country music icon to be sure (and a member of the Country Music Hall of Fame), and while she’s covered songs by Led Zeppelin,The Beatles and Neil Young, she’s hardly thought of in rock and roll circles.

Maybe Parton, who had never been nominated before despite being eligible since 1992 (or even earlier if you include her first indie single as a 13-year-old out in 1959), appears to be as shocked as everyone else, since she has yet to comment on the honor. However, there’s something that feels indelibly right about Parton, who has been a pioneer and an innovator across all music for decades, possibly joining the Rock Hall’s august ranks. The five artists who get the most votes will be announced in May as the Class of 2022. Should she be inducted, she follows in the footsteps of some of country’s most legendary names.

Here are the country acts who have preceded Parton. (We limited the list to artists primarily known as country artists, so did not include trailblazers like Elvis Presley, the Everly Brothers, Jerry Lee Lewis, Carl Perkins, Brenda Lee, Wanda Jackson or Ray Charles, who, despite their undisputed and vital ties to country music, left their biggest legacies in pop, rock, rockabilly or R&B.)

Chet Atkins (inducted in 2002): Known as the architect of the Nashville sound, Atkins went in the Hall under the musical excellence category, but the simple fact is, Atkins could do it all: His finger-picking guitar style that featured the melody and the bass line became world-renowned, he sold more than 35 million albums as an artist, he played on the Everly Brothers’ early hits, produced Presley’s first records for RCA Records and worked with such artists as Parton and Waylon Jennings.

Johnny Cash (1992): With his sonorous baritone, the Man in Black sounded like the voice of America, sharing stories of saints and sinners first as part of Memphis’ Sun Records roster, and then much more famously for Columbia Records in Nashville with such hits as “I Walk the Line,” “Ring of Fire” and “I’ve Been Everywhere.”

Floyd Cramer (2003): Nashville session pianist Cramer was inducted into the Rock Hall under the musical excellence category. His name is synonymous with the “slip note” technique of playing, which was an essential part of the Nashville sound starting in the 1950s. His playing can be heard on classic hits for Presley (“Heartbreak Hotel,” “Are You Lonesome Tonight”), Patsy Cline (“Crazy”), Eddy Arnold and more. Cramer also had a major pop hit with the instrumental single “Last Date” in 1960. Cramer was inducted into the Country Music Hall of Fame in 2003.

Bill Monroe (1997): The Father of Bluegrass Music penned more than 500 compositions, including such bluegrass classics as “Blue Moon of Kentucky” and “Bluegrass Breakdown,” but he was as renowned for his Blue Grass Boys and their musical virtuosity on mandolin, guitar, fiddle, banjo and upright bass, as they brought the vibrant music of the Appalachian region to the world. 

Jimmie Rodgers (1986): Known as the Father of Country Music, Mississippi native Rodgers went into the Rock Hall under the early influences category in the same inaugural class of honorees as Chuck Berry, James Brown, the Everly Brothers and Ray Charles. In 1927, Ralph Peer recorded Rodgers (as well as the Carter Family) in Bristol, Tenn., and Rodgers’ blend of yodeling and acoustic songs became the musical template for numerous country artists who followed. Rodgers, known for such recordings as  “Blue Yodel No. 8 (Mule Skinner Blues),” “Waiting for a Train” and  “In the Jailhouse Now,” was also the first performer inducted into the Country Music Hall of Fame, in 1961. Nicknamed The Singing Brakeman, he influenced legions of artists who followed, including Merle Haggard and Bob Dylan. 

Hank Williams (1987): Williams was country’s first modern-day star. Though he died tragically at 29, his songs became classics thanks to his keen sense of melody and his piercing, expressive voice that felt like his heart could barely contain the pain. Among his 55 top 10 country songs were “Cold, Cold Heart,” “Your Cheatin’ Heart” and “I’m So Lonesome I Could Cry.”

Bob Wills and His Texas Playboys (1999): Bob Wills and His Texas Playboys were inducted into the Rock Hall in the early influences category. Wills and his bandmembers enjoyed their greatest successes in the 1930s and 1940s, and became known for standards including “Take Me Back to Texas,” “I’m Sitting on Top of the World” and “San Antonio Rose.” With ace musicianship, the group developed a unique sound that integrated elements of swing, fiddle music, blues, jazz and more.

There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.

If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.

On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.

It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.

While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.

He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”

That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.

Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.

The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”

Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.

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