Twitch
Rafael Henrique/SOPA Images/LightRocket via GILive streaming platform Twitch has entered into an agreement with digital music licensing service Merlin to create revenue-earning opportunities for independent artists.
Merlin represents more than 20,000 labels and hundreds of thousands of artists from every country in the world, who can now interact with fans, generate earnings and build community on Twitch.
Similar to the recent agreements formed between Twitch and Universal Music and Warner Music’s recorded music divisions, the Merlin partnership is not a licensing deal.
“We’re thrilled to collaborate with Twitch for this groundbreaking deal,” said Merlin CEO Jeremy Sirota in a release. “We’ve been engaged in conversations with Twitch since the day I started at Merlin, and I’m pleased that our team found a path for Merlin members and their artists to better engage fan communities across the Twitch ecosystem, whether in music, gaming or beyond. Merlin members are excited to lean into this opportunity on behalf of their artists.”
Since the outbreak of the pandemic, artists have leaned more on digital platforms to create additional revenue streams. The new partnership will create direct communications between Merlin members and Twitch in order to forge new marketing opportunities for labels and artists.
The agreement will help Merlin members tap into Twitch opportunities such as The Collective, an artist incubator program announced by the platform in November. The program assembles musicians into invite-only groups called collectives, which are designed to help artists learn how to use and maximize the platform, with support from Twitch staff and industry partners including Amazon Music, United Masters, DistroKid and TuneCore, among others.
Through the deal, Merlin members will also have access to a process introduced by Twitch in September that enables participating music rights holders to report certain unauthorized uses of their music.
“It really is an exciting time to be an independent artist,” said Twitch’s vp/head of music Tracy Chan in a release. “The relationship between fan and artist has been transformed, and we’re proud to offer a new pathway to success for so many artists. Our partnership with Merlin affords their members’ independent artists an on-ramp to our devoted and engaged Twitch community. We are grateful for the collaborative work of our colleagues at Merlin and know that, together, we can achieve great things for a sector of the music community that has never been more influential.”
The deal with Merlin is just the latest step in Twitch’s efforts to foster a collaborative relationship with the music industry. In addition to the agreements reached with UMG and WMG, Twitch reached a landmark settlement with the National Music Publishers’ Association in September 2021 over the platform’s past usage of music, developed a new process for music rights holders to report unauthorized use of their work on the platform and offered NMPA members an opt-in deal for licensing.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
