Ian Munsick x Cody Johnson 'Long Live Cowgirls'
Courtesy PhotoFirst Country is a compilation of the best new country songs, videos and albums that dropped this week.
Ian Munsick & Cody Johnson, “Long Live Cowgirls”
Munsick has Wyoming roots, while Johnson is a native of the Lone Star State. On this fiddle-drenched track, they team up to pay tribute to cowgirls who are “tough as December and salt of the Earth.” Boots, pearls and Chris LeDoux songs are just a few of the things cowgirls love that draw the admiration of these singers. Their rough-hewn voices blend splendidly on this track, which Munsick wrote with Aby Gutierrez and Phil O’Donnell.
Music fans can undoubtedly hear a live rendition of this track at a concert soon, as Munsick and Johnson hit the road last fall on Johnson’s headlining tour, which continues this year.
Maddie & Tae and Morgane Stapleton, “Don’t Make Her Look Dumb”
Duo Maddie & Tae join forces with singer-songwriter Morgane Stapleton as they stand up to a bad-boy lover who seems intent on breaking their friend’s heart. The song’s frank warning is in contrast to the smooth production and elegant harmonies that stand front-and-center on this track. Maddie Font and Taylor Kerr wrote the song with Barry Dean and Luke Laird, and it’s featured on Maddie & Tae’s eight-song collection Through the Madness, Vol. 1.
Tracy Lawrence, “Don’t Drink Whiskey” (Video)
In this clip, directed by Tristan Cusick, two lovers ultimately face the reality that their relationship can’t keep pace with the vastly different ambitions they have for their own lives. He’s a cowboy with his heart tethered to the land, and she’s a ballerina with dreams of performing on a larger stage. Lawrence is seen in performance shots interspersed throughout, as the cowboy drowns his sorrows at a bar.
Hannah Bethel, “Bad News Baby”
Just like cigarettes and other sorts of vices, singer-songwriter Hannah Bethel finds herself at first captivated by a new love, only to find the buzz isn’t worth the pain in the end. Bethel’s beautifully hazy voice is enhanced by a gentle melody and a smooth blend of pop-country instrumentation. “Bad News Baby” is part of Bethel’s upcoming EP Until The Sun Comes Back Around, out March 25. In addition to lead vocals, Bethel plays electric and acoustic guitar on the album.
Caitlyn Smith, “High”
In the aftermath of an ended relationship, she knows she ended things the right way, but putting emotional pull behind her isn’t easy. Smith co-wrote the track with Miley Cyrus and Jennifer Decilveo, and Cyrus previously included a rendition of the song on her album Plastic Hearts.
Here, Smith offers her own powerful, elegant take on the song, with Amanda Shires offering up a raw fiddle accompaniment.
Teddy Robb
Robb offers his own spin on the classic country truck song, as he recalls idyllic days of being a teenager riding down backroads in a Chevy 1500. Robb wrote the song with Pete Good, Brandon Ratcliff and Dave Turnbull. Robb’s laid-back vocal performance perfectly fits with song’s contemporary production. The song will be included on Robb’s How’d You Get Away With It EP, which releases in February.
Emma White, “Cowboy”
White’s brand of airy pop-country is a deft blend of her sultry, R&B-tinged vocals with sleek, sweetened production. White wrote the song with Melissa Fuller and Kate Malone, and it’s a slow-jam filled with verve and confidence
Adam Doleac, “Drinkin’ It Wrong”
Doleac has the perfect recipe for a weekend in this breezy jam, which he wrote with Cary Barlowe and Jordan Schmidt. “If that bottle ain’t cold/ You been holding it too long/ I don’t know what you been told but you’re drinkin’ it wrong,” he sings in this feel-good track. Doleac will open for Jessie James Decker’s tour, which launches in April.
NEWS
Harry Styles paid tribute to the late David Hockney and reflected on his time in One Direction last night (June 12), as he kicked off his record-breaking residency at Wembley Stadium.
Hockney – whose painting of Styles was displayed at the National Portrait Gallery in 2023 – died on June 11, aged 88, and the musician honoured him during his set by sharing a quote from the painter on the big screens.
“What an artist is trying to do for people is bring them closer to something, because of course art is about sharing,” the quote read. “You wouldn’t be an artist unless you wanted to share an experience, a thought.”
Styles’ gig last night marked the first of 12 gigs at Wembley, which will see the star break the record for the most shows at the venue in a single tour. Coldplay previously held the record, delivering 10 gigs at the stadium last year as part of their Music Of The Spheres tour.
The London residency follows the Together, Together tour beginning in Amsterdam in May, and will be followed by stops in São Paulo, Mexico City, New York, Melbourne and Sydney. He will be supported by a different artist in each city, joined by Shania Twain in London, who delivered a set of hits and new tracks from her upcoming album, ‘Little Miss Twain’.
As the sounds of Simon And Garfunkel’s ‘Bridge Over Troubled Water’ played over the stadium PA, Styles made his way to the stage, kicking off his set with ‘Are You Listening Yet?’, from his latest album, ‘Kiss All The Time. Disco Occasionally’. Between renditions of ‘Golden’ and ‘Adore You’, he addressed the crowd for the first time, saying: “Our job tonight is to entertain you. Your job is to have as much fun as you possibly can.
“If you want to sing, if you want to dance, please feel free. Please feel free to be whoever it is you’ve always wanted to be tonight. We’ve got each other’s backs.”
Throughout the night, Styles subtly reworked some of the songs on the setlist. He dedicated ‘Taste Back’ “to all the ravers in the house”, as a snippet of Underworld’s ‘Born Slippy’ was interpolated into the song, while a brief burst of Talking Heads’ ‘This Must Be The Place’ was introduced to ‘Treat People With Kindness’. During ‘Dance No More’, the pop star’s band played part of the groove from Happy Mondays’ ‘Step On’, while Styles sang a snatch of Gorillaz’s ‘Clint Eastwood’.
There were also nods to Styles’ days in One Direction early in the set. As the musician left the stage after ‘Fine Line’, the string section on stage played a medley featuring clips of the group’s hits ‘Night Changes’ and ‘History’, plus Styles’ own track ‘Falling’. After ‘Keep Driving’, he took the time to reflect on Wembley’s connections to his and the boyband’s journeys.
“Just outside of this building, just next door, is Wembley Arena, and 16 years ago, my sister brought me to London for the very first time for my X Factor audition,” he said. “So driving here today, and any time I come through Wembley, means so much to me, ‘cause right in that building next door, I was put into a band. We were called One Direction.
The Together, Together setlist features a different surprise song each night at the start of the encore. Last night, Styles treated the Wembley audience to ‘Little Freak’, taken from ‘Harry’s House’, for the first time since 2023. After the song, he spoke to the audience for the final time, saying: “I don’t know if you’ve been listening to me for a week, or a month, or a year, or five years, or 10 years, or 16 years, or whatever it is, but you have changed my life over and over again. Thank you so much for being here and allowing us to do these shows. Thank you, thank you, thank you.
“Finally, 16 years ago, my mother signed me up for the X Factor without my knowledge. I wouldn’t be here today if she hadn’t done that. She’s here today – thank you so much. You’ve changed my life, all of you.” Referencing a lyric in ‘Dance No More’, he added: “Remember – respect your mother.”
‘Are You Listening Yet?’
‘Golden’
‘Adore You’
‘Watermelon Sugar’
‘Music From A Sushi Restaurant’
‘Taste Back’
‘Coming Up Roses’
‘Fine Line’
‘Italian Girls’
‘American Girls’
‘Keep Driving’
‘Ready, Steady, Go!’
‘Dance No More’
‘Treat People With Kindness’
‘Pop’
‘Season 2 Weight Loss’
‘Carla’s Song’
‘Aperture’
‘Little Freak’
‘Sign Of The Times’
‘As It Was’
The Together, Together, London residency continues at Wembley Stadium tonight, with further dates on June 17, 19, 20, 23, 26, 27, 29 and July 1, 3, and 4. Visit here for any remaining UK tickets and check out doors and stage times here.
The gigs will see Styles donate £1 from every ticket sold to LIVE’s levy to help protect UK grassroots music venues and support emerging talent, and before Styles’ headline performance, the big screens at the venue encouraged fans to support Music Venues Trust.
The tour is in support of the star’s latest album, ‘Kiss All The Time. Disco Occasionally’, which was released in March. In a four-star review, NME described it as “an album that you’ll really want to spend a lot of time with, letting all its layers envelope you”. It added: “It’s the most exploratory album of his career so far, trying out new things and steering his ship in new directions.”
Meanwhile, Styles has also curated this year’s Meltdown Festival at the Southbank Centre. The line-up chosen by the star includes Stephen Fretwell, Nilüfer Yanya, Orlando Weeks, Bar Italia, Dev Hynes, Jon Hopkins, Getdown Services, LCD Soundsystem’s James Murphy, Soulwax and more, as well as an intimate gig from Styles himself.
The festival kicked off earlier this week (June 11) with a performance from Los Angeles’ Warpaint, whose show was their first in nearly two years. During the gig, they shared fan favourites like ‘Love Is To Die, ‘Billie Holiday’ and ‘Disco//Very’, plus a cover of Kate Bush’s ‘Running Up That Hill’.
