Slipknot are gearing up for the return of Knotfest Roadshow this spring as headliners on the two-part tour. Special guests In This Moment and Jinjer will join them on the first leg of the 38-date trek, and Cypress Hill and Ho99o9 on the second.
The initial leg of the tour begins on March 16 at Fargo, North Dakota’s FargoDome, and wraps on April 17 in Vancouver at Pepsi Live at Rogers Arena. Knotfest Roadshow will pick back up at Bryce Jordan Center in University Park, Philadelphia, on May 18 and extend through June 18 where Slipknot will close out the tour with a show at North Island Credit Union Amphitheater in Chula Vista, California. Tickets for Knotfest Roadshow 2022 are available starting Friday, Jan. 21.
“Even with everything going on in the world right now, we’re still extremely excited to come back out in the states,” Slipknot frontman Corey Taylor shared in a statement. Taylor previously tested positive for Covid-19 this past summer, despite being vaccinated. “This is the worst I’ve ever been sick in my life; had I not been vaccinated, I shudder to think how bad it would’ve been,” he said. “But, because I had that extra little bit of protection, it definitely helped me get through it. So go, go, go. If you’re still on the fence, I’m telling you right now, it’s the best thing you can do for yourself.”
Knotfest Roadshow 2022 will welcome performances of Slipknot’s first new music in two years, including “The Chapeltown Rag,” their latest release shared at the tail end of last year. The single will appear on the heavy metal band’s forthcoming seventh studio album, out later this year.
The record will mark their third without founding member Joey Jordison who was removed from the band’s lineup in 2013 citing transverse myelitis, a form of multiple sclerosis that hindered his ability to perform. In July 2021, the drummer died at the age of 46.
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There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
