Summer Walker photographed Oct. 26, 2021, at Ambient+Studio in Atlanta. Styling by Todd White. Hair by Trevin Washington. Makeup by Juanice Reed. Walker wears a TTSWTRS bodysuit, and Bernard James jewelry.
Gizelle HernandezSummer Walker is gearing up to perform at Georgia’s Coca-Cola Roxy venue in her Atlanta hometown.
The songstress will grace the stage Feb. 18, in support of her sophomore album Still Over It, which debuted at No. 1 on the Billboard 200 in November, becoming her first project to top the chart. Tickets for the show are available for purchase via Walker’s official website.
Still Over It, which follows her 2019 debut album Over It, earned 166,000 equivalent album units in the U.S. in the week ending Nov. 11, according to MRC Data. Thanks to the support of Walker’s longtime listeners, 90% of the album’s first-week units were driven by streaming activity. Still Over It marks both the first R&B album by a woman to top the Billboard 200 in more than five years and the largest streaming week ever for an R&B album by a woman.
Last week, Walker joined Usher for a performance at his Las Vegas residency to deliver a live rendition of their fan-favorite duet “Come Thru.”
Walker also impressed viewers during her performance at the 2021 BET Soul Train Awards in November alongside fellow hitmaker Ari Lennox. The pair performed their hit song “Unloyal” together.
With the success of Still Over It, Walker rose to No. 1 on the Artist 100 chart for the first time in her musical career. Walker tied Taylor Swift for the most simultaneously charted titles among women on the Billboard Hot 100 with 18, all from Still Over It, led by “No Love” with SZA.
See Walker’s Instagram announcement below:
Fontaines D.C. have teamed up with Rosalía for their new collaboration, Where Is Gone?.
The song features on the Irish rock band's forthcoming album, Dopamine Chamber, which arrives on Friday (16.10.26). For guitarist Carlos O’Connell, working with the Spanish superstar is particularly special because of his own Spanish roots.
He explained: “I’ve admired Rosalía ever since her debut album, which I thought was absolutely beautiful.
“What excited me most was the way she continued to preserve Spain's musical traditions, something that felt spiritually connected to what we've been trying to achieve with Irish music. Having roots in both countries, it's been really special to witness. "She's an artist who has continued to amaze me at every point in her career.”
Frontman Grian Chatten has also described the collaboration with Rosalía as one of the most memorable achievements of his career.
He revealed that he felt "humbled" when she agreed to lend her voice to the band's album.
Speaking to NPR, Grian said: “I've always felt there's something almost like a single big idea that I'm personally trying to communicate to the world before I get old and die, if that makes sense. There's one thing I think I'll spend my life trying to express. I have a feeling she has a similar outlook. … I mean, she's an amazing arranger, composer and lyricist. It means so much that she wanted to sing on something we'd put together. It's definitely one of the highlights of my career.”
Rosalía's links to Irish rock music extend beyond Fontaines D.C. She also offered inspiration and helped develop the Spanish lyrics for U2's The Mirror Maker (Rosalía), a track from their forthcoming album, Carnaval de Luz.
During an appearance on The Tonight Show Starring Jimmy Fallon last week, she spoke about frontman Bono, saying: “I don't know him personally, but he sent me a text explaining that he was working on a new project and had written a song called The Mirror Maker."
Rosalía joked that Bono had invented a few words of his own.
She recalled telling him: “I wasn't sure what to make of it, but I told him he could create his own language if he wanted to.”
She described the opportunity to collaborate with the 66 year old music veteran as a real privilege.
She added: “Bono is a legend.
“It's amazing.”
Bono recently revealed that he was worried about seeming like a stalker when he reached out to Rosalía to ask whether he could name the song after her.
