Miranda Lambert & Little Big Town perform together during 2018’s The Bandwagon Tour
Reid LongMiranda Lambert and Little Big Town are teaming up this spring to revive The Bandwagon Tour, four years after their successful 2018 co-headlining run by the same name.
This year’s 15-city outing, produced by Live Nation, will also feature The Cadillac Three as direct support for all shows. The tour launches May 6 in Houston, and will include stops in Dallas, Cincinnati, St. Louis and more, before wrapping June 11 at Camden, New Jersey’s BB&T Pavilion. Just prior to the launch of The Bandwagon Tour, Lambert and The Cadillac Three will perform a pair of amphitheater shows in Tuscaloosa, Alabama on April 27 and Franklin, Tenn. on April 28.
Lambert is nominated for a Grammy heading into this year’s ceremony, for her collaborative album The Marfa Tapes with Jon Randall and Jack Ingram. Her latest single, “If I Was a Cowboy,” is out at country radio. Meanwhile, Little Big Town’s Karen Fairchild, Jimi Westbrook, Kimberly Schlapman and Phillip Sweet are working on their 10th studio album, set to release later this year. The project will follow their 2020 album Nightfall, which was nominated for best country album at the Grammys. In addition to previously touring together, Lambert and Little Big Town collaborated on the 2015 single “Smokin’ and Drinkin” from Lambert album’s Platinum.
The Cadillac Three, known for their blend of country and southern rock on songs including “The South” and “White Lightning,” most recently released a pair of studio albums in 2020: Country Fuzz and Tabasco and Sweet Tea.
Tickets for the tour’s opening night in Houston will go on sale Jan. 21 at 10 a.m. local time. Tickets for all other tour dates will go on sale Jan. 14 at 10 a.m. local time.
See the list of show dates below.
April 27: Tuscaloosa Amphitheater | Tuscaloosa, Ala. (Lambert and The Cadillac Three only)
April 28: FirstBank Amphitheater | Franklin, Tenn. (Lambert and The Cadillac Three only)
April 29: William Green Football Stadium | Johnson City, Tenn.
May 6: Cynthia Woods Mitchell Pavilion presented by Huntsman | Houston, Texas
May 7: Dos Equis Pavilion | Dallas, Texas
May 8: Walmart AMP | Rogers, Ark.
May 12: Credit One Stadium | Charleston, S.C.
May 13: MIDFLORIDA Credit Union Amphitheatre | Tampa, Fla.
May 14: iTHINK Financial Amphitheatre | West Palm Beach, Fla.
May 20: Hollywood Casino Amphitheatre | St. Louis, Mo.
May 21: Ruoff Music Center | Noblesville, Ind.
May 22: Riverbend Music Center | Cincinnati, Ohio
June 2: Budweiser Stage | Toronto, Ont.
June 3: DTE Energy Music Theatre | Detroit, Mich.
June 4: Blossom Music Center | Cuyahoga Falls, Ohio
June 9: Northwell Health at Jones Beach Theater | Wantagh, N.Y.
June 10: PNC Bank Arts Center | Holmdel, N.J.
June 11: BB&T Pavilion | Camden, N.J.
Ezra Furman has announced a new headline tour of the UK and Europe to take place early in 2026 – see all the dates below.
The Chicago-born singer-songwriter released her 10th studio album ‘Goodbye Small Head’ in May via Bella Union and is already set to take the record on the road around North America in August and October this year.
Now, she has added a slew of dates on the other side of the Atlantic, kicking off in Vienna, Austria on January 19 and taking in dates in Graz, Linz, Munich, Prague, Berlin, Hamburg, Amsterdam, Antwerp and Paris.
The tour rounds off with four UK dates – Glasgow, Manchester and Bristol are followed by a huge final show at the O2 Forum Kentish Town in London on February 4. Tickets are on sale now and you can find yours here.
JANUARY
19 – Vienna, Arena Wien
20 – Graz, Dom Im Berg
21 -Linz, Posthof
22 – Munich, Strom
24 – Prague, Cargo Gallery
25 – Berlin, Columbia Theater
26 – Hamburg, Molotow
27 – Amsterdam, Paradiso Tolhuisten
28 – Antwerp, Trix Club
29 – Paris, Le Cabaret Sauvage
FEBRUARY
1 – Glasgow, The Art School
2 – Manchester, New Century Hall
3 – Bristol, Electric
4 – London, O2 Forum Kentish Town
Furman described ‘Goodbye Small Head’ as being “vivid with overwhelm”, adding: “They’re not about someone going off the rails, they are inside that person’s heart. The songwriting here is a revision to William Wordsworth’s famous proclamation that ‘Poetry is the spontaneous overow of powerful feelings: it takes its origin from emotion recollected in tranquillity’. I can agree with that, except for the tranquillity part.”
Furman continued: “This poetry, my poetry, arrived in the midst of the storm. It was written as I teetered toward the edge. (I did the edits once I was safe again).”
