Bad Bunny at the 2021 American Music Awards.
Amy Sussman//GIBad Bunny is starting the new year off with a clean slate on social media.
The 27-year-old Puerto Rican trap star recently deleted all of the posts from his official Instagram account, which boasts 36.8 million followers, including fellow artists like Drake, Rihanna, Jennifer Lopez and Lil Nas X.
Bunny, who ranked as No. 1 on the Top Latin Artists chart on Billboard‘s 2021 Year-End Charts, has now joined TikTok. In his first post on Saturday (Jan. 1), the artist holds up a large mug on the morning after what appears to be a fun night of partying on New Year’s Eve with his girlfriend Gabriela Berlingeri.
“2022, the ‘damned’ part is just out of love, I know you will be a good year,” Bunny captioned the clip, which references lyrics to his song “Si Veo a Tu Mama,” heard playing in the background.
Bunny was not only Billboard’s Top Latin Artist of the year, but also Spotify’s most streamed artist globally in any genre. In 2021, he scored a threepeat thanks to chart-topping albums YHLQMDLG, Las Que No Iban a Salir and El Último Tour del Mundo — all peaking at No. 1 on the Top Latin Albums chart. Additionally, El Conejo Malo placed the No. 1 song, “Dákiti” with Jhay Cortez, on the year-end Hot Latin Songs chart.
See Bad Bunny’s first TikTok post here.
Music photographer Jill Furmanovsky said she wasn’t taken aback by the overwhelming excitement surrounding the Oasis reunion tour.
The photographer has been capturing the Wonderwall hitmakers for more than thirty years and shared that the Oasis Live '25 Tour, which brought Noel and Liam Gallagher back on stage together for the first time in 16 years, worked so well because the concerts have always been “about the audience”.
Jill, who first crossed paths with Oasis at one of their early shows at the Cambridge Corn Exchange in 1994, explained to NME: “It didn’t catch us off guard, because Oasis have always been about the crowd. Always. There was never much to shoot on stage.
“Even at the Cambridge Corn Exchange, the performance itself was simple, but the people in the crowd knew every word and were completely swept up in it.
“And that hasn’t really changed over time. They just bring out that songbook and deliver it. Liam is still magnetic and captivating, even when he keeps it minimal. It remains incredibly powerful. That’s the essence of their show.”
Furmanovsky, who has photographed icons like Bob Dylan and Led Zeppelin over the course of her fifty-year career, added: “What they’ve done with this new tour, the production, and the visuals… it’s something special.
“The mix of generations in the crowd is also striking. I went with my 13-year-old granddaughter, and there were plenty of kids her age singing along word for word. It’s incredible.
“‘Biblical’ is the term people throw around. It sounds almost silly, but when two brothers who’ve been at odds for years come together again, there really is something biblical about that alone. Combine it with what they’re putting on stage… it’s unlike anything else.”
Jill’s latest book Trying To Find A Way Out Of Nowhere reflects her years documenting Oasis, and she shared that no current act matches what the Supersonic band represents. She was also able to photograph them once again at one of their massive Wembley Stadium shows during the reunion tour.
She said: “There aren’t many artists today who can step into the space Oasis occupies and actually live up to it.
“We’re in a different time now, a kind of in-between phase. It feels like the closing of a rock ‘n’ roll chapter. That doesn’t mean talent or creativity is gone. It’s like with painting — we still have great impressionists, but we’re no longer living in the impressionist era.”