NEWS
Barry Keoghan has responded to speculation that he was unfaithful to Sabrina Carpenter while they were together, calling the claim “a narrative that’s not true”.
Their relationship first sparked talk in September 2023, before they were seen together publicly for the first time at a Grammys after-party the following February. After that, they appeared side by side at the MET Gala, Carpenter referenced his well-known Saltburn moment during Coachella 2024, and the The Banshees of Inisherin star featured in the video for her popular track ‘Please Please Please’.
Reports later suggested the pair had gone their separate ways in December 2024, with cheating rumours circulating at the same time. The actor then spoke out online about what he described as “disgusting” behaviour from some users, saying his name had “been dragged across the internet”.
Now, following a short break away from the spotlight, he has given a fresh interview where he strongly rejected claims that he had been unfaithful during the relationship.
While speaking with Benny Blanco, Lil Dicky, and Kristin Batalucco on their Friends Keep Secrets video podcast, he described the clips spreading online rumours as “absolutely disgusting and vile”, adding that the situation created what he felt was a “very unfair” environment.
He went on to explain that the situation made him feel like he needed to “disappear”, saying: “I have been avoiding stuff. I came off Instagram and social profiles. I stopped going to events. I’ve stopped just socialising.”
“It’s because there was a narrative out there that was never really even spoken on, a narrative that’s not true, and I never confirmed or said anything about it. I just disappeared,” he added, before one of the hosts asked him to clarify what exactly he was referring to.
“It’s that I cheated. I don’t want to ever bring anyone else into it, but unfortunately, having a relationship in the public eye, it’s we all know this from our own stories it gets put out there,” he replied, without directly mentioning Carpenter by name.
“I don’t want to bring anyone else into it,” he continued. “I’m not asking for people to become my fan and like me, because that’s not normal either, but I’m asking for people to stop assuming and to stop jumping on this narrative, attacking me, and dragging me down in any way you can.”
The 33 year old Oscar nominee shares a three year old son with a previous partner, and has previously been open about a difficult upbringing that included time in foster care. His mother passed away when he was 12 after dealing with addiction.
“[It’s] just absolutely disgusting and vile,” he said, referring to clips he has come across online “involving my parents” and claiming that they “hate him”.
“Because for someone who went through a lot and I’m not saying this for a pity card but why is it cool to hop on and beat somebody who’s come from a lot?,” he said.
“Stuff I’ve seen as a kid and shit that I have to fight every day and do a lot of therapy. I went through addiction myself and I am in sobriety and battle all of that. To then want to drag that person…”
The actor also appeared to touch on how Carpenter referenced their breakup on her seventh studio album ‘Man’s Best Friend’. The lead single ‘Manchild’, for instance, includes lyrics about unreliable men, which led some listeners to assume it was aimed at Keoghan.
She later addressed the reaction during a conversation with Gayle King on CBS Mornings last September, acknowledging that her music had contributed to him receiving “a lot of backlash”, but adding that she believes “most of the time, past boyfriends been pretty flattered when they get a song written about them, good or bad.”
Referring again to the speculation linked to ‘Man’s Best Friend’, Keoghan said that “a girl made a video” discussing their relationship, but later posted another clip saying “Sorry for making that up”, although he pointed out that “no one seemed to latch onto” that follow up.
Alongside the Friends Keep Secrets appearance, Keoghan has previously urged for more understanding online, and shared on The Louis Theroux Podcast that he has been hurt by accusations suggesting he is not present as a father.
He later reinforced that message in a post, writing: “Each and every day I work harder to push myself on every level to be the healthiest and strongest person for that boy I need you to remember he has to read ALL of this about his father when he is older. Please be respectful to all.”
More recently, he revealed that comments targeting his looks have made him feel reluctant to leave the house.
The actor is widely recognised for his performances in Saltburn, The Banshees of Inisherin, and the upcoming Peaky Blinders film. He is also set to portray Ringo Starr in a forthcoming four part biopic series about The Beatles, appearing alongside Harris Dickinson as John Lennon, Paul Mescal as Paul McCartney, and Joseph Quinn as George Harrison.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
