SkyDxddy

Meghan Walpole*
The song is dedicated to members of the LGBTQ community struggling with mental illness and self doubt.

Florida artist SkyDxddy has just dropped their newest track “Hold Me,” a song dedicated to members of the LGBTQ community struggling with mental illness and self doubt. The song details SkyDxddy’s own battles with depression and how it feels as close friends and family ignore early cries for help.

“‘Hold Me’ is a song I wrote at a dark time in my life. A time when I tried to speak up for myself and I was only met with judgment and gaslighting,” the gender fluid musician from a small town in Virginia tells Billboard. “I truly just wanted to be held while I cried and told I was going to be OK, and that never happened. No one should be in a relationship with someone who doesn’t love all their parts, even the broken ones.”

SkyDxddy’s music has already racked up four million streams on Spotify, gaining the support of Grammy-nominated producer and former Linkin Park manager Jeff Blu. “Hold Me” is a follow-up track to “Overwhelmed,” produced by Marky Styles.

Check out “Hold Me” below.

The late Albini pulled his music from the streaming platform in 2022

Steve Albini‘s bands Shellac and Big Black now have their catalogues available for listening on Spotify.

Albini passed away aged 61 earlier this month due to a heart attack. He was well known for being the producer of major albums such as Nirvana’s ‘In Utero‘, Pixies’ ‘Surfer Rosa’, PJ Harvey’s ‘Rid of Me’, Manic Street Preachers‘ ‘Journal For Plague Lovers’ and more.

Back in 2022, the late producer took his music off the streaming platform. He had previously criticised the company for platforming anti-vaxxers such as Joe Rogan, and tweeted later that they were a “terrible company”, adding: “I don’t want to be part of their business”.

He later told Attack Magazine that Spotify was “one of the few places outside of record stores where recorded music can earn anything at all, and for bands [with] more generous, honest relationships with independent labels not part of the ownership trust, then the payments from Spotify, though meager per-play, can add up to a viable income stream. Nobody’s getting rich, but it could pay for the groceries.”

Now, it appears that Albini’s work with his bands Shellac and Big Black are now available to stream on Spotify. This include’s Shellac’s final album ‘To All Trains’, which was announced shortly before Albini’s death and was released last Friday (May 17).

Steve Albini (Photo by Mariano Regidor/Redferns)
Steve Albini (Photo by Mariano Regidor/Redferns)

Tributes have poured in for the legendary producer since the announcement of his death. Our NME obituary hailed him as “a lone voice of anti-industry punk scene ethics, even as he worked with major labels on some of the biggest names in alternative rock.”

Meanwhile, Foo Fighters dedicated a rendition of ‘My Hero’ to the late producer in Charlotte, North Carolina last week.

“Tonight I’d like to dedicate this song to a friend that we lost the other day, who I’ve known a long, long time,” Foos frontman Dave Grohl told the crowd. “He left us much too soon. He’s touched all of your lives, I’m sure. I’m talking about Steve Albini. For those of you who know, you know. For those of you who don’t know, just remember that name: Steve Albini. Let’s sing this one for him.”

PJ Harvey also said he “changed the course of my life” during sessions for her 1993 LP ‘Rid Of Me’., and Joanna Newsom dedicated a version of her song ‘Cosmia’ to him, who engineered her 2006 album ‘Ys’. See further tributes here.

Elsewhere, Yourcodenameis:milo spoke to NME about how the 20th anniversary of their LP ‘All Roads To Fault’ was made all the more profound by the passing of Albini, who engineered the album.

Remembering their time with the punk and production legend, Lockey said: “We paid attention, saw everything he did, asked questions that he would gladly spend ages answering”.

“He once stopped the session and proceeded to give us a lecture on how the peanut built America. He schooled us in billiards, then showed us his favourite cooking shows that he’d recorded. It was all so natural and encouraging, we could do what the fuck we wanted and he’d capture it. That’s the deal, and we fucking loved it.”

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