Ghostface Killah is set to release NFTs based around previously unpublished lyrics the founding Wu-Tang Clan rapper wrote over 20 years ago.
The latest high profile artist to jump in on the buzzy tech craze, Ghost tells Rolling Stone he was looking back through notebooks of old lyrics — some of them over 20 years old — as he was getting ready for the 25th anniversary of his debut solo album Ironman. He and his team decided those lyrics would be a good foot in the water to determine how the NFT marketplace would fit for him going forward. He hasn’t shunned the idea of releasing music directly as NFTs but says he’s looking at the lyric release as an experiment. It isn’t clear yet how many NFTs Ghost is releasing or when the drop will be, but all the lyric NFTs will be one-of-ones.
“We’ll see how it goes. If I want to do more of these longer-term, there’s a lot of options I can do,” he says. “Music, art, or in this case, some of my lyrics, there’s a lot we can do, so I have to do some experimenting and find out what works. But for this one, people are going to get a vintage rhyme from Ghostface.
Ghostface Killah and the rest of Wu-Tang now have an association with the NFT market past the fate of the group’s seventh studio album Once Upon a Time in Shaolin. Wu-Tang infamously released only one copy of that album in 2015, which sold at auction to convicted felon pharma-bro Martin Shkreli for $2 million. A group of crypto enthusiasts bought the record for twice as much in July and plan on marking their deed of ownership over the record with an NFT. Ghostface says the album has had little trajectory on his decision to try his hand with the crypto tokens.
“I’m just going to be straight up, I don’t give a fuck about that album,” Ghost says of Once Upon a Time in Shaolin. “I don’t care who sold it or the owner now, I’ve got nothing to do with that shit, and that album didn’t affect my decision to do any of this. I’m just releasing a rap sheet of my own music.”
Ghost is releasing his NFTs through the S!NG Market, one of several NFT marketplaces launched more specifically around music. Ghost says he had several suitors for an initial NFT drop but went with S!NG because they gave him the best offer and he felt they were the most artist-friendly. Among the artists and music groups who’ve already established partnerships and NFT drops on S!NG include Aloe Blacc, Limp Bizkit guitarist Wes Borland and management and record company Shelter Music Group, whose client list includes Fleetwood Mac and ZZ Top.
Raine Maida, lead singer for Canadian rock band Our Lady Peace and S!NG’s chief product officer, has advocated for NFTs as a means both of putting more value on music and connecting with fans in novel ways.
“Fans wanted to support an artist,” Maida says. “Just because DSPs happened doesn’t mean fans didn’t care about putting value on the music they love. Look at Bandcamp Fridays; they’ve done so well each week since they launched. “We’re still so early in with the market, and music fans still don’t really know what NFTs are, but they certainly have a better idea of them than a year ago.”
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
