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“People are going to get a vintage rhyme from Ghostface,” rapper says of NFT “experiment”

Ghostface Killah is set to release NFTs based around previously unpublished lyrics the founding Wu-Tang Clan rapper wrote over 20 years ago

The latest high profile artist to jump in on the buzzy tech craze, Ghost tells Rolling Stone he was looking back through notebooks of old lyrics — some of them over 20 years old — as he was getting ready for the 25th anniversary of his debut solo album Ironman. He and his team decided those lyrics would be a good foot in the water to determine how the NFT marketplace would fit for him going forward. He hasn’t shunned the idea of releasing music directly as NFTs but says he’s looking at the lyric release as an experiment. It isn’t clear yet how many NFTs Ghost is releasing or when the drop will be, but all the lyric NFTs will be one-of-ones.

“We’ll see how it goes. If I want to do more of these longer-term, there’s a lot of options I can do,” he says. “Music, art, or in this case, some of my lyrics, there’s a lot we can do, so I have to do some experimenting and find out what works. But for this one, people are going to get a vintage rhyme from Ghostface.

Ghostface Killah and the rest of Wu-Tang now have an association with the NFT market past the fate of the group’s seventh studio album Once Upon a Time in Shaolin. Wu-Tang infamously released only one copy of that album in 2015, which sold at auction to convicted felon pharma-bro Martin Shkreli for $2 million. A group of crypto enthusiasts bought the record for twice as much in July and plan on marking their deed of ownership over the record with an NFT. Ghostface says the album has had little trajectory on his decision to try his hand with the crypto tokens.

“I’m just going to be straight up, I don’t give a fuck about that album,” Ghost says of Once Upon a Time in Shaolin. “I don’t care who sold it or the owner now, I’ve got nothing to do with that shit, and that album didn’t affect my decision to do any of this. I’m just releasing a rap sheet of my own music.”

Ghost is releasing his NFTs through the S!NG Market, one of several NFT marketplaces launched more specifically around music. Ghost says he had several suitors for an initial NFT drop but went with S!NG because they gave him the best offer and he felt they were the most artist-friendly. Among the artists and music groups who’ve already established partnerships and NFT drops on S!NG include Aloe Blacc, Limp Bizkit guitarist Wes Borland and management and record company Shelter Music Group, whose client list includes Fleetwood Mac and ZZ Top.

Raine Maida, lead singer for Canadian rock band Our Lady Peace and S!NG’s chief product officer, has advocated for NFTs as a means both of putting more value on music and connecting with fans in novel ways.

“Fans wanted to support an artist,” Maida says. “Just because DSPs happened doesn’t mean fans didn’t care about putting value on the music they love. Look at Bandcamp Fridays; they’ve done so well each week since they launched. “We’re still so early in with the market, and music fans still don’t really know what NFTs are, but they certainly have a better idea of them than a year ago.”

Addison Rae invited Charli XCX to join her on stage during her show at the Greek Theatre in Los Angeles last night. Charli appeared alongside Rae for two of their previous collaborations, performing “Von Dutch Remix,” from Charli’s 2024 project Brat and It’s Completely Different but Also Still Brat, as well as Rae’s 2023 single “2 Die 4.”

For the closing number, Rae came back on stage for a surprise encore of “Nothing On (But the Radio),” a song that usually isn’t part of her set list. The performance began with Rae appearing on the big screens backstage while removing her clothes, and as the lights went down, she reemerged to deliver the fan-favorite track. Many saw the moment as a nod to Lady Gaga’s Mayhem Ball, where Gaga ends each show with “How Bad Do U Want Me.” Gaga originally recorded “Nothing On” as a demo in 2010.

“2 Die 4” was featured on Rae’s EP AR and marked the pair’s first collaboration. They went on to work together again for “Von Dutch” with A. G. Cook, as well as on Cook’s “Lucifer.” Earlier this year, Charli expressed her admiration for Rae in an interview with Rolling Stone, saying, “It’s been fun to watch her evolve. Everything she does relates back to her art — every item of clothing she wears, everything she says in a red-carpet interview, everything she tweets — it all is a part of the world-building.”

Rae released her latest album, Addison, in June and has spent the late summer and fall performing across multiple cities. Her next shows are set for Australia in November, followed by appearances at music festivals in South America next year, including Lollapalooza Chile and Lollapalooza Brazil. She will also perform at Coachella in April and Primavera Sound in Barcelona in June.

Charli XCX has been dividing her time between music and acting, as her film career continues to grow. She joined Lorde on stage at the Kia Forum in Los Angeles last year to perform their version of “Girl, So Confusing.” The two also performed the remix during Charli’s Sweat Tour with Troye Sivan in 2024, and again at Coachella earlier this year.

It was revealed earlier this week that Dakota Johnson is considering Charli XCX for a role in her directorial debut, A Tree Is Blue. Charli’s upcoming acting projects include Cathy Yan’s The Gallerist, Gregg Araki’s I Want Your Sex, Julia Jackson’s 100 Nights of Hero, and The Moment, a film directed by Aidan Zamiri based on her original story.

“I am really enjoying my acting journey,” Charli told Variety earlier this year. “I feel very, very inspired at the moment in that field, I feel unbelievably creative, and I only ever want to do things that inspire me and make me feel energized.”

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