Megan Thee Stallion
FilmMagic300 Entertainment has sold to Warner Music Group, the latest blockbuster deal in the music industry’s unprecedented shopping spree for music assets.
The deal, which WMG announced Thursday, closes months of speculation and industry murmur over a potential 300 sale. The financial details of the deal aren’t immediately clear, but Bloomberg reported in October that 300 was seeking $400 million from a potential buyer for the label, while Billboard reported earlier this month that WMG was closing on the deal citing a similar figure. Warner, for its part, announced it had raised $535 million for acquisitions in November.
Since Lyor Cohen — now YouTube’s Global Head of music — founded 300 alongside current CEO Kevin Liles, Todd Moscowitz and Roger Gold in 2012, it quickly established itself as one of most successful indie labels in the business, signing artists like Young Thug and Fetty Wap in its earlier days and finding further success more recently with Megan Thee Stallion.
“It’s the perfect home for 300 artists and our team, as we invest in our independent vision and grow our global impact,” Liles said of WMG in a statement. “[Warner Recorded Music CEO] Max [Lousada], Julie [Greenwald, chairman and COO of Atlantic Records], [Elektra co-presidents] Mike [Easterlin] and Gregg [Nadel] – these are leaders we know and trust. They understand the value we place on independence, individuality, and creativity. We’re going to accomplish amazing things together and take our artists and labels to a whole new global level.”
As 300 joins WMG, Liles will take on the role of chairman and CEO for 300 and Elektra Music Group, where he will oversee several labels including Fueled by Ramen, Roadrunner Records Low Country Sound, DTA Records and Public Consumption. Easterlin and Nadel will continue to run Elektra and report to Liles, WMG said.
“The 300 team has built an extraordinary brand, attracted a dynamic community of artists, and led the way for a new generation of labels,” Lousada said in a statement. “We’ll bring their artists and team a whole universe of opportunities to ignite passionate fanbases and develop long-term careers. We’re very happy to welcome 300 fully into the Warner community of labels, and Kevin to his new role on our senior management team.”
A sale to WMG isn’t surprising given the label’s longstanding relationship with Warner. 300’s founders have all held leadership roles at WMG or one of Warner’s labels, and WMG’s marquee label Atlantic has been 300’s distributor since launching.
“Wonderful to see a good idea realized,” Cohen said in a statement. “300 is a way of life and is in very good hands.”
Warner, the smallest of the big three record companies, went public last year as the music business has enjoyed a resurgence, with company valuations steadily rising during the streaming era. The company has been active in increasing its reach and digital footprint, making investments in song catalogs along with participating in a major funding round for video game Roblox and digital avatar company Genies, with WMG looking to be active in music’s place in the buzzy concept of metaverses.
The sale comes amid an unprecedented demand for music assets both from more traditional music companies and large investment corporations. With companies willing to give more money than ever, artists like Bob Dylan and Paul Simon sold their publishing rights to major publishers Universal and Sony, while others including Stevie Nicks and Neil Young have made deals with smaller companies Primary Wave and Hipgnosis Songs Fund, which played a major role in driving up song values with lofty offers for artists.
Now investment firms like KKR and Blackstone haver partnered with BMG and Hipgnosis Songs Fund to acquire the most storied catalogs in music. KKR recently closed a billion-dollar deal to buy a portfolio of songs from publisher Kobalt.
There’s a high probability that Jorja Smith has new music coming this summer. The British singer revealed plans for her What Are the Odds LP on Thursday (July 2), with the album set to arrive on Aug. 21 via FAMM.
Smith reunites with producer P2J — who served as a primary collaborator on her 2023 album Falling or Flying — for the entirety of the project. J Money and P2J will continue to build on the inventive U.K. garage sound Smith has been exploring, alongside a mix of grime and house.
“This album came together really naturally. There was never a big plan; it was just me making music that felt right in the moment,” Smith tells Billboard. “Working with P2J, we started experimenting with different sounds, pulling from U.K. garage, grime and house (funky house, Afro house) and it all grew from there.”
She continues: “The music feels uplifting, but the lyrics can be a bit sad at times. They’re about growing up, love, loss, friendships and figuring things out as I go. I trusted my instincts with this one, and I think you can hear that throughout the record.”
Smith kicked off the album’s rollout in May with the self-assuring “What’s Done Is Done,” and it continues on Thursday (July 2) with a second single, “Alive,” which finds the R&B singer joining forces with Afrobeats pioneer WizKid. The duo basks in the love-drunk euphoria of the honeymoon phase of a bubbling relationship and heads to Paris for the visual.
“Making this with P2J and WizKid felt really easy,” Smith adds of the collab. “We wrote and recorded it together in London. I think we captured that feeling when you’re at the beginning of something with someone and everything feels exciting. I’ve always loved WizKid’s music and the way he’s opened so many doors for Afrobeats around the world, so it feels really special and a big honor to have a song with him.”
What Are the Odds serves as Jorja Smith’s third studio album and contains 12 tracks. Outside of WizKid, the only other feature comes from grime artist Devlin.
When the project lands on Aug. 21, Smith will hit the stage later that night at London’s All Points East, as she’ll be co-headlining the Victoria Park show with Tems. 2026 has already been a busy year for J Money, who served as a musical guest on the debut season of Saturday Night Live UK in April.
The 29-year-old also collaborated with Mobb Deep’s Havoc for a remix of her “Blue Lights” classic and lent “Price of It All” to Amazon MGM Studios’ Bait soundtrack.
Find the What Are the Odds cover art and tracklist below.

What Are the Odds tracklist: