On Dec. 18, Joe Walsh will head into his basement and jam with with Tom Petty and the Heartbreakers keyboardist Benmont Tench, guitarist Waddy Wachtel, bassist Leland Sklar, and drummer Russ Kunkel along with his brother-in-law Ringo Starr for the streaming concert “VetsAid 2021: The Basement Show,” the latest installment of the guitarist’s annual benefit for veterans’ causes. Tickets for the live event are available at vetsaid.veeps.com, and the show will be available to watch through Dec. 26.
“With variable COVID rates throughout the summer and fall, I wasn’t comfortable putting together the kind of live festival that our fans and performers have come to expect and deserve,” Walsh said in a statement. “I was so pleased with last year’s streaming festival that I thought we could try something even cooler this time around. Join me and my buddies for an old-fashioned basement jam live from my house to yours where I will debut some brand new songs, play some favorites, share some never-before-seen footage and performances from past VetsAid shows and … who knows who will show up and what might happen?!”
VetsAid started in 2017 when Walsh held a special show in Fairfax, Virginia, at the EagleBank Arena featuring the Zac Brown Band, Keith Urban, and Gary Clark Jr. In the following years, everyone from James Taylor and the Doobie Brothers to ZZ Top, Sheryl Crow, Chris Stapleton, and Don Henley joined the effort, though last year Walsh was forced to stage VetsAid virtually due to the pandemic.
Walsh’s father was a U.S. Army flight instructor who died in plane crash in 1949 while serving in Okinawa, Japan. Walsh was just 20 months old at the time. “I grew up with a part of me missing, which was my father,” the guitarist told Rolling Stone in 2019. “I never really knew him. I always wondered, ‘What if?’ I wondered if he would approve of what I was doing. I’m sure he would’ve told me to get a haircut a couple of times.”
He started VetsAid to help other families in similar situations. “I see a forgotten war that’s ongoing, and more suicides than combat deaths,” he told Rolling Stone. “Guys are coming home shattered, and the transition back to civilian life is too high of a mountain to climb for a lot of them.”
His efforts have raised $1.8 million, and this year’s event is going to add to that number. In addition to the basement jam, Walsh will take viewers on a tour of his private guitar collection and answer questions that fans submitted online.
Fans can catch Walsh live again when the Eagles resume their Hotel California tour Feb. 19 at the Enmarket Arena in Savannah, Georgia.
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There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
