Mark Hoppus arrives at the GOOD BOYS Premiere on August 14, 2019 at the Regency Village Theatre in Los Angeles.
Elizabeth Goodenough/Everett CollectionMark Hoppus has a lot to be thankful for this holiday season.
The Blink-182 singer and bassist, who announced in late September that he was “cancer free” after publicly disclosing his diagnosis in June, took to Instagram on Thursday (Nov. 25) to share an uplifting Thanksgiving message about the current state of his health.
“I have so much to be thankful for today. This photo is from June, halfway through chemo, no idea if it was working or not, relegated to the bathroom floor, retching,” the 49-year-old musician wrote alongside a photo of himself crouching by a toilet.
He continued, “If I ever complain about something trivial or unimportant, please show me this photo to remind me of how bad things can be, and how truly blessed I am. I hope you all have an amazing day with friends and family. Happy Thanksgiving.”
Earlier this summer, Hoppus revealed that he had been diagnosed with stage 4 diffuse large B-cell lymphoma. The musician has regularly updated fans on the status of his health during his cancer battle. In June, he said that he was remaining “hopeful and positive” for a cancer-free future while still going through the next several months of treatment. Positive news arrived in late September when Hoppus announced that his oncologist had declared him “cancer free.”
“Thank you God and universe and friends and family and everyone who sent support and kindness and love,” the artist wrote. “Still have to get scanned every six months and it’ll take me until the end of the year to get back to normal but today is an amazing day and I feel so blessed.”
See Hoppus’ heartfelt Thanksgiving post below.
Music photographer Jill Furmanovsky said she wasn’t taken aback by the overwhelming excitement surrounding the Oasis reunion tour.
The photographer has been capturing the Wonderwall hitmakers for more than thirty years and shared that the Oasis Live '25 Tour, which brought Noel and Liam Gallagher back on stage together for the first time in 16 years, worked so well because the concerts have always been “about the audience”.
Jill, who first crossed paths with Oasis at one of their early shows at the Cambridge Corn Exchange in 1994, explained to NME: “It didn’t catch us off guard, because Oasis have always been about the crowd. Always. There was never much to shoot on stage.
“Even at the Cambridge Corn Exchange, the performance itself was simple, but the people in the crowd knew every word and were completely swept up in it.
“And that hasn’t really changed over time. They just bring out that songbook and deliver it. Liam is still magnetic and captivating, even when he keeps it minimal. It remains incredibly powerful. That’s the essence of their show.”
Furmanovsky, who has photographed icons like Bob Dylan and Led Zeppelin over the course of her fifty-year career, added: “What they’ve done with this new tour, the production, and the visuals… it’s something special.
“The mix of generations in the crowd is also striking. I went with my 13-year-old granddaughter, and there were plenty of kids her age singing along word for word. It’s incredible.
“‘Biblical’ is the term people throw around. It sounds almost silly, but when two brothers who’ve been at odds for years come together again, there really is something biblical about that alone. Combine it with what they’re putting on stage… it’s unlike anything else.”
Jill’s latest book Trying To Find A Way Out Of Nowhere reflects her years documenting Oasis, and she shared that no current act matches what the Supersonic band represents. She was also able to photograph them once again at one of their massive Wembley Stadium shows during the reunion tour.
She said: “There aren’t many artists today who can step into the space Oasis occupies and actually live up to it.
“We’re in a different time now, a kind of in-between phase. It feels like the closing of a rock ‘n’ roll chapter. That doesn’t mean talent or creativity is gone. It’s like with painting — we still have great impressionists, but we’re no longer living in the impressionist era.”