NEWS
Mark Hoppus arrives at the GOOD BOYS Premiere on August 14, 2019 at the Regency Village Theatre in Los Angeles.
Elizabeth Goodenough/Everett CollectionMark Hoppus has a lot to be thankful for this holiday season.
The Blink-182 singer and bassist, who announced in late September that he was “cancer free” after publicly disclosing his diagnosis in June, took to Instagram on Thursday (Nov. 25) to share an uplifting Thanksgiving message about the current state of his health.
“I have so much to be thankful for today. This photo is from June, halfway through chemo, no idea if it was working or not, relegated to the bathroom floor, retching,” the 49-year-old musician wrote alongside a photo of himself crouching by a toilet.
He continued, “If I ever complain about something trivial or unimportant, please show me this photo to remind me of how bad things can be, and how truly blessed I am. I hope you all have an amazing day with friends and family. Happy Thanksgiving.”
Earlier this summer, Hoppus revealed that he had been diagnosed with stage 4 diffuse large B-cell lymphoma. The musician has regularly updated fans on the status of his health during his cancer battle. In June, he said that he was remaining “hopeful and positive” for a cancer-free future while still going through the next several months of treatment. Positive news arrived in late September when Hoppus announced that his oncologist had declared him “cancer free.”
“Thank you God and universe and friends and family and everyone who sent support and kindness and love,” the artist wrote. “Still have to get scanned every six months and it’ll take me until the end of the year to get back to normal but today is an amazing day and I feel so blessed.”
See Hoppus’ heartfelt Thanksgiving post below.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
