NEWS
Corey Taylor of Slipknot performs on stage during day 2 of Download festival 2019 at Donington Park on June 14, 2019 in Castle Donington, England.
Joseph Okpako/WireImageSlipknot frontman Corey Taylor debuted a frightening new mask at Rocklahoma 2021 in Pryor, Okla., on Saturday (Sept. 4).
Slipknot's appearance at Rocklahoma marked the rock band's first live show since performing at Hartwall Areena in Helsinki, Finland, in February 2020.
"Good to be back. Thank you, @rocklahoma," Slipknot captioned a photo on Instagram showing the skeleton-like mask.
The annual three-day Rocklahoma launched Friday with other performances by Rob Zombie, Halestorm, Mastodon, Steel Panther, Andrew W.K., Puddle of Mudd, and others.
In May, Taylor gave fans a teaser of what to expect from his latest creepy mask during an interview with Des Moines, Iowa's LAZER 103.3.
“The mask has been a part of us forever,” the singer told the radio station. “The mask is king. And for us, especially people like me and Clown and the guys in the band that really allow those masks to evolve, it’s important for it to be a reflection of who we are in that music. And I can tell you that the mask I’m working on is very disturbing."
He added, “It’s gonna be hard to look at. And it’ll probably be my favorite mask that I’ve ever put together. It’s little bits and pieces of things that have intrigued me, of masks that I’ve had in the past. And it’s gonna have a devil-may-care kind of terror to it, let’s put it that way.”
Last month, Taylor revealed he was battling COVID-19 even after being vaccinated. “I woke up today and tested positive and I’m very, very sick,” he said in a video posted Aug. 20 on Facebook.
Check out Taylor's scary new mask on Rocklahoma's Twitter account below.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
