In this courtroom artist's sketch made from a video screen monitor of a Brooklyn courtroom, defendant R. Kelly, left, listens during the opening day of his trial on Aug. 18, 2021 in New York.
AP Photo/Elizabeth WilliamsA key witness in the federal racketeering and sex trafficking trial against R. Kelly, Jerhonda Pace, continued her testimony against the R&B singer at the Eastern District of New York courthouse in Brooklyn on Thursday (Aug. 19), detailing allegations of aggressive physical and sexual abuse when she was a minor.
Pace wore a maroon T-shirt and black bottoms, nestling her pregnant belly while remaining composed for the duration of Assistant U.S. Attorney Maria Cruz Melendez's questioning and defense attorney Deveraux Cannick's cross-examination. After two days of testimony, however, Pace finally reached her breaking point.
Melendez asked Pace to read a journal entry dated January 23, 2010, the last day Pace says she had a sexual encounter with Kelly. As she held the paper in hand, Pace began to softly cry. She quickly composed herself, wiping her face with Kleenex, and read the entry aloud to the court.
"I went to Rob's house and Rob called me 'a silly bitch.' Rob slapped me three times and said if I lied to him again it's not going to be an open hand next time," she read. "He spit in my face and in my mouth. He choked me during an argument. I had sex with him -- oral sex with him. I became fed up with him and I went home and confessed."
Immediately after reading the the entry, Pace tearfully asked for a "bathroom break."
As the trial against Kelly entered its second day, at the prosecution's request Pace detailed Kelly's demands during their sexual encounters, at which time Pace was 16. “He wanted me to put my hair up in pigtails and dress like a Girl Scout,” she said. According to Pace, now 28, Kelly would record their encounters with his iPhone or a Canon camera set up on a tripod. In her testimony the day before, Pace explained that on one occasion Kelly told her to come to his tour bus parked outside of his Olympia Fields mansion to be "trained" to "please" him by another woman.
During Pace's cross-examination, Cannick attempted to uncover inconsistencies in her story and paint her as a "superfan." He accused Pace of "stalking" Kelly and lying about her age at first sexual encounter after she claimed to have met Kelly when she was 14 on April 1, 2008, during his child pornography trial that was going on at the time. Pace said their first sexual encounter was 13 months later, when she was 16.
“So you advanced two years in one year and one month?” Cannick confidently asserted in an attempted "gotcha" moment. Pace's birthday, it turns out, is April 19, and she turned 15 only two weeks after her first meeting with Kelly.
Cannick continued to press Pace for answers regarding her reasoning for waiting outside of Kelly's home, previous meetings with the prosecution lasting over five hours and talk show interviews she has given about her relationship with Kelly. Many of these questions were met with "I don't recall," from Pace.
Two other witnesses took the stand on Thursday: police officer Garrick Amschl, who answered a missing juvenile call regarding Gardner that led him to Kelly's home; and Kelly's primary physician of 25 years, Dr. Kris McGrath. McGrath detailed Kelly's history of sexually transmitted infections and testified that he was "100%" certain that the "Step In the Name of Love" singer had genital herpes and prescribed treatment in 2007, supporting the prosecution's charge Kelly knowingly transmitted the infection to women without their consent -- including Pace.
Kelly is facing charges including racketeering, sexual exploitation of a child, bribery, kidnapping and forced labor. If convicted on all counts, he will face 10 years to life in prison.
MUNA have officially shared full details of their long awaited fourth studio album, Dancing On The Wall, which is scheduled to arrive on May 8.
The news comes with the release of the record’s title track and its accompanying official video, giving fans their first real look at what the trio’s new chapter sounds and feels like.
To mark the occasion, the group are planning a run of intimate underplay performances in Los Angeles, New York and London during release week. It will be a special opportunity to catch MUNA up close before they step back onto larger stages later this year.
Opening up about the project, the band described the title song as a standout moment within their body of work.
They shared: “Dancing On The Wall is possibly our favorite song we’ve made as a band. We think it’s all the best parts of MUNA – it’s coming from a really emotional and lonely place, but the song itself makes us feel powerful and euphoric. It’s written in the moment that the clock strikes midnight at the ball, and you have to give up the fantasy. In this case, it’s the fantasy of loving someone or something that can’t love you back.”
The 13 song album was produced by Naomi McPherson, allowing the band to take full creative ownership of the sound and direction. It is a project that pulls listeners straight to the dancefloor while still keeping its vulnerability front and center.
MUNA, made up of Katie Gavin and Josette Maskin alongside McPherson, have continued to build momentum over the years and were personally chosen by Harry Styles as the opening act for his first solo tour. Since then, they have also performed with Taylor Swift on the Eras Tour, in addition to sharing bills with Lorde, boygenius and Phoebe Bridgers.
Dancing On The Wall follows their 2022 self titled album, which marked their first release as independent artists after signing to Phoebe Bridgers’ Saddest Factory Records in 2021.
Fans can stream the title track across all major platforms now. For tickets to MUNA’s upcoming shows, visit laylo.com/whereismuna/m/munatour.
Dancing On The Wall tracklisting:
It Gets So Hot
Dancing On The Wall
Eastside Girls
Wannabeher
On Call
So What
Party’s Over
Big Stick
Mary Jane
Girl’s Girl
…Unless
Why Do I Get A Good Feeling
Buzzkiller