NEWS
In this courtroom artist's sketch made from a video screen monitor of a Brooklyn courtroom, defendant R. Kelly, left, listens during the opening day of his trial on Aug. 18, 2021 in New York.
AP Photo/Elizabeth WilliamsA key witness in the federal racketeering and sex trafficking trial against R. Kelly, Jerhonda Pace, continued her testimony against the R&B singer at the Eastern District of New York courthouse in Brooklyn on Thursday (Aug. 19), detailing allegations of aggressive physical and sexual abuse when she was a minor.
Pace wore a maroon T-shirt and black bottoms, nestling her pregnant belly while remaining composed for the duration of Assistant U.S. Attorney Maria Cruz Melendez's questioning and defense attorney Deveraux Cannick's cross-examination. After two days of testimony, however, Pace finally reached her breaking point.
Melendez asked Pace to read a journal entry dated January 23, 2010, the last day Pace says she had a sexual encounter with Kelly. As she held the paper in hand, Pace began to softly cry. She quickly composed herself, wiping her face with Kleenex, and read the entry aloud to the court.
"I went to Rob's house and Rob called me 'a silly bitch.' Rob slapped me three times and said if I lied to him again it's not going to be an open hand next time," she read. "He spit in my face and in my mouth. He choked me during an argument. I had sex with him -- oral sex with him. I became fed up with him and I went home and confessed."
Immediately after reading the the entry, Pace tearfully asked for a "bathroom break."
As the trial against Kelly entered its second day, at the prosecution's request Pace detailed Kelly's demands during their sexual encounters, at which time Pace was 16. “He wanted me to put my hair up in pigtails and dress like a Girl Scout,” she said. According to Pace, now 28, Kelly would record their encounters with his iPhone or a Canon camera set up on a tripod. In her testimony the day before, Pace explained that on one occasion Kelly told her to come to his tour bus parked outside of his Olympia Fields mansion to be "trained" to "please" him by another woman.
During Pace's cross-examination, Cannick attempted to uncover inconsistencies in her story and paint her as a "superfan." He accused Pace of "stalking" Kelly and lying about her age at first sexual encounter after she claimed to have met Kelly when she was 14 on April 1, 2008, during his child pornography trial that was going on at the time. Pace said their first sexual encounter was 13 months later, when she was 16.
“So you advanced two years in one year and one month?” Cannick confidently asserted in an attempted "gotcha" moment. Pace's birthday, it turns out, is April 19, and she turned 15 only two weeks after her first meeting with Kelly.
Cannick continued to press Pace for answers regarding her reasoning for waiting outside of Kelly's home, previous meetings with the prosecution lasting over five hours and talk show interviews she has given about her relationship with Kelly. Many of these questions were met with "I don't recall," from Pace.
Two other witnesses took the stand on Thursday: police officer Garrick Amschl, who answered a missing juvenile call regarding Gardner that led him to Kelly's home; and Kelly's primary physician of 25 years, Dr. Kris McGrath. McGrath detailed Kelly's history of sexually transmitted infections and testified that he was "100%" certain that the "Step In the Name of Love" singer had genital herpes and prescribed treatment in 2007, supporting the prosecution's charge Kelly knowingly transmitted the infection to women without their consent -- including Pace.
Kelly is facing charges including racketeering, sexual exploitation of a child, bribery, kidnapping and forced labor. If convicted on all counts, he will face 10 years to life in prison.
NEWS
Supergrass are teasing an upcoming announcement with fans, according to a new post.
The British band, fronted by Gaz Coombes, shared a cryptic new post across their social media channels this morning (September 13), suggesting to fans that a new announcement is on the way.
Posted at 9am BST, the post simply shared artwork of the band’s logo in red, alongside next Monday’s date, September 16. In the caption, the band simply wrote: “Sign up now”, alongside a link to their website’s homepage.
Upon clicking the link, the page prompts fans to sign up for future updates, and asks them to input both their email address and the country they live in. Check out the post below.
While details on the announcement remain sparse, the post has already caught fans’ attention, with some speculating that the news could be around the upcoming 30th anniversary of their debut album, ‘I Should Coco’.
Released in May 1995, the release marked the record that first put the band on the map, and contained singles ‘Mansize Rooster’, ‘Caught By The Fuzz, ‘Lose It’ and ‘Lenny’. It also saw Coombes and Co. nominated at the 1995 Mercury Prize, and contained what would soon become their biggest track to date, the Ivor-Novello winning ‘Alright’.
At time of writing, the band haven’t shared any further indication as to whether the announcement is related to the huge upcoming milestone – whether it be an anniversary tour or reissue – nor whether it has anything to do with new music that could be on the way.
The band’s last studio album was ‘Diamond Hoo Ha’, which arrived in 2008. Since then, they have shared remastered versions of both their 1999 self-titled album and their 2003 record ‘Life On Other Planets’.
In other news around the band, last year it was reported that the band’s frontman joined Johnny Marr onstage last month to perform The Smiths‘ classic ‘There Is A Light That Never Goes Out’ at Lakefest 2023.
Before then, Coombes opened up about how “nervous” he was about reuniting Supergrass following the success of his solo albums.
Supergrass split up in 2010 but reunited for a series of live shows in 2019. They released a live album in 2020, Live On Other Planets, to celebrate their 25th anniversary and raise money for grassroots venues affected by the COVID-19 pandemic.
“Having got into a flow and the last two albums having done so well, it seemed a bit odd, like a backward step,” he said. “But then I was confident that I could operate both things together and it seems that I did, because I was obviously writing this record mainly during the reunion so I feel like I made best use of both things.”
Coombes’ fourth solo album, ‘Turn The Car Around’, came out in January of last year.
