To those looking to debut new music during a concert set, Travis Scott has a solution: QR codes, delivered by a legion of gigantic overhead drones.
Scott, the music industry’s unofficial king of brand deals and promotional stunts, debuted upcoming single “Escape Plan” during his set at the Rolling Loud music festival this weekend, and to further hype the new track, he commissioned advertising platform MilkMoney for a too-big-to-miss QR code lining the festival sky, made possible by 250 flying drones. Concert-goers who scanned the code were taken to a pre-save link for the single, which doesn’t yet have an official release date. Scott’s reps tell Rolling Stone that the rapper is the first artist to tease new music through this type of technology, but did not share the cost of the project or the number of fans who actually scanned the QR code. The drones also came together to form a giant Cactus Jack logo during the set.
“Everyone knows Travis Scott is one of the best performers in the game, but on Saturday night he took it to another level. Dropping new music and giving fans direct access to the song through a drone installation is unheard of and MilkMoney and Travis made it happen,” Rolling Loud co-founder and co-CEO Tariq Cherif said in a statement.
The gimmick, to be clear, is just the latest in Scott’s ever-expanding empire of zany mad-lib track promotion. Last year, he debuted “Franchise” on the heels of his partnership with McDonald’s, which also saw the rapper selling merchandise including t-shirts and hoodies along with an immensely popular $90 McNugget body pillow. He also premiered “The Scotts” during his infamous Fortnite concert, Astronomical, slingshotting the single to a Number One debut and helping launch a trend of artists putting on concerts inside video games — a strategy that became paramount since touring revenue was sidelined for more than a year during the pandemic — and otherwise partnering with gaming companies on new initiatives.
Considering his own prior stunts, Scott’s “Escape Plan” promotion is comparably tame. It’s unclear how many artists will want to replicate such a spectacle in their own sets, but as the live music business comes roaring back, industry insiders expect more artists to try out more immersive experiences that can grab listeners’ attention in fresh ways. The best livestreams of the quarantine era found novel ways to rope audience members into the performances themselves, and more artists will be looking to bring that type of experimental tech to the in-person concert experience as well.
NEWS
Say what you will about the UMG defamation lawsuit over "Not Like Us," but it hasn't been difficult for Drake to stay on top in any case. Whether you think the industry is trying to take him down or people dismissed him as their champion, you're probably missing the big picture.
According to Hip Hop All Day on Twitter, the Toronto superstar became the first rapper to surpass 5 billion streams on Spotify in 2025, continuing his stretch this year as the most streamed rapper on the platform. Others aren't too far behind, but these continually impressive commercial numbers are hard to knock off.
Of course, there are a few reasons for this. One of them is the OVO mogul's recent collab album with PARTYNEXTDOOR, $ome $exy $ongs 4 U. Both the Billboard Hot 100 success of the solo cut "NOKIA" plus rapid sales for the project as a whole translate to a whole lot of engagement on the digital streaming platform.
Another driving factor behind Drake's numbers is the anticipation for his next album (albeit with no release date), which he recently confirmed he's working on during a gambling livestream with Adin Ross. As such, we imagine a lot of die-hards are probably coming back to their favorite catalog material to prepare for their wildest dreams – if they weren't already bumping The Boy nonstop to begin with.
Even Kanye West is giving the 6ix God his props these days, even though his long-standing beef with Drizzy is constantly a subject of his flip-flopping tendencies. "This is the biggest victory in music history, right here," Ye said of the UMG lawsuit. "I'm never finna call Drake out of his name. I'm Team Drake, 100 percent. And Team Kendrick, and Team All Of Us... Kendrick needs to be going at UMG at this point. [...] Like, let's stop aiming all this at each other. You have no idea. Everything is worth everything for a moment like this. Where we stop going at each other and we go at the slave masters."
Will Drake be successful and impactful with this? That's up to the court to decide, and up to the industry and its artists to reckon with following their decision. But in the meantime, that Spotify revenue is looking beefy.
