Jojo Siwa performs on stage during Nickelodeon SlimeFest at Huntington Bank Pavilion at Northerly Island on June 9, 2018 in Chicago.
Timothy Hiatt/Getty Images for NickelodeonLike any other parent, Stephen Shaw is worried about COVID-19 and the fast-spreading delta variant. "I have my own self-built bubble around my family," he says, including kids ages 2, 5 and 7 -- all too young for vaccines. But in recent months, they've ventured back into the open. world, playing baseball, attending theatre and summer camps, albeit wearing masks with hand sanitizer attached to their backpacks. His customers are doing the same. Shaw's kids' concert tours, including Blippi The Musical and Baby Shark Live, have sold 100,000 tickets through late June.
"At some point, the lights have to turn back on, and the kids have to be back out there -- and we're seeing it with our sales," says Shaw, founder and co-president of Round Room Live, which is on track to sell 500,000 tickets over 280 performances this year. "We are seeing an incredible eagerness in the market."
After 16 months on hold, many promoters of family-oriented events are -- like much of the concert industry -- pushing forward with large concerts since COVID-19 vaccines are now widely available, even when their target demographics do not yet have access to them.
Sales for the L.O.L. Surprise! hologram-dolls tour, which opens Sept. 30, are "consistent across the board," says a rep for tour producer Terrapin Station. According to Matt Galle, CAA agent for JoJo Siwa, sales for the singer-dancer's early-2022 shows are strong, and unvaccinated kids aren’t a major health problem. "Kids want to get out of the house, too, and they’re the least susceptible to this. Even if they do catch it, it doesn't hurt them much."
For Darci Lynne, the teen ventriloquist and America's Got Talent winner, "business is brisk," with shows at casinos, amphitheaters and state fairs, says her manager, Judi Marmel. "Once the vaccine was readily available, we wanted to be back out there. Do I believe everybody's trying to do it as safely as possible? Yes," she adds. "Is it affecting ticket sales? In the case of Darci Lynne, no, it's not."
Pre-pandemic, family shows were a growing sector of the concert business: According to figures reported to Billboard Boxscore, Blippi sold 10,000 tickets and grossed $406,000 over February-March 2020, just before the shutdown; Lynne sold 23,000 tickets and made $1 million in just 11 shows in 2018-2019; and Siwa made nearly $27 million with 506,000 ticket sales in North America two years ago. Ticket prices are low for these types of shows -- none hit the year-end top 40 in 2019 -- but expenses are low, too, so they tend to be highly profitable for producers and promoters.
As with the rest of the concert business, recovery for kids’ concerts is gradually setting in, but it’s partly dependent on parents of the 12-and-under kids who won't be able to get shots until at least fall. Claudia Glaser-Mussen, a New York psychotherapist who performs in children's group Brady Rymer and the Little Band That Could, says she's "purely excited" about scheduling outdoor dates in September for the first time since early 2020, but she's uncertain about shows after the fall: "I don't know how confident I'd feel if the show was inside. Even though I'm vaccinated, I'd have some reservations."
Despite the strong sales for Blippi, Darci and L.O.L. Surprise! dolls, some promoters are noticing more cautious consumers, especially in recent weeks as the fast-moving delta variant has spread worldwide. "Some ticket buyers for events later in the year, whether they're thinking about their kids, or safety generally, are saying, 'I'm going to wait till October to see how COVID is doing, I'm not going to buy tickets in July,'" says Chip McLean, senior vp and GM of Disney Concerts Worldwide, which recently put Disney Princess: The Concert shows on sale for early November.
"It's an incredibly complex calculus and parents are absolutely thinking about it," McLean says. "Ticket buyers want to wait to see how things are going before they purchase. It's not always solely about what safety protocols are in place for the event but rather the weather report of 'how are we doing overall?' We're trying to err on the side of making sure all these events are safe."
Shaw, too, emphasizes safety -- although the Blippi and Baby Shark homepages make no mention of masks, vaccines or other related protocols. The tours operate in an NBA-style bubble, in which vaccinated cast and crew members stick together in buses and venues.
"They come to work, they're tested, they perform shows, they get back on the tour bus and they've gone to the next city," he says. "We've put this process in place to ensure our tour wasn't going to be shut down if there's a mini-outbreak. We don't need anyone to get sick at a Baby Shark show."
David Lee Roth made an unexpected appearance at the Stagecoach Festival on Saturday evening, stepping onto the stage with Teddy Swims to perform “Jump,” the iconic 1984 hit by Van Halen.
During his Stagecoach set, Swims welcomed Roth after running through his recent single “Mr. Know It All” along with “Some Things I’ll Never Know,” both taken from his debut studio album I’ve Tried Everything But Therapy (Part 1), which arrived in September 2023.
This moment marked the third straight festival where the two have shared the stage. Swims previously invited Roth out during recent sets at the Coachella Valley Music and Arts Festival, where he introduced him as “David Lee Roth from the best band of all time, Van Halen,” before they kicked into “Jump” together.
The latest performance unfolded during a chaotic night at Stagecoach, as strong winds earlier in the evening led to a temporary evacuation of the grounds and forced several changes to the schedule, including removing artists such as Journey and Riley Green from the lineup.
The evacuation came after powerful gusts swept through the Empire Polo Club in Indio, California, the site of the festival. An “emergency evacuation” notice appeared on screens across the venue, urging attendees to “move quickly and calmly to the nearest exit,” while alerts sent through the festival’s official app instructed people to clear the area.
The interruption impacted several stages, with the Mane Stage sitting between sets when the evacuation alert was issued. Wind conditions had been intensifying throughout the day, with stronger gusts arriving in the evening as part of a regional wind advisory.
Even with the disruption, Swims’ set ultimately continued, and Roth’s surprise appearance stood out as one of the biggest highlights of the night as fans returned once the festival resumed.
Stagecoach, one of the largest country music festivals in the United States, takes place every year at the same location as the Coachella Valley Music and Arts Festival and regularly draws tens of thousands of fans.