NEWS
Brantley Gilbert
Jeff Nelson*When Valory rolled out Brantley Gilbert's latest single, a label rep said — entirely in jest — that he was officially working the worst country song of all time. He could say that, of course, because it's titled "The Worst Country Song of All Time."
Barely a week later, a staffer at a rival firm groused — not in jest — that the recording was appropriately named. Gilbert was less than impressed with the feedback.
"It's kind of hard to criticize it," he noted. "What are you going to say? 'That's the worst song I've ever heard?' Did you read the title? If somebody hates it, that doesn't really bother me. I mean, you know, we're on the same page."
"The Worst Country Song" is a sendup of every other stereotypical one, slagging the lifestyle linchpins in the genre ("I hate beer and honky-tonk women") and celebrating the stuff that country's songs typically try to escape ("I love cities and traffic jams").
The idea belonged to HARDY, who conceived it on Feb. 22 during a songwriting retreat in Matagorda, Texas, 100 miles west of Galveston on the Gulf Coast. Away from the writers' rooms, he was part of a large group engaged in fishing — one of the activities he would knock in his parody — when the title came up.
"It was a big group of guys," remembers HARDY. "Somebody in the distance just said, 'Well, that's the worst song of all time.' And I just, in my head, I thought, 'What if it was the worst country song of all time?' "
In a session the next day with Gilbert, Will Weatherly ("Thinking 'Bout You," "Good As You") and Hunter Phelps ("That Ain't Me No More," "Drinkin' Beer. Talkin' God. Amen."), HARDY announced he wanted to write "The Worst Country Song of All Time."
"We're like, 'Well, cool. What's it called?' " recalls Phelps. "He was like, 'Worst Country Song of All Time.' We all just kinda looked at him. And he was like, 'You know, I hate beer.' And as soon as he said that, we're all going, 'Oh, that's freaking awesome,' and started throwing out just the opposite of what people want to hear."
They grabbed some of the low-hanging fruit in the opening verse — the singer doesn't know the words to "Family Tradition," "Folsom Prison Blues" or "I Walk the Line"; doesn't care for sweet tea; and thinks "all dirt roads were made for pavin'."
"That was kind of an inside thing," points out Gilbert. "Colt [Ford] and I wrote 'Dirt Road Anthem,' that Jason Aldean cut. How many songs have we written that have 'dirt road' in them?"
During the write, Gilbert asked HARDY if he would sing on the recording — "You don't want to go out on this plank by yourself," says Gilbert — and HARDY got the second verse, which pushes "Worst Country Song" past satire into absurdity.
"We were just kind of writing a really bad song," explains Phelps. "We had done a really good job of making it bad, but if it's going to be called 'The Worst Country Song of All Time,' we have to give them some 'good' stuff."
Phelps came up with a doozy — "Stick a fork in the Constitution" — and HARDY drove it all the way into the gutter with the next line: "I support Kim Jong-Un and Putin/Yeah, this is the worst country song of all time."
"We all just started dying, laughing," says HARDY. "That was just it. It stuck."
Originally, they discussed a burning steel guitar solo to heighten the Southern rock intensity of Weatherly's track, but a sax solo seemed more left of center, and thus a better choice. The Wi-Fi was bad in the room, so Weatherly stepped outside to the bus, located Tyler Summers — a Nashville player he had never talked to — and sent him the section with the chords for the solo, not mentioning the title or giving Summers any clues about what they were after.
They talked about snagging Kenny G or former President Bill Clinton for the final sax part (they eventually kept Summers' skippy solo, finished and returned to Weatherly before the cowrite was even over), and they also decided to pen a bridge that would work for Toby Keith. They envisioned him reciting the section with the same slack attitude that's in "Red Solo Cup" — they even wrote "Solo cup" into the passage — and Keith consented to do it. He did, however, request that they change the back half, which originally slammed freedom and the military, which Keith felt was over the line, even for "The Worst Country Song of All Time."
"We went back and wrote two different versions of it, sent it over, and he dug the version that he ended up using," says Phelps. "But I think the bridge is perfect how it is right now. I love the caviar line and the 'John Deeres are blue.' We definitely beat what we had and also got it tailored for him."
Carrying out the "Worst Country Song" theme, they identified the individual sections as the song progressed: "And the chorus goes …," "Second verse goes" and "And the bridge goes …"
"It kind of softens the blow," observes Weatherly. "When you're hearing the parts, that's kind of like, 'If you were to sing a song like that, it would go like this.' "
Assembling it during the pandemic, Weatherly used the demo as the foundation with drummer Nir Z and guitarists Jess Franklin and Ilya Toshinsky overdubbing their parts remotely. They didn't do anything that would distract attention from the satirical flips in the lyrics.
"I kept everything really, really simple," says Weatherly. "I mean, it didn't need all this crazy stuff. It just needed to be exactly what it was."
The record company agreed. Gilbert sent it with some trepidation to Big Machine Label Group president/CEO Scott Borchetta, who appreciated the joke and thought listeners would, too. Valory shipped it to country radio digitally via PlayMPE on June 17, and "The Worst Country Song" rises from No. 42 to No. 39 on the Country Airplay chart dated July 10.
Gilbert gets that it might not be for everyone, but coming out of a pandemic, he figures a song that pokes fun at its own genre ought to give people a much-needed laugh. So he's pretty much impervious to snide sideswipes from anyone who thinks "The Worst Country Song of All Time" really is the worst.
"If you take it seriously enough to criticize it," says Gilbert, "you're missing the whole point."
Just days after landing her fourth No. 1 on the Billboard Hot 100 with “Drop Dead,” Olivia Rodrigo is now getting major recognition from Niall Horan.
In a recent conversation with Rolling Stone published April 30, the former One Direction member shared insight into how he approaches songwriting, highlighting the comeback of bridges in pop and pointing to Rodrigo as a key influence behind it.
“It’s great to hear [bridges]. I feel like Olivia Rodrigo has been a big influence on that for pop writers,” the Irish artist said, before singing part of the “Drivers License” bridge. “What I like about Olivia’s music is [that] you feel like you’re getting one song and then you get a completely different song. It completely flips on its head musically, goes somewhere different, brings you to a bridge, brings you to some weird musical breakdown thing. Whatever [she] and Dan Nigro are up to is a good little team they’ve got going there. It’s definitely influencing people, including myself.”
Horan also spoke at length about his upcoming project Dinner Party, set to arrive June 5 through Capitol Records. He has already released two tracks from the record, including the title cut and “Little More Time,” both produced alongside Afterhrs, John Ryan and Julian Bunetta. The album rollout will be paired with an extensive 22-date tour across Europe, Ireland and the U.K. The Irish singer’s new release follows 2023’s The Show, which debuted at No. 2 on the Billboard 200. During the interview, Horan also mentioned that his next era leans more into rock elements, something he connects back to his long-standing love for bands like Blink-182.
“That drum sound is something that we were trying to chase, and that comes from that late-’90s, early-2000s punk-rock era,” he said. “Rock’s been a big influence in my life since I was a child. I write pop songs, but dressing them up in a different way sometimes is quite cool. And now, the way my career is going, I’m completely thinking about live shows all the time. I learned so much from being on the road and being out there every night. There’s only so much sitting on Spotify you can do and reading comments before you actually get an idea of what people actually think. You can see it in the room. The rockier stuff really goes off at the shows.”
The “Slow Hands” hitmaker also has two U.S. stadium dates lined up for this year. Joining longtime friend and Grammy-nominated country artist Thomas Rhett, Horan is set to perform at GEODIS Park in Nashville on July 9 and Hersheypark Stadium in Hershey, Pennsylvania on July 19, with Live Nation handling promotion for both shows. Kashus Culpepper and Emily Ann Roberts will open the concerts. With such a packed touring schedule, all four remaining members of One Direction are expected to be on the road with new music this year. When asked about attending his former bandmates’ shows, Horan gave praise to Harry Styles and Louis Tomlinson.
“I went to Harry’s show a couple of years ago, and that was just wild. Madness going on there,” he said. “It reminded me of the 1D stadium shows where it was just seas of people jumping up and down. Watching the things going on on the floor, all the fans dancing around, I love that. You feel a sense of pride watching the boys doing what they love to do, and the communities that they’re able to create. I’m going to try and get to a Louis show of some capacity in the next few weeks.”
Horan is now the fourth One Direction member to drop a new album this year. Tomlinson released How Did I Get Here? in January, Styles hit No. 1 on the Billboard 200 with Kiss All the Time. Disco, Occasionally in March, and ZAYN followed with Konnakol earlier this month on April 17.
