Prime Minister Boris Johnson waves on the doorstep of number 10 after making a statement in Downing Street following the Conservative Party's return to power in the General Election with an increased majority.
Victoria Jones/PA Images via Getty ImagesEarlier today, WME and more than 50 of its clients sent a public letter to U.K. Prime Minister Boris Johnson, encouraging the government to urgently tackle the live touring crisis brought about by the Brexit trade deal with the European Union.
In order for artists, their crew and equipment to move between the U.K. and EU, additional permissions are now required, including work visas, carnets (goods passport) and permits. The additional cost, administrative burden and delays associated with obtaining these permissions are "the latest threat to an industry already ravaged by the devastating impact of the pandemic" and will prove "particularly onerous for new and emerging talent for whom live touring in the U.K./EU may no longer be a reality," a statement from WME reads.
In the letter below, agents and music artists ask that the government act without any further delay and engage with its EU counterparts to ensure visa-free touring for artists.
RT Hon Boris Johnson MP
Prime Minister
10 Downing Street
London, SW1A 2AA
Dear Prime Minister:
The UK music industry, which sustains over 197,000 full-time jobs, is amongst the most affected by COVID-19’s devastating impacts, and thousands of musicians whose livelihoods depend on touring are keen to get back to work. However, due to the changes brought about by Brexit, we are facing a crisis that may prevent that from happening, and we need your help.
Over the past several decades, the UK has experienced a consistent upward trajectory in live touring, bringing with it a significant and positive economic impact. Much of this success was due to our ability to tour the EU with much greater ease. According to research by the Incorporated Society of Musicians (ISM), 44% of UK musicians were earning up to half of their earnings in the EU, and nearly a third spent more than 30 days in the EU for work per year.
Due to new immigration rules, UK musicians and our teams will not be able to tour Europe without obtaining certain visas and work permissions (in addition to those permissions required to transport equipment cross-border and the changes to the rules around cabotage), far in advance. In some territories, the process to obtain these work visas can take months, causing a logistical nightmare as many engagements are booked on much tighter timeframes, and which is made more cumbersome if an artist is required to surrender their passport throughout each visa application process. Additionally, should the booking need to be rescheduled the process starts all over again. These new challenges will impact all musicians, and unfortunately, emerging talent in particular, as touring becomes cost prohibitive for most.
We welcome your recent promise in Parliament to fix this crisis facing our industry. It is encouraging to hear that the Government is working ‘flat out’ with EU Member States to iron out the huge challenges we now face, but as the live events industry begins to reopen around the UK and Europe, a successful resolution must be found quickly.
To deliver on your commitment, we urge you to find solutions that ensure performers and their creative teams do not need to obtain a visa and work permit each time they seek paid work in any EU country. We, in collaboration with our industry partners and in support of the campaign #LetTheMusicMove, seek and implore you to deliver on your commitment, and urge you to find solutions that ensure performers and their creative teams can seek paid work in any EU country without impediment.
With planning already underway for tours this year, there is a limited window of opportunity to solve the issues threatening our industry. Reducing the complexities of new border regulations and the prohibitive costs to UK musicians touring in the EU will open the door to an exciting and vibrant future for UK talent.
We would ask that you urgently consider our request to fervently engage on this issue to ensure that additional paperwork and costs are removed to enable musicians to tour Europe once more and bring joy to millions of people.
Thank you for your consideration.
Alison Goldfrapp & Will Gregory (Goldfrapp)
Anna Calvi
Barns Courtney
Big Society
Blane Muise
Bow Anderson
Culture Club
Danny L Harle
DON BROCO
Duran Duran
Dylan Cartlidge
Emeli Sandé
Fatboy Slim
George Riley
Georgia Twinn
Gramn.
Grand Pax
Greentea Peng
Groove Armada
HONNE
Hot Chip
Hot Since 82
IDER
Idris Elba
Jarvis Cocker
Jessie Ware
Johnny Flynn
Kaiser Chiefs
Keane
KEYAH/BLU
Kindness
Knucks
LCYTN
Leftfield
Leon Vynehall
Lily Moore
Louis Dunford
Mabel
Madness
Massive Attack
Mumford & Sons
Mysie
Nilüfer Yanya
Pete Tong
Rick Astley
Sad Night Dynamite
Scarlxrd
The Hunna
Totally Enormous Extinct Dinosaurs
Tourist
TVAM
William Doyle
YONAKA
Young Fathers
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
