NEWS
Rauw Alejandro
90thshooterRauw Alejandro blasts from No. 31 to No. 3 on the June 12-dated Billboard Global 200 with "Todo de Ti" (and 18-3 on the Billboard Global Excl. U.S. chart). It's the Puerto Rican rapper, singer-songwriter and producer's first top three (or even top 20) hit on the worldwide ranking. More rare, it's only the third all-Spanish-language song to hit the top three since the chart premiered in September 2020.
Since the list launched, 35 songs have graced the top three. Most of those are sung entirely in English.
Six top-three hits break the mold, however, and can be split into two categories. The first is for songs in a mix of languages, one of which is English. The second is for songs written and performed entirely in languages other than English.
The former category includes three Korean/English-language songs, two of which held the top two positions on the Oct. 17, 2020, chart. That week, Jawsh 685, Jason Derulo and BTS ruled the ranking with "Savage Love – Laxed (Siren Beat)." The then-new BTS remix of the track added lyrics in Korean in addition to the song's original English blueprint. Directly beneath was BLACKPINK with a No. 2 debut for "Lovesick Girls," with verses trading off between the two languages.
In December, BTS was back atop the list with "Life Goes On," a primarily Korean-language song that features some prominent English lyrics in its chorus.
The second category, for songs with no English, includes three hits, all in Spanish.
Again, two of those songs charted in the top three simultaneously. Bad Bunny and Jhay Cortez's "Dakiti" ruled the Nov. 21-dated ranking, while Maluma's "Hawái" rose to No. 3. Ultimately, "Dakiti" scored three weeks at No. 1 in November-December and stretched to a total of 10 nonconsecutive weeks in the top three, becoming the only song with non-English vocals to rank in the top three for more than one week so far.
While holding the same position on the Global Excl. U.S. chart, the song performed better internationally, with 91% of its streams and 54% of its sales from outside the U.S., compared to the week's respective averages of 75% and 46%.
And while the track's streams split 55% vs. 45% in terms of audio vs. video, that breakdown slants closer toward video than the average song on the Global 200 this week, which derived 78% of all streams from audio services. The song's giddy roller-rink themed (and Shaquille O'Neal-featuring) official video drew 45.7 million streams worldwide in the tracking week, helping the song, which Alejandro teased on social media ahead of its official May 21 release, further cut through the competition on the global stage.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
