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ON THE RISE
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IPSWICH, Mass. — Nov. 10, 2026 – For composer, producer, and musician Chris Florio, making music has always been a process of exploration. More than four decades into his career, the Ipswich, Massachusetts-based artist continues to approach each project with the curiosity of someone discovering new possibilities. His contemporary track “Twinkle” reflects that outlook, bringing together spontaneous songwriting, distinct musical backgrounds, and a collaborative recording process that allowed the song to develop organically.
A graduate of Berklee College of Music with a degree in composition, Florio has built a diverse body of work spanning orchestral music, improvisation, and contemporary forms. His career includes more than 40 orchestral compositions, multimedia collaborations, and 12 albums released through Passion Records. While his formal education helped shape his musicianship, he credits a much wider range of experiences with informing his work.
“Every gig, every musician that you play with, you learn things from,” Florio explained. “I try and play with the best musicians I can, so basically everybody I play with is my teacher.”
That willingness to learn from others was central to the creation of “Twinkle.” The project began with five musicians entering the studio and improvising together throughout the day. During the session, vocalist Aliel and violinist Rob began developing lyrics after discussing a person they both had in mind. They brought their ideas back to the group, and the musicians built the music around the words.
The result brings together Florio's rock influences, Rob's classically trained violin playing, and the rhythmic foundation laid down by Ken and Wes. A violin solo with a rock sensibility adds another dimension to the arrangement, while the song gradually moves from a quiet, stripped-back opening into a fuller, more electric sound.
Rather than having that progression mapped out from the beginning, the musicians found it as the song took shape. As Florio put it, “We started with nothing, and then we improvised and developed it.”
For Florio, the value of working with other musicians lies in what they bring that he might not have imagined on his own. “The joy of making music is interacting with other people,” he said. “I want to hear what they bring to it.”
That philosophy extends beyond familiar musical styles. Florio recently worked with Cambodian musicians and dancers in Ipswich, adapting to different approaches to rhythm, performance, and communication. A trip to China is also in the works for the coming spring to collaborate with local musicians and participate in workshops at music schools in Beijing and Qingdao.
Even after decades of composing and performing, Florio says his appetite for discovery has only grown. “The more music I learn, the more I feel like, 'Wow, I don't know anything,' and there's so much to learn,” he said. “And it gets more exciting, not less exciting.”
Originally conceived as a one-off studio project, the group behind “Twinkle” has since performed and toured together, with hopes of continuing to make music as a band. For Florio, the experience is another reminder of what can happen when musicians bring their individual perspectives into the same room.
Listen to “Twinkle,” which received promotional support from Starlight PR.
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About Chris Florio
Chris Florio is an adventurous and imaginative composer, producer, and musician based in Ipswich, Massachusetts. With a career spanning more than four decades, he has explored orchestral composition, improvisation, and contemporary musical forms. A graduate of Berklee College of Music with a degree in composition, Florio has written more than 40 orchestral compositions, participated in multimedia collaborations, and released 12 albums through Passion Records. His work reflects an ongoing interest in bringing different musical traditions and artistic perspectives together.
ON THE RISE
As they prepare to unveil their fourth album, ‘Joy In Short Moments’, The Snuts have spoken with NME about how stepping away from touring gave them the chance to reflect on some of life’s biggest challenges and bring greater attention to mental health.
Their first album since 2024’s upbeat ‘Millenials’ follows a rare break from the road over the past year. During that time, frontman Jack Cochrane also experienced a major change in his personal life as he welcomed his first child.
Along with getting used to fatherhood, the singer began thinking about deeper questions that the demanding touring lifestyle had previously left little room to consider. His reflections on growing up, dealing with loss and understanding what success really means gradually found their way into his writing, eventually shaping the direction of the band's more personal new album.
Fans were first introduced to the album earlier this year through ‘Summer Rain’, an emotional track exploring postnatal depression and the “fear of the future”. They later returned during the summer with the more hopeful ‘Defibrillator’, encouraging listeners to move beyond negative thoughts about themselves and find comfort in connecting with other people.
Speaking to NME about the creative shift behind their fourth record, Cochrane explained: “By taking a conscious break from life on the road and making records, my world opened up to let so much more of the real world in,” he said. “For the first time I was living then writing, not writing while trying to live.”
He also described how the change helped the band approach recording differently, adding: “It unlocked a new process that the band had been crying out for,” he continued. “The studio sessions were set up to allow us to be friends and not colleagues. Distraction and external pressures were completely eradicated from the recording environment, allowing us to trust our gut and have the conversations we needed to as humans.”
In the remainder of the interview, Cochrane also discusses his new role as an ambassador for mental health charity CALM and talks about starting a podcast designed to encourage more artists to speak honestly about their personal struggles.
NME: Hi Jack, congratulations on the new album. You’ve said that this record was about addressing the topics that you previously tried to hide from. What kinds of questions did you find yourself confronting?
Jack Cochrane: “I would say mainly, ‘What do I need to be happy?’… Eeek! It’s a big one I know, but having set out with the title ‘Joy In Short Moments’, I was able to spend my time searching for them and allow joy to do what joy does: compound and relieve the stresses of the modern world.”
That’s not the easiest question to find yourself confronting. Did you manage to find any answers along the way?
“Ultimately yes. With the completion of this record I was able to find a much happier healthier version of myself I had been so long yearning for.”
The album sees you deal with new themes, but musically we also see you return to the guitar-led sound from your early days. Did revisiting those roots make you notice how much has changed since you were starting out?
“For sure. We were able to remove any snobbery from the process. We’re no longer new kids on the block and with that came a new found ability to be really honest about the kind of noises we wanted to make and the type of artists that had originally inspired us.”
This album goes hand in hand with you becoming an ambassador for CALM and launching your own podcast dedicated to checking in with fellow artists. Why was it important for you to get involved in the conversation about mental health?
“I think conversations and role models are absolutely essential for young people. I wanted to have more and do my best to be one. Every song on this record was born out of unfiltered, open and honest conversation.”
From talking to people on your podcast, including Louis Tomlinson, and using your platform to open up this dialogue, is there anything interesting that you’ve noticed?
“I think that more often than not, young men are finding it difficult to combat the struggles they are facing in this modern world. To me it feels like there are less and less spaces and opportunities to have meaningful, healing conversations…”
Having had those conversations yourself and explored them on the album, it must be somewhat daunting to now put it out into the world. Is there something that you hope people take from it?
“I’d like people to feel less alone after hearing the record and the themes intertwined with it. I think music is more than just heartbreak and I hoped in the writing of this record I would be able to highlight some more universally relevant topics.”
You have your headline tour coming up next month. What can we expect from the shows?
“Big smiles and big sound all round! It will be the most self assured Snuts tour to date.”
‘Life In Short Moments’ is out now Happy Artist Records in partnership with Virgin Music Group. Their UK and Ireland tour kicks off next month with an opening night in Dundee. Visit here for tickets and check out a list of tour dates below.
NOVEMBER 2026
19 – Dundee, Livehouse
20 – Aberdeen, Beach Ballroom
21 – Edinburgh, Corn Exchange
23 – Dunfermline, Alhambra Theatre
24 – Newcastle, O2 City Hall
26 – Sheffield, Octagon Centre
27 – Nottingham, Rock City
29 – Norwich, UEA
30 – Hull, City Hall
DECEMBER 2026
1 – Bristol, Prospect Hall
3 – Leeds, O2 Academy
4 – Manchester, O2 Victoria Warehouse
8 – Birmingham, O2 Academy
9 – Portsmouth, Guildhall
10 – London, O2 Academy Brixton
JANUARY 2027
26 – Belfast, Limelight
27 – Galway, Róisín Dubh
28 – Dublin, Academy
