Houston artist Skyve knows what it feels like to carry weight you didn't realize was yours. His latest single, "Eternal Time," released July 7th, moves fast and hits harder with under two minutes of guitar-forward energy that somehow manages to feel upbeat and contemplative at once. There's a throwback quality to it, too; the pacing and chord choices carry a distinctly 90s sensibility, the kind of arrangement that trusts a hook to land without over-explaining itself. 

Skyve drifts easily between rapping and singing, carrying the song with an unhurried confidence. It's a track about the people and patterns we hold onto long after they've stopped serving us and the strange, freeing ache of finally setting them down.

"It's about taking a step back and finding the things in people that are holding you back or hurting you, and you don't realize it at first," says Skyve. "It's hard to let go of those things and those people, but it will make you a better person."

Born Stryker Johnson, Skyve has been building toward this moment since childhood: making beats on an iPad before he could drive, then on his phone, and eventually in FL Studio, where he landed three years ago. He's 19 now wth “Eternal Time” marking his 11th project, but the first he's genuinely proud of, the kind of song he finds himself coming back to on his own time.

True to his instinct for range, he sings, raps, and plays guitar, with no interest in staying in one lane. 'I do a lot to explore,' he explains, adding that piano, drums, and even banjo are next on his list. For now, he places this project in indie rock territory with an indie pop lean — guitar-driven, melodic, and resistant to easy categorization.

"If I had to categorize my sound, I'd say indie, more than anything. A more creative feeling. Not like the standard sound music offers today," explains Skyve.

On "Eternal Time," Skyve co-wrote and produced alongside a collaborator who helped shape the guitar melodies and the song's overall flow, with both contributing to the drum programming. The lyrics, though, are his alone — as they always are. 

"It depends, but I do maybe 50 percent of my own stuff," he shares of his process more broadly. "This one was with a producer who helped lay down some melodies on guitar and get the flow started. But I always write all my lyrics." 

The release came with a rare milestone: a live show two weeks prior, marking one of Skyve's first times performing guitar in front of an audience. "It was a little nerve-racking," he admits, "but it ended up being fun overall."

"Eternal Time" isn't tied to an album or EP; it stands on its own, at least for now. But Skyve is already looking ahead. "I do have an album coming out this fall," reveals Skyve. "I'm still working on getting more details, but that's something I want to walk fans through."

For an artist who insists he can't imagine doing anything but music, Skyve's approach feels less like a career plan and more like a compulsion toward honesty. “I don't want to bring a single song or idea to the grave with me,” he reflects — a line that could double as his mission statement. “Eternal Time” is proof he's already living it, one unfinished thought at a time.

“Eternal Time” is now available on all streaming platforms, with promotional support from Starlight PR. With an album on the way this fall, it's clear Skyve is just getting started, so be sure to follow along on social media to catch what's next.

LOS ANGELES — Damion Seraglio Bond and Hannah Leyla are turning up the heat with “Pina in Your Colada,” a playful tropical duet built around flirtation, humor and the kind of chorus that practically demands a room full of people sing along.

Featured as the opening track on Tropical Vacay, “Pina in Your Colada” drops listeners directly into vacation mode. Tiki lights are glowing, steel drums are playing, drinks are flowing and Hannah and Damion are trading lines back and forth like two people who have decided subtlety can wait until after the trip.

That exaggerated approach was intentional.

“I worried that if I hewed too closely to a serious sexual expression, today’s rather Me-Too sensitive folks might misinterpret the point of the song,” songwriter and creator Lloyd Eric Cotsen said. “By keeping it light-hearted and even cheesy over the top, it’s clearly aiming for fun.”

Cotsen envisioned the track as the kind of local favorite heard at a packed tropical bar, where vacationers already know every word and become part of the performance. That idea shaped the song’s crowd vocals and call-and-response structure, including Hannah’s equally confident answers to Damion’s advances.

Creating that chemistry, however, became one of the biggest challenges behind the track.

Cotsen used AI music platform Suno to develop the recording, but directing the male and female vocals proved considerably harder than expected. He ultimately worked through more than 160 versions while trying to get the exchanges right, eventually bringing elements from separate versions to a sound engineer to create the final result.

That persistence helped produce one of the song's defining elements: a performance that feels less like a conventional studio recording and more like stumbling into a beach bar where the entire crowd already knows the chorus.

“Recreating the vibe of a live performance in a bar with a crowd finishing the lines of a song they know and love was something I would have bet Suno couldn’t do,” Cotsen said. “It did it masterfully.”

That atmosphere also made “Pina in Your Colada” a natural opener for Tropical Vacay. Cotsen wanted the album to function almost like a vacation soundtrack, maintaining a tropical atmosphere while moving between comedy, romance and more reflective moments.

“It seemed like the most fun, captured the tropical spirit of the album best,” he said of choosing the song as its first track.

The project continues Cotsen’s genre-hopping approach to songwriting. His work has moved through folk-country, blues, soul, gospel and dance, while Tropical Vacay gives him room to explore Trop Rock and the stories that emerge when people temporarily leave their everyday lives behind.

For Hannah and Damion, that means a relationship that is flirtatious, competitive and occasionally more complicated than the beach-bar antics suggest. Cotsen describes the pair as having a “playfully combative romantic relationship,” with Hannah written as a confident character who can give Damion every bit as much as she gets.

And the fictional duo may eventually move beyond the digital world. Cotsen plans to host a concert with live singers performing selections from his catalog within the next year while continuing work on several additional albums.

For now, “Pina in Your Colada” offers a simpler invitation: turn it up, embrace the ridiculousness and pretend the nearest drink comes with a tiny umbrella.

“Pina in Your Colada” is available now on Spotify as part of Tropical Vacay.

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