R.E.M.’s Michael Stipe has given a live debut to a new solo song ‘The Rest Of Ever’ on The Late Show With Stephen Colbert – watch below.

The legendary singer has been working on his first full solo album for several years and while he has said in recent weeks that it has taken “longer than I wanted”, he has said he is now adding the finishing touches to the record, and has said it should be out in 2026.

On Thursday (April 23), Stipe appeared on Colbert to play the never-before-heard song ‘The Rest Of Ever’, alongside the house band Louis Cato and The Great Big Joy Machine.

The mature, contemplative track sounds like a slower-tempo version of an outtake from R.E.M.’s ‘Monster’, with Stipe earnestly addressing a loved one, embracing the deep huskiness of his current vocal register.

Watch the performance here:

Also on the show, Stipe attempted to describe the sound of his new album. “One of the songs is the sound of a tree hearing itself for the first time,” he said. “It’s this confusing situation. My friend recorded a tree in my backyard in Georgia and played it back to itself, and so it sounds like Daft Punk, but I’m putting a sea shanty [in the song].”

Colbert then asked which sea shanty it was, to which Stipe said, “It’s the most familiar that everyone knows,” before breaking into ‘Drunken Sailor’.

“The tree has not responded yet,” Stipe added. “We’re gonna let his people get back to my people and see what happens.”

 

Speaking about the album’s delay in March, Stipe said: “Covid didn’t help, but I’m finishing it. When the band split, I just needed a break. I took five years but I got pulled back into music. It’s been a struggle. That’s the main thing. I want it to be great, but I’ve got the pressure of having been in R.E.M. and it’s a high bar, because I want this to be as good as that, and that’s near impossible.”

Previous Stipe solo releases include the 2019 single ‘Your Capricious Soul’ and ‘Drive To The Ocean’ the following year. He also released ‘No Time For Love Like Now’ with Aaron Dessner’s Big Red Machine in 2020.

Last month, he also joined forces with Andrew Watt, Josh Klinghoffer and Travis Barker to share the new theme song for the show Rooster.

By all accounts, Stipe remains on good terms with his former R.E.M. bandmates – guitarist Peter Buck, bassist Mike Mills and drummer Bill Berry – and they appeared together in summer 2024 when they were inducted into the Songwriters Hall of Fame.

The band split amicably in 2011, while Berry had left the group during the height of their commercial success in 1997. However, at the ceremony, the quartet gave a surprise acoustic performance of their 1991 classic ‘Losing My Religion’. That marked the first time the four played live together since their 2007 Rock and Roll Hall of Fame induction.

Last month, Stipe joined Michael Shannon and Jason Narducy at one of their ‘Lifes Rich Pageant’ 40th anniversary tour shows in Brooklyn. They played versions of R.E.M.’s ‘These Days’ and ‘The Great Beyond’. A year ago, he also sang ‘Pretty Persuasion’ with them.

Stipe has also been clarifying lyrics from ‘It’s The End Of The World As We Know It (And I Feel Fine)’ on Bluesky, revealing that many fans have been getting some of the lines wrong for decades.

Morrissey has written an emotional tribute to his former manager Peter Katsis, remembering him as “a very unusual star” and declaring that “a world has ended”.

Peter Katsis passed away last Thursday, August 6, aged 69. His death was reportedly caused by complications linked to congestive heart failure.

Born in Chicago, Katsis became a respected name within the music world, working as a manager for artists such as the Smashing Pumpkins, Backstreet Boys, Snoop Dogg and Jane’s Addiction. After news of his death emerged, the former Smiths singer initially responded by posting a picture of Katsis.

Morrissey has now published a more detailed remembrance, accompanied by an image showing Katsis dressed in drag while attending a New York Dolls concert in Chicago in 1973.

Looking back at the picture, Morrissey said: “He certainly got into the spirit of things. Given his bustling masculinity, he would roar with laughter to know that I have used this shot in summation of his life.”

“I am justifiably glum this week, and it has taken me several days to even face writing this because PK was a very unusual star: an adventurer who enjoyed biting off more than most people could collectively chew,” he continued. “He was very much liked – which was unusual in a music manager. In a way, a dreamy-eyed romantic, but when necessary, a trick octopus.”

Sharing more memories of Katsis and his larger than life personality, Morrissey added: “All liberties were taken; all fun encouraged and consumed. He knew how and when to give momentum another good shove. Sometimes his Chicagoan knuckle-district dialogue was slightly comic strip, but it was all part of his self-destructive charm… taunting an overdose of Dom Perignon because… well, why not?”

The singer also recalled how the pair viewed the music industry in much the same way. “We were similar in that we were both correct too early – on all predictions. He knew that most modern bands contained neither danger nor mystery, but he gritted his teeth and dealt with the platitudinous industry gabble of Los Angeles.”

Turning to a deeply personal moment in their friendship, Morrissey continued: “When my mother died in 2020, he raced to my side. He knew I couldn’t deal with it. He immediately introduced me to Andrew Watt and we recorded “Bonfire Of Teenagers” faster than the speed of sound – an undreamed-of rescue at a time when another day, for me, might not have come.”

Morrissey ended his message by writing: “The future is now merely the remainder of life. Dead brother buried. A world has ended.”

“Bonfire Of Teenagers” was created across 2020 and 2021 with Watt handling production. The record features appearances from Miley Cyrus, Iggy Pop and musicians from Red Hot Chili Peppers, although the album has still not received an official release.

Several other music figures have remembered Katsis since his passing, including Smashing Pumpkins vocalist Billy Corgan. Corgan described him as “a dear friend and extended member of our family” and praised his role in helping to “usher in the alternative revolution of the ’80s and ’90s and beyond”.

More messages honouring Katsis can be viewed here.

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