There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.

If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.

On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.

It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.

While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.

He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”

That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.

Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.

The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”

Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.

Sharleen Spiteri joined BBC Radio 2’s The Sara Cox Breakfast Show ahead of Texas taking the stage to launch the main live music programme at Radio 2 in the Park in Stirling.

Checking in from rehearsals, the Texas frontwoman spoke about getting ready for the band’s opening performance at City Park. Radio 2’s annual flagship festival takes place there from 11 to 13 September 2026. "I’m match fit because I’ve had a couple of days’ rehearsals," Spiteri said. "We’re kicking the whole weekend off, which we’re very much looking forward to, so everybody’s got to get ready to party."

Before the live acts take over, Friday’s DJ Pre-Party gets the weekend started with Radio 2 favourites Sara Cox, DJ Spoony, Gary Davies, Michelle Visage, and Rylan behind the decks.

Jo Whiley helped set the mood with a special programme from Stirling’s Tolbooth venue. Working with BBC Introducing Scotland, the broadcast put the spotlight on Scotland’s emerging music scene through performances and conversations with Fright Years, Alice Faye, and James Emmanuel.

Fright Years, a four member band from Edinburgh, played "Never Been Wrong" and offered their take on Simple Minds’ "Waterfront." Glasgow singer and songwriter Alice Faye, the BBC Introducing in Scotland 2026 winner, paired "Some Brief Encounter" with a rendition of Lulu’s arrangement of "I Started a Joke." James Emmanuel, who was born in Nigeria and now lives in Edinburgh, sang "Brothers & Sisters" before taking on Chaka Khan’s "I’m Every Woman."

"We’re all about celebrating BBC Introducing and all the music that’s come out of Scotland," Whiley told listeners. "It's about celebrating the local music scene and the incredibly important work that BBC Introducing does to support independent, up-and-coming artists."

Joining the conversation were Stephanie Cheape, presenter of BBC Introducing in Scotland, Tara McLoughlin, venue manager for Stirling Council, and student radio presenters representing the University of Stirling’s Air3 Radio.

Listeners can catch the complete interviews and live performances from the weekend’s programmes on BBC Sounds.

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