The wife of The Lemonheads’ Evan Dando has spoken publicly about the singer’s recent “meltdown”, saying he was “out of his mind” while recording a Tiny Desk performance that has since been scrapped.

The artist is currently undergoing psychiatric care in hospital after allegations surfaced that he sent an explicit video to a fan without her consent.

His wife, Antonia Teixeira, has now shared details about the chain of events that led to his hospital admission. She said the problems began earlier this year when the couple travelled to the United States to tape an instalment of NPR’s Tiny Desk.

According to Teixeira, that session will never see the light of day because of Dando’s condition during filming.

In an interview with Billboard on the same day he was admitted for treatment on Friday February 13, she said he had battled excessive alcohol use and misuse of prescription medication throughout their five years together.

Teixeira said his latest mental health decline began weeks before he sought help. The pair had flown to New York City from their home in São Paulo so that The Lemonheads could perform on The Tonight Show Starring Jimmy Fallon on January 20.

After that television appearance, the group travelled to Washington, D.C. to record their Tiny Desk set.

Teixeira said she grew increasingly alarmed as his conduct became more unstable during the trip. “That day, he was totally out of his mind,” she said. “So out of his mind, that the Tiny Desk won’t be aired.”

She explained that his erratic behaviour continued after they returned to Brazil. Recalling a recent incident, she said “everything went to hell” when she claims Dando consumed significant amounts of Adderall, THC and mushrooms at once and began sending explicit videos to several women on X formerly known as Twitter.

It was after discovering those videos that she brought him to the treatment centre where he is now staying. Teixeira also told him that she would pursue a divorce if he failed to complete the programme, which she expects will last at least 30 days.

“You can’t imagine how mad I was when I saw that he was sending messages to girls,” Teixeira said. “I’m very mad, because he betrayed me.”

She added that she believes the video sent to the woman may have been shared unintentionally. “From what I’m looking at now, it wasn’t … he doesn’t remember what he did. He was in a mental meltdown.”

Teixeira said Dando felt “very embarrassed” once he understood what had happened. She described the relapse as an act of “self-sabotage”, especially given that he had just completed a new album and was preparing for a summer tour that has since been called off.

Speaking about his recovery, she said: “If he’s really, really committed, he can do it.”

She continued: “I feel like this is a second phase of his healing, you know? It’s him actually taking into his own hands, his responsibilities, the consequences, and not blaming other people and just trying to be better because he wants to be better himself … I’m very hopeful that things will get better.”

In 2025, The Lemonheads put out their first album of original material in 19 years, titled ‘Love Chant’. Dando also released a memoir, Rumours of My Demise, in which he wrote candidly about his long struggle with addiction.

The woman accusing Dando of sending the unsolicited explicit video has been identified only as Dawn in reporting by journalist Tony Ortega on his Substack, The Underground Bunker. She said she had messaged the frontman privately on social media to congratulate him on The Lemonheads’ latest release.

Dando allegedly responded, “Cool I’m sorry I’m an exhibitionist”, before sending her a video of himself masturbating the following day without her permission.

“It’s him sitting in a basement or something, and he’s fully masturbating,” Dawn said in her account to Ortega. “You can see his penis, and his face. It’s definitely him. He’s filming it from a weird angle.”

She added: “It’s so gross. I don’t want him to do this to anyone else. It’s just a gross feeling.”

In a statement shared with Rolling Stone, Dando’s representative said: “Evan Dando has long struggled with mental health issues dating back to his childhood. He’s been admitted to a local hospital where he’s receiving comprehensive help from experienced doctors and mental health professionals.”

In one section of Rumours Of My Demise, Dando reflected on that period of his life, writing: “Most of my real friends retreated, hoping things would change. The rest got a kick out of watching me unravel. I was in horrible shape, losing teeth, and living off cheeseburgers … and a $200 daily drug habit.”

Haim have offered an early glimpse into their next album, telling NME that New York has been fueling their creativity and that they are “always writing”.

Also read: Este Haim discusses scoring Bella Ramsey film Sunny Dancer and Haim’s fifth album shaped by New York

The Los Angeles group, featuring siblings Danielle, Este and Alana Haim, put out their fourth studio album, ‘I Quit’, during the summer of 2025.

During a recent conversation with NME, Este spoke about creating the soundtrack for the new Bella Ramsey movie Sunny Dancer with Zachary Dawes, known for his work with Lana Del Rey and The Last Shadow Puppets. The bassist was also asked whether Haim had started developing fresh music.

“Haim business is open for business, 24 hours, seven days a week,” the musician responded. “We’re always writing, we’re always thinking about what the next thing is going to sound like.”

Still, Este indicated that the sisters are not rushing into their fifth album and plan to give themselves enough space to discover new ideas. She explained that she “just want[s] to live in it a little bit and experience life”.

Haim live at Glastonbury 2025, photo by Andy Ford
Haim live at Glastonbury 2025. Credit: Andy Ford for NME

“I want to revel in being married for a minute,” Este went on. “I didn’t get married until I was 39, so now I want to enjoy it and stop and smell the roses for a little bit.”

Discussing what has been sparking ideas for Haim and possibly influencing the direction of their upcoming project, Este pointed to the time she has spent in New York and the friendships she has been able to revisit there.

“I’ve really found New York to be very inspiring. Being here and reconnecting with friends that I went to college with and didn’t have the chance to hang out with because I was living in LA has been really great.

“And the energy in New York, I’ve really been thriving in it. You go outside of your door and you’re in the shit; you are in the flow whether you like it or not. I’ve found it really inspiring – just the energy and the sounds of New York, it’s so different for me.”

Asked how those surroundings might eventually translate into Haim’s music, Este kept the details under wraps, saying: “We’ll have to wait and see! I don’t know the answers yet, but I’m having a great time figuring it out!”

Este has also worked with Christopher Stracey on the music for the upcoming Callum Turner film One Night Only. Her previous composing credits include Netflix’s Maid and the Sydney Sweeney romantic comedy Anyone But You.

She takes on the role of Aura in Sunny Dancer as well. Meanwhile, her sister and fellow Haim member Alana Haim has appeared in The Mastermind, The Drama and One Battle After Another within roughly the last year.

Haim marked the arrival of ‘I Quit’ last summer by playing an unannounced performance at Glastonbury Festival. After completing a run of North American dates, the trio embarked on a UK arena tour later that year.

‘I Quit’ earned a place on NME’s ranking of the 50 best albums released in 2025, while ‘Relationships’ was included among the publication’s standout songs of the year. A deluxe version followed in October, adding ‘Tie You Down’, a collaboration with Bon Iver.

Awarding the original release four stars, NME said: “‘I Quit’ is set at a crossroads in the grieving process, when lessons have already been learned, but the pain of memories still linger.

“But this is still a Haim album, and their songs never linger on despair, are never far from the warmth of their sisterhood. They’re no longer the pop group you once knew, but this record is proof that sometimes, you really do need to let go in order to grow.”

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