Havoc Suggests Kanye West And Travis Scott May Be Recording A Collab Album
February 16, 2026
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Havoc recently sat down with Complex to reflect on his contributions to Kanye West’s landmark 2016 album The Life Of Pablo, which celebrates its tenth anniversary today, Friday, February 14. During the interview, he revisited his involvement in “Famous” featuring Rihanna and “Real Friends” with Ty Dolla $ign. In the middle of the discussion, however, the Mobb Deep icon also hinted that Ye could currently be putting together a joint album with Travis Scott.
Kanye reached out to Havoc for assistance with TLOP, and while they were in California, they revisited several older beats Havoc had previously sent over before zeroing in on “Famous.” The producer and rapper admitted he would not have approached the record the same way West did, but said the creative direction ended up inspiring him in his own work. He also applauded the Yeezy mogul for the way he pulled everything together. “He’s very selective,” he explained to the outlet. “When I was there, even though he had already chosen what was going to make the album, he still had me working on other records because you never know with him, he might come back to it five years later. Recently, I worked on something. I do not want to speak too much on it in case it never drops. But I will say, I think he is putting together a project with Travis Scott, and a few of my records have been selected so far.”
Kanye West & Travis Scott Collabs
Travis Scott has long been viewed as one of Kanye’s protégés, so the possibility of a full collaboration does not seem far fetched, even if plenty of fans remain skeptical. Hearing it from Havoc gives some supporters hope, though he made it clear that nothing is guaranteed and that people should not jump to conclusions. It is also possible that listeners are reading too much into his remarks.
The dynamic between Kanye West and Travis Scott appears to be in a better place now compared to the tension Ye seemed to express toward him earlier in 2025. Travis recently brought Kanye out during a show in Japan, signaling that any past issues may have been resolved.
The two have already built an extensive catalog together, including “Piss On Your Grave,” “Watch,” “Wash Us In The Blood,” “PABLO,” “Praise God,” and “Championships,” among others.
At the moment, both artists are focusing on their own separate releases rather than officially announcing a joint effort. Kanye West is preparing to drop his upcoming album BULLY in the coming weeks, while Travis Scott has been previewing fresh material of his own.
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NEWS
Massive Attack Explain Why They Targeted Palantir During Their Live Shows
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
