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Ronnie Radke has claimed that Max Georgiev was dismissed from Falling In Reverse due to allegations of sexual misconduct, accusations that Georgiev has firmly rejected.
Georgiev exited the Las Vegas metalcore group in 2024. Last week, the band’s frontman Ronnie Radke shared an Instagram post stating that the guitarist was removed after allegedly admitting to a sexual relationship with an underage girl.
“For those that are wondering why I fired the guitarist,” Radke wrote, according to Lambgoat, “it’s because he admitted to sleeping with a minor ten years before he [was] in my band [when] he was 27 years old. Have fun with that.”
Georgiev, who joined Falling In Reverse in 2018 and now performs with metal outfit Vio-lence, responded shortly after, denying the allegations. “To the fans, I have never done anything illegal with a minor,” said Max Georgiev. “Fifteen years ago, when I was 23, I still lived in Quebec, Canada.”
“Since then, I have played for several bands who never mentioned inappropriate behavior on my part,” he continued. “I have always had great respect for the fans. I have strived to play my heart out for you.”
Radke’s Instagram account has since appeared to be removed, something he addressed during a livestream. “Maybe me talking about my old guitar player getting fired for finding out he was hooking up with minors, I think that AI might’ve caught that and was like, ‘You gotta go’,” he suggested, as reported by Loudwire".
“This man not only did that, [but] the parents of the minor ten years before he was in my band found out, they confronted him, he lied about his age so he could continue doing that with her. He wasn’t 23, he was older. He’s lying about that,” Radke went on to claim.
In a subsequent statement shared on Thursday January 8, Georgiev again rejected Radke’s accusations, calling them “delusional”. “I met someone who turned eighteen a few months later while I occasionally dated her,” he said. “This was fifteen years ago, when I was 23 in Quebec, Canada.”
“Her parents never confronted me because the girl only had a mother. I never lied to her or her daughter about anything.”
Georgiev later suggested that his departure from Falling In Reverse may instead have been linked to him “taking the initiative to learn nine songs of another band”, which he identified as Disturbed.
Elsewhere, Radke has reportedly filed a temporary restraining order against Brittany Furlan, citing alleged harassment connected to a catfish controversy from last year.
He has repeatedly alleged that Furlan, the estranged wife of Tommy Lee, was involved with someone impersonating him online. The filing asks that she be required to remain at least 100 yards away from him. Representatives for Furlan have said they are “aware” of the request and maintain that the allegations are “not accurate”.
Radke also saw his defamation lawsuit against Anthony Fantano of The Needle Drop dismissed last year.
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The closing hours of Reading 2026 have finally arrived. Florence + The Machine brought the rain during ‘Dog Days Are Over’ at The Grid, opening the heavens and leaving the festival site completely soaked. The weary fans who have stayed behind are wet, exhausted and clearly feeling the effects of the weekend. What they need now is one final enormous celebration to make the wait worthwhile.
The Gallery tent comes alive as the speakers blast ‘Favourite’ by Friday’s headliners and fellow countrymen Fontaines D.C., receiving the kind of reaction usually reserved for ‘Mr Brightside’ at a drunken wedding reception. Moments later, Kneecap display their familiar statement accusing Israel of carrying out genocide against the people of Palestine and Lebanon, with support from the UK government. It captures the Belfast rap trio perfectly, combining serious political messages with an unapologetic party atmosphere.
“We use our platform to talk about what we believe is right,” Mo Chara explains during the performance, before recognising those who “aren’t so fucking lucky” and whose voices have been suppressed. He soon encourages the audience to roar “fuck Netanyahu” and “free free Palestine”. Later, he starts a powerful chant of “Aaaaaa-ndy Buuurn-ham’s a waaaaaaan-ker” to the melody of ‘Seven Nation Army’, targeting our new Prime Minister over his claim that “a united Ireland is off the table”. Laughing, he asks: “The BBC won’t broadcast that, or will they?” As it turned out, they did not.
Away from the headlines and the controversy, there is no denying the connection Kneecap have built with their audience. Politics may shape the conversation, but the crowd also came to enjoy themselves, ready for a rave after the rally. The performance begins carefully with the heavy rumble of ‘Smugglers & Scholars’, before exploding during the Grian Chatten collaboration ‘Better Way To Live’ and the threatening energy of ‘Sick In The Head’. “Are ya ready for a mad one?” Mo Chara shouts. The response is already obvious.
The atmosphere becomes increasingly chaotic as the hip hop rhythm of ‘Cold At The Top’ and the hypnotic trance sounds of ‘An Ra’ send the entire tent into motion. The trio jokingly thank the UK for everything it has given Ireland, listing UKIP, fish and chips, a mental health crisis, Jimmy Saville, HP Sauce and Bloody Sunday. However, the show reaches another level once the second half begins. The explosive ‘Sayonara’ brings the ‘beef’ to ‘IBEEFA’, while ‘Get Your Brits Out’ and ‘Guilty Conscience’ give the crowd every reason to obey Móglaí Bap’s demand to “oooopen up the piiiiiit”.
Anyone watching closely may have questioned why the cameras continued to focus on Móglaí Bap and Mo Chara. The pair eventually reveal that they have spent recent weeks performing alongside a “provisional” DJ Próvai. Wearing the familiar tricolour balaclava, the temporary replacement handles his role as the crowd agitator with confidence while their bandmate enjoys some paternity leave. “Some things are more important than music, and that’s family,” they explain. How sweet. Móglaí Bap quickly destroys the tender moment by adding: “As you might know, the Brits took all our potatoes from Ireland; they took all our cocaine,” before declaring, “but we still have all our caaandy.” The group then charge directly into one of the biggest tracks ever written about extremely powerful ketamine.
‘Liar’s Tale’ sparks another huge reaction with its response to Keir Starmer, “genocide armer”, while the group warn that “you’re not getting away with doing nothing”. It is a politically charged message hidden inside an irresistible anthem from musicians who have experienced the “belly of the beast” through the legal system. Their latest album, ‘Fenian’, has helped Kneecap fully embrace the celebration that has always been part of their identity. Their live production now feels capable of filling arenas, blending the intimacy of a late night lock in with the rhythmic force and visual scale of The Chemical Brothers, the reckless electronic punk spirit of The Prodigy, and the fearless political honesty of Public Enemy. The spectacular visuals complete the experience.
Kneecap fans at Reading 2026. Credit: Andy Ford for NME
Kneecap fans at Reading 2026. Credit: Andy Ford for NME
Closing with the powerful combination of ‘Fenian’, ‘H.O.O.D.’ and the enormous ‘The Recap’, Kneecap bring our final celebration at Reading to a thrilling conclusion while also finishing their last festival appearance of the summer. “It’s been a pleasure to spend it with you mad c**ts,” Mo Chara says before leaving the stage. The feeling is mutual.
Return to NME here for the newest reports, reviews, photographs, conversations and further coverage from Reading & Leeds 2026.
