NEWS
A 15-year-old fan was severely injured and hospitalised after being urged by rapper Destroy Lonely to dive off a stage at a festival in Romania – find out more below.
The incident took place at the Beach, Please! festival in Costinesti, Romania, on July 11. The fan – known only as Nicolas – was attending with his mother, when he was pulled onstage to join Destroy Lonely. After singing and jumping around onstage for about a minute, Destroy Lonely reportedly told Nicolas to stage-dive off the high-rise stage to join his friends in the crowd, per Romanian news outlet The Observator.
Footage shows Nicolas looking apprehensive of jumping off such a height, but was allegedly coerced and pushed off stage by Destroy Lonely. Destroy Lonely can be heard saying onstage: “When this motherfucker drop, I need you to jump right back in there with your friends. Is you ready?”
Footage also shows Nicolas landing torso-first directly on a barricade before falling to the ground. Speaking to The Observator, Nicolas said Destroy Lonely’s performance proceeded as usual, but he received first aid from festival staff and was transported to the Constanţa County Hospital.
Nicolas has reportedly suffered a pulmonary contusion and lesions on the liver and one of his kidneys, and will require several weeks of rest and treatment to make a full recovery.
“When I fell, I thought I was dying,” Nicolas recalled of the incident to The Observator. “I had no more air, I ran out of air. I thought if I didn’t get help here, these would be my last moments.”
According to The Observator, Nicolas’ mother intends to file a complaint against Destroy Lonely. NME has reached out to Destroy Lonely for comment.
Following the incident, Beach, Please! co-founder Andrei Şelaru has said the festival will not book Destroy Lonely for performances again, and have implemented new safety rules, including banning fans from accessing the stage, “even if invited by the artist”.
Selaru said in a statement per the Romanian newspaper Adevarul: “We stand with the young man who suffered an injury [that] night, during a spontaneous moment spent on stage. We believe that the incident was caused by an irresponsible attitude of the artist who invited him on stage and urged him to jump. That is why, as of today, we have a new rule at the festival: no participant has access to the stage, even if invited by the artist.”
The festival has also issued the following statement to Pitchfork: “In the immediate aftermath of the incident involving a young man who was injured after jumping off the stage, Beach, Please! Festival took swift and concrete measures.”
“Our on-site medical teams intervened within seconds, providing immediate and professional care. The injured fan was promptly transported to the hospital, where he received the necessary treatment. We are relieved and grateful to report that he is now in stable condition, recovering well, and expected to make a full recovery. Throughout this time, we have remained in close contact with his family, offering our full support. His wellbeing continues to be our highest priority.”
“We fully respect the family’s privacy and will not be disclosing any contact details. Beyond medical assistance, we acted immediately to strengthen safety protocols. That very night, we implemented a strict no-access policy for fans on stage during any artist performance. This rule was promptly communicated to all artist teams, security providers, and production staff. Any breach of this policy will now carry immediate consequences.”
Other acts who performed at Beach, Please! this year included A$AP Rocky, 21 Savage, Yeat, Swae Lee, Young Thug, Rick Ross, Lil Tjay, Lil Pump and more. No other incidents were reported at the festival.
NEWS
Fontaines D.C. members Carlos O’Connell and Tom Coll have been behind the production of the forthcoming second album from French indie outfit Film Noir. To introduce the project, the band has unveiled the paired singles ‘VIENS TIENS TOI’ and ‘VEGITA’, which you can listen to below.
The Fontaines D.C. guitarist and drummer worked alongside Film Noir at La Frette Studios just outside Paris. The renowned recording space is also where Arctic Monkeys created their two most recent albums, ‘Tranquillity Base…’ and ‘The Car’.
O’Connell is partnered with Film Noir vocalist Joséphine de La Baume, who is also known for her work as an actor, filmmaker and model. Together, they share two children, with their first child serving as the inspiration for Fontaines’ 2025 track ‘It’s Amazing To Be Young’.
Reflecting on the project while announcing his role in the album, O’Connell shared on social media: “In early 2020 I walked into a gig in a club in Paris and was introduced to a band called Film Noir. I fell in love with the singer, I went on to make babies with her to to fall in love twice again with them.
“A little while back myself, [Coll] and @filmnoirmusic went to La Frette and recorded their upcoming record.”
The guitarist continued: “Producing this record was one of the most beautiful experiences I’ve had. Blessed to have so many. This album means the world to me & I hope it’ll mean something to many more.”
Film Noir have offered an early look at the still untitled album through the release of ‘VIENS TIENS TOI’ and ‘VEGITA’. O’Connell handled production duties on both tracks, while Coll contributed drums. O’Connell also took care of mixing on ‘VEGITA’.
Opening with a light acoustic arrangement, ‘VIENS TIENS TOI’ gradually unfolds into a dreamy sound shaped by shoegaze influences. In contrast, ‘VEGITA’ leans into a brighter, surf inspired feel that complements de La Baume’s floating vocal performance.
The group has also released a behind the scenes video capturing moments from the recording sessions for their sophomore album, which can be viewed below. At this stage, no official release date has been announced.
Back in spring 2020, O’Connell collaborated with Film Noir on a rendition of Lee Hazlewood’s ‘For A Day Like Today’ (via LiveForever). When the track arrived, the band described the guitarist as “a great supporter of the European rock scene and a common friend”.
Film Noir first emerged with their debut EP, ‘Vertiges (Men Of Glory)’, in 2019, followed by ‘Tendrement’ a year later. Their first full length album, ‘Palpitant’, arrived in 2022.
Outside of music, Joséphine de La Baume portrayed Marie in the 2011 film adaptation of One Day alongside Anne Hathaway. She has also appeared in Apple TV’s The New Look and the Polish period feature Chopin, a Sonata in Paris.
O’Connell also produced the self titled debut album from Dead Dads Club, the new project led by former Palma Violets singer Chilli Jesson. Released in 2026, that record was also created at La Frette Studios.
Speaking with NME earlier this year, O’Connell explained that the French studio “feels like a home”. He continued: “There’s nothing about it that feels corporate or constrained by time. My mind goes into this creative mode in which I can hear things in a certain way, and it doesn’t stop until I leave the building.”
Jesson also spoke about the experience, saying: “It was really organic. Carlos, on one of the tours we were on together, was working on a Film Noir album, and he was always mixing it and playing around with sounds. He’d just come out of the studio at La Frette and to see that process, with the production, I was like, ‘Holy shit.’ I’d been in a world where it was all on the computer, and then suddenly he’s talking about a fucking bass drum that’s two metres long.’”
More recently, Fontaines D.C. contributed music to the soundtrack for Peaky Blinders: The Immortal Man. The band also appeared on the collaborative charity release ‘Help(2)’, which supports War Child.
The group are preparing to return to the stage this summer for their first performances in nearly a year, beginning with three headline concerts in Spain before taking on their first ever top billing appearances at Reading & Leeds 2026.
Their schedule also includes a headline performance at Electric Picnic in Ireland, alongside appearances at European and American festivals including Frequency, La Route du Rock and Shaky Knees.
Discussing new material with NME at the beginning of the year, O’Connell revealed: “We’ve been writing, it’s been fun. We’re at [Reading & Leeds] and there are a couple of shows before that. I think if the music is there, it could get busy.”
Asked whether any fresh songs could appear during the Reading & Leeds performances, he responded: “I’d say so. If there is stuff written, then I would say so, yeah. That’s what we used to do all the time, play the new stuff live, songs that weren’t even finished. It’s a good way to test the songs.”
O’Connell was also asked whether elements of the visual production from the ‘Romance’ era might carry over into the band’s 2026 shows. “I think ‘Romance’ was so intense in every [way]… the visual, the production, the setlist… It wasn’t just about the music,” he explained.
“It’s almost a bit of the identity of the band now, but I guess that’s the decision to make. Does that become the identity of the band, or actually, it’s just a phase and you reinvent it? I don’t know.”
He went on to add: “I personally like the idea of revisiting some old stuff at Reading & Leeds, making the setlist maybe a bit more ‘Dogrel’ heavy. I’m excited about that. I’ve been listening to music like that much more. This morning I was listening to Sonic Youth. I want to go [in] that direction, but we’ll see, because anything could happen now, literally anything.”
‘Romance’ ultimately secured the Number Two spot on NME‘s list of the 50 best albums of 2024, finishing just behind Charli XCX’s ‘Brat’.
