If you’re into alternative music, there’s no way you haven’t heard of this indie powerhouse dominating the UK’s underground scene. After the release of only one single, The Last Dinner Party has garnered over 500,000 monthly Spotify listeners. In anticipation of their upcoming UK tour and the release of their second single, “Sinner,” we talked to the quintet about their name, aesthetic, and how The Last Dinner Party came to be where it is today.
Were you all at all startled by just how quickly you would rise to underground prominence after officially releasing your first single? What do you think that had to do with how much you had been killing it in the UK live scene?
The Last Dinner Party: “We were wishing and hoping ‘Nothing Matters’ would be received well but couldn’t anticipate the scale. It’s been overwhelming and amazing. We always hoped it would be the shows that drew people in, that’s partly why we started doing live shows before releasing anything online.”
Where did the name The Last Dinner Party come from?
The Last Dinner Party: “It was conceived during Abi and Georgia’s famous wine heavy night in Brixton. They wrote a whole manifesto, dripping with wine and blood, for this fantasy of a band they were going to start. The name is perfect because anyone can attend a dinner party. It’s welcoming and it embodies an ethos of mystery, decadence and maximalism.”
You all have such a unique aesthetic in your exploration of those Victorian, Baroque, and Renaissance themes. When did that start, and how important is it to the band’s identity moving forward?
The Last Dinner Party: “We’ve always naturally been drawn to those aesthetics as we find they capture the spirit of our music. There’s a playfulness and glamour that comes from dressing up like that and it empowers us on stage. Like many other musicians before us during the glam-rock and New Romantic eras, we like to interpret the silhouettes through a modern lens so that it doesn’t become pastiche.
However, as with our music, our look will naturally evolve as we explore new avenues and interests so it’ll be exciting to see where our aesthetic goes next.”
At every live show, what do you hope to gain with the audience?
The Last Dinner Party: “We want the shows to be a cathartic experience for the audience. We want you to feel like you’ve been apart of something, a shared experience. We hope it’s inspiring, that it inspires artists to create, musicians to play, and friends to start bands.”
What does The Last Dinner Party songwriting process look like?
The Last Dinner Party: “As a band it’s an ongoing experiment. With the five of us being capable writers there are so many ways of collaborating on new music. On this album, Abi wrote most of the songs on the piano and then the band added the beef to the sandwich.
Aurora and Lizzie made the ‘Sinner’ demo with each member contributing their parts, ‘Gjuha’ was written together in a practice room then Aurora went away and added the vocal line. It’s a mix of sharing songs, producing demos and jamming out in a practice room.”
What is your favorite live moment you've experienced thus far?
The Last Dinner Party: “The Camden Assembly gig right after the release of ‘Nothing Matters’ was euphoric. It was a massive joy to jump around with everyone singing along to ALL the words, we were ecstatic.”
What do you hope for The Last Dinner Party's future?
The Last Dinner Party: “We hope it keeps on the same trajectory. This band has been a dream come true. We get to make art and music, play gigs, travel with our friends, what more could you ask for? We are so incredibly grateful.”
ON THE RISE
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NETHERLANDS — August 26, 2026 — Brook Lynn is stepping into a new chapter with “Love Your Enemy,” an atmospheric alternative pop song that turns an intensely personal battle with anxiety into a message of self-acceptance. Written after her America’s Got Talent auditions, the song captures the internal conflict of facing the person who can be hardest to silence: yourself.
Built around cinematic production and emotionally restrained vocals, “Love Your Enemy” explores the disconnect between appearing fine in public and confronting difficult thoughts in private. The song’s central message is reflected in its chorus, where Brook Lynn sings about being “my own worst company” before arriving at its most hopeful realization: “They say, ‘Love your enemy,’ / So I’m learning how to love me.”
For Brook Lynn, that “enemy” is anxiety. Rather than presenting it as something that simply disappears, the song examines what it means to live with those thoughts while refusing to let them dictate what comes next.
“I always want to give a hopeful message in every song,” Brook Lynn explains. “I always first want to explain what is happening in your head and what you feel, and then, at the end, give a message that you can get out of this, and that anxiety doesn’t have to hold you back from all the things you want to achieve in your life.”
That message became especially significant when Brook Lynn made the decision to perform “Love Your Enemy” on America’s Got Talent. Known by many viewers for her stripped-back cover performances, she recognized that performing an original song on one of television’s biggest stages carried a different kind of risk. But she also knew she could not continue forward without showing audiences the artist behind the covers.
“I just thought it was really important to also show the world that I’m not just a cover singer,” she says. “I do want people to know that I write songs and I want to be an artist and put that out there.”
Brook Lynn performed “Love Your Enemy” during the America’s Got Talent quarterfinals, bringing the song’s story of anxiety and self-doubt directly to a massive live audience. Her journey on the show ended there, but the response made one thing clear: listeners wanted to hear more. Fans connected not only with her voice, but with the honesty behind the performance and the willingness to speak openly about emotions many people struggle to acknowledge themselves.
“I do want to be that person with my music as well for other people,” Brook Lynn says, describing her desire to write about real experiences and feelings. “I always want to be really real with everyone, like talk about deeper stuff, not surface level.”
“Love Your Enemy” arrives as Brook Lynn looks ahead to Tales From The Woods, an upcoming EP intended to introduce listeners to a broader picture of who she is as an artist. With only two original songs currently released, she says she is excited to share more music and continue developing the sound and emotional world introduced through “Love Your Enemy.”
The song is not a conclusion to Brook Lynn’s story. It is the beginning of a more open one—one where anxiety can be acknowledged without being allowed to take control, and where the feelings people are often afraid to say out loud can finally have a voice.
Listen to “Love Your Enemy,” which received promotional support from Starlight PR.
Brook Lynn creates music that feels intimate yet powerful, cinematic yet emotionally exposed. Blending atmospheric alternative pop with minimalist visual storytelling, her work explores vulnerability, isolation, emotional tension and human connection through a distinctly modern lens.
Raised in Wilp, a small town in the Netherlands, Brook Lynn grew up surrounded by silence, nature and isolation. Music became a private emotional outlet and a way to process feelings that were difficult to explain out loud. What began through stripped-back online performances evolved into a growing global audience drawn to her honesty and emotional depth.
For Brook Lynn, music is never just about being heard. It is about being understood.
thisisbrooklynn.com
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