The singer sold out three dates at at St. James’ Park earlier this month, becoming the first Geordie to headline the stadium

Sam Fender‘s three huge Newcastle shows boosted the local economy by £16.5million, new figures show.

The homecoming gigs took place at St. James’ Park on June 12, 14 and 15, and saw the singer-songwriter and guitarist head back to the football ground after first playing there in 2023.

The sold-out shows made Fender the first Geordie artist to headline the stadium. They also saw him bring out AC/DC’s Brian Johnson and pay tribute to Bruce Springsteen.

Now, it’s been reported that the shows boosted the local economy by £16.5million, with around 150,000 fans heading to Newcastle to attend, per BBC News.

According to figures released by investment agency NewcastleGateshead Initiative (NGI), the shows brought in extra revenue for bars, restaurants and hotels.

The figures are based on NGI data gathered from visitor and supply chain spend, generated via visitor surveys, hotel occupancy data, average room rates and spending in retail, restaurants and pubs.

Elsewhere at the Newcastle gigs, Fender brought out his former guitar teacher Phil Martin for a cover of Thin Lizzy’s classic track ‘The Boys Are Back In Town’ – something seen in previous Newcastle shows – and also introduced the Easington Colliery Brass Band for ‘Remember My Name’.

He was also joined on stage by CMAT and Olivia Dean, as well as his brother, Liam.

The shows follow on from Fender playing at the 82,500-capacity London Stadium the week earlier, as he kicked off his huge UK summer tour. For the gig, he was joined by Dean for a rendition of ‘Rein Me In’ – which they later released an official version of. He also used the show to give a passionate pro-Palestine speech.

“It breaks my heart, and it’s probably more relevant now than it was then. I don’t know if you’ve noticed but we’ve got Doctors Without Borders with us at the show tonight,” he said.

“They do incredible work out there, they’re legitimate, real heroes who are out there helping the people, and they’re gonna be with us on all of our summer shows.”

In August, Fender will play three big outdoor gigs in Manchester, Edinburgh and Belfast, as well as top the bill at Ireland’s Electric Picnic. Find any remaining tickets for Fender’s UK and Ireland headline dates here.

In a four-star review of his most recent album, ‘People Watching’, NME shared: “Reflective, analytical and vulnerable, ‘People Watching’ does exactly what the title may suggest: takes stock of the characters, friends and loved ones who have made Fender the person he is today. He approaches each track with sensitivity as he looks back on his life so far – perhaps even with an inkling of guilt – and contemplates who he may be next.”

Celebrated playwright and comedian Ben Elton has approached Noel Gallagher about creating an “Oasis jukebox musical”.

The two recently crossed paths at the Queen Budapest premiere at London’s BFI Imax. During their conversation, the We Will Rock You writer expressed his interest in building a stage production around Oasis’ songs.

The Sun newspaper’s Bizarre column reported that the guitarist laughed and pointed him towards his brother Liam, saying: “You better ask our kid.”

Someone close to Liam suggested casting the singer would be a challenge, claiming no actor could "match" his "swagger".

Built around Queen’s songs, We Will Rock You enjoyed an impressive run, becoming the Dominion Theatre’s longest running musical and earning a place among the West End’s longest running productions. It also received the Laurence Olivier Award for Most Popular Show.

Interest in Oasis remains enormous, with 11 million people signing up for the Oasis Live ’27 ticket ballot.

After the Live Forever band returned to touring last year for the first time in 16 years, their famous rivalry with Blur became the subject of a stage comedy.

In The Battle, Gavin and Stacey actor Mathew Horne portrayed Andy Ross, the Britpop music executive who found himself in the middle of one of British music’s most memorable feuds.

He said: “This play is right in the sweet spot of my teenage cultural experience. I’m thrilled to be exploring this iconic era in music on stage with such a talented creative team involved.”

The production revisited August 1995, when Blur and Oasis went head to head by releasing Country House and Roll With It on the same day, each hoping to reach Number One.

Blur secured the victory with sales of 274,000 copies, compared with 216,000 for Oasis.

That chart contest fuelled years of public jabs between members of both groups, although relations have become less hostile over time.

A UK tour had been planned for the production, but its remaining performances were cancelled following the Birmingham and Manchester engagements in February and March this year.

Oasis Live ’27 begins on May 21 at Glasgow’s Celtic Park, with 42 concerts scheduled, including a record six performances at Knebworth.

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